Michael Van Peel: Van Peel overleeft 2017 (2018)

Yentl en de Boer in Concert

Live registration of a concert by the Dutch musical comedy duo Yentl (Schieman) en (Christine) de Boer. They sing songs about Hogwarts, the men they knew, claiming a seat in the public transport and many other things. With musical accompaniment by the musicians Laurens Joensen, Jan Teertstra, Viktor van Woudenberg and Charlie Zastrau.

Theo Maassen: Einde Oefening

Theo Maassen puts his teeth in his first-ever New Year's conference. Twelve months, 52 weeks, 365 days, reduced to 70 nerve-wracking minutes. Maassen asked young super talent Tim Fransen for help writing this conference, his favorite band Stuurbaard Bakkebaard will accompany him.

Hans Teeuwen: Dat dan weer wel

Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.

Ronald Goedemondt: Geen Sprake Van

Stand-up comedian Ronald Goedemondt converts his daily experience as a man in his forties into astute humor about fatherhood and aging.

Javier Guzman: Oorverdovend

In his stand-up show 'Oorverdovend,' Javier Guzman finds humor in such serious topics as his rough childhood, intolerance and our drifting society.

Ton Kas: Kakmaker

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Theo Maassen: Tegen beter weten in

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

The Yes Men

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

Rayen Panday: Vrijspraak

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Chuchotage

During a professional conference in Prague, two interpreters in the Hungarian booth hilariously vie for the attention of one listener.

The Gendarme in New York

Sergeant Cruchot and his faithful comrades have been sent to the International Congress of Gendarmerie in N.Y.

Derren Brown: Pushed to the Edge

Derren Brown investigates the power of social compliance by persuading an unwitting member of the public into believing that they have pushed someone to their death.

Ton Kas: Jabroer

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Claudia de Breij: Teerling

Registration of the seventh theatre program by the Dutch comedian Claudia de Breij.

Jochem Myjer: Yeee-haa!

Jochem's decor consists of Trivial Pursuit pieces, each of which represents a dream. He talks about his school trip, his girlfriends, and family members, each of whom he gives an absurd characteristic. A recurring theme throughout his story is his cheerfulness and positivity. He calls this the Yee-Haa! feeling.

Theo Maassen: Functioneel Naakt

Registration of the fourth theatre program by the Dutch comedian Theo Maassen.

Micha Wertheim: Somewhere Else

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.

Hans Teeuwen: Echte Rancune

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