Rundfunk: Wachstumsschmerzen (2019)

Theo Maassen: Zonder Pardon

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Nasrdin Dchar: Adem

Moroccan-Dutch actor and stage performer Nasrdin Dchar attempts to make sense of the chaos that was the year 2020.

Sanne Wallis de Vries: Sop

Registration of the first theatre show by the Dutch comedian Sanne Wallis de Vries.

Roué Verveer: FF wat anders

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Henry van Loon: Sleutelmoment

It can go fast. One moment you are tinkering with a moped in your over-complete shed, the other moment you become chief of an Indian tribe. But not before you, as a proud householder with extremely cozy children, have shown how hospitality is meant. In the meantime you play the lead in a musical. It could just be. At least, in the absurd universe of comedian, actor and vlogger Henry van Loon. And in his performance Sleutelmoment it could all happen at the same time.

Henry van Loon: Onze Henry

Comedian, actor and vlogger Henry van Loon will be in the theater until May 2019 with his new cabaret performance Onze Henry. In this personal program, he zooms in on his Brabant roots and serves you both hilarious and fidelely reflections and moving songs. You do not think of it, but you do see it, so that afterwards you come out with a pearly sheen and whisper, shaking your head to your temporary bed partner: "That was really something for our Henry."

Theo Maassen: Tegen beter weten in

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Hans Teeuwen: Industry of Love

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Theo Maassen: Ruwe Pit

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Micha Wertheim: Voor Je Het Weet

Stage registration of the fifth comedy special by the Dutch comedian Micha Wertheim. At the start of the performance, the performance appears to be unfinished: Micha Wertheim is still writing and the comedian has a writer's block.

Youp van 't Hek: Korrel Zout

Dutch comedian Youp van 't Hek attempts to see the humor in the chaos that was the year 2020.

Alex Agnew: Ka-Boom!

Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!

Hans Teeuwen: Dat dan weer wel

Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.

Theo Maassen: Einde Oefening

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Bert Visscher: Afijn

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De Partizanen: De Partizanen

Debut show of this Dutch duo

Lebbis: W2P

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Karin Bloemen: La Bloemen's Kerstshow

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Philippe Geubels: Made in Belgium

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Ronald Goedemondt: Numero Uno

Ronald is further in life, but does that mean he has become more mature? Not quite. Ronald explores his lack of self-control in his own unique way: with an unprecedented amount of (verbal) energy and funny anecdotes.

Richard Groenendijk: Alle dagen

Registration of the eight theatre program by the Dutch comedian Richard Groenendijk.

René van Meurs: Ik Beloof Niks

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Theo Maassen: Functioneel Naakt

Registration of the fourth theatre program by the Dutch comedian Theo Maassen.

Lebbis: Het Grijze Gebied

In his eighth show the Dutch comedian Hans Sibbel aka Lebbis looks for the interest that people have in their clarity and truth, and then kicks dents in it. Show recorded in the open air in the summer of 2013.

Bert Visscher: Geluk zit in hele grote dingen

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René van Meurs: Even Goede Vrienden

René came across himself at some point, just as everyone sometimes encounters themselves. From that moment one cannot help but ask: "Am I still good friends with myself after this shit?"

Pieter Derks: Van Nature

Registration of the fourth theatre program by the Dutch comedian Pieter Derks.

Lenette van Dongen: Paradijskleier

Registration of the theatreprogram by the Dutch comedian Lenette van Dongen. A show about getting older. She is unabashedly honest about her lessons in aging and the wisdom that comes with it.