Abd El-Kader (2014)

Main Tera Hero

Seenu loves Sunaina but they're chased by a stalking cop, an infatuated beauty and her mafia don dad - can Seenu's heroics work?

State and Main

A movie crew invades a small town whose residents are all too ready to give up their values for showbiz glitz.

Main Atal Hoon

Statesman and poet Shri Atal Bihari Vajpayee's eloquence and vision shaped India's destiny. A look at his remarkable life as he led his country through a challenging period of change and development as the 10th Prime Minister of India.

The Tuche Family: The American Dream

Les Tuche, a modest french family, change his life after winning a super lottery. Thanks to the money of his parents, the son, Donald (aka "coin-coin) goes to Los Angeles to improve his english. On the L.A. University, he meets Jennifer, daughter of a famous American financier.

Ek Main Aur Ekk Tu

Rahul and Riana meet each other for the first time, get drunk, and awake the next morning to find that they have gotten legally married to each other.

Main Krishna Hoon

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

Return of Sabata

Master gunslinger Sabata arrives in Hobsonville, a town completely owned by McIntock, a robber baron who is taxing the inhabitants for the cost of future improvements to the town. Or that's what McIntock says he'll do with the money...

The Return

The Return is a 2016 documentary directed by Emmy Award winning director Erich Joiner chronicling Ford GT's return to 24 Hours of Le Mans after their 1966 1-2-3 victory.

Return of the Living Dead: Rave to the Grave

A student creates and sells a drug called 'Z' which has the unexpected side effect of resurrecting the dead as flesh-eating zombies, who proceed to wreak havoc at a Halloween rave.

The Return

Two young children and an adult in a small town have an encounter with an alien spaceship. 25 years later the children are reunited as adults in the same town which is now beset by strange cattle mutilations. Matters become worse when the cattle mutilations are joined by human murders and mutilations.

Summerfield

When teacher Simon arrives in a small, secluded village to take over the local school, he is surprised to discover that his predecessor has disappeared without a trace - and that nobody seems too concerned about it. As Simon probes deeper into the disappearance, the inhabitants of a forbidding estate called "Summerfield" take on more and more significance.

Return to a Better Tomorrow

An adventure that delves into the dark caverns of the underworld and tells the tale of three chivalrous gangsters who attempt to escape the powerful clutch of their gang leader.

Zygote

The two remaining crew members of a mining operation in the Arctic Circle fight to survive against an alien creature.

Creepshow 3

This follow-up to the George Romero/Stephen King-launched anthology series features five new tales of horror and a wraparound. The main stories deal with alternative realities ("Alice"), possessed communication devices ("The Radio"), vampires and serial killers in lust ("Call Girl"), mad inventors ("The Professor's Wife"), and hauntings from beyond the grave ("Haunted Dog").

Fashion Victim

Andrew Cunanan started his murderous spree in Minnesota, continued through Chicago, and despite being the subject of an intense manhunt, was able to kill fashion great Gianni Versace, in Miami, before killing himself.

Toy Story of Terror!

What starts out as a fun road trip for the Toy Story gang takes an unexpected turn for the worse when the trip detours to a roadside motel. After one of the toys goes missing, the others find themselves caught up in a mysterious sequence of events that must be solved before they all suffer the same fate in this Toy Story of Terror.

The Forger

While staying at a picturesque village, a teen encounters the underground world of art forgery.

Return to Paradise

Lewis, Sheriff and Tony are three friends vacationing in Malaysia. Sheriff and Tony eventually leave to pursue careers in New York, but Lewis stays behind to work with orangutans. Two years later, Sheriff and Tony learn that, because of their past actions, Lewis has been arrested for drug possession. With Lewis facing a death sentence, the friends are left with a difficult decision: return to Malaysia and split Lewis' sentence, or let him die.

Return to Jurassic Park

A multi-part documentary about the making of the Jurassic Park trilogy. Each part walks through the making of part of one of the films, including the hurricane during the shooting of the first film, and how advances in CGI for Jurassic Park helped change the world of special effects forever. All interviews for these retrospective documentaries come with comments from Spielberg, Johnston, Neill, Dern, Goldblum, the effects crews, the child actors, and Peter Stormare. This documentary is broken into six parts: Dawn of a New Era (25 min), Making Prehistory (20 min), The Next Step in Evolution (15 min), Finding the Lost World (28 min), Something Survived (16 min), and The Third Adventure (25 min).

Universal Soldier: The Return

Luc Deveraux, the heroic former Universal Soldier, is about to be thrown into action once again. When SETH, the supercomputer-controlled ultra-warrior, decides to take revenge and destroy its creators, only Luc can stop it. All hell breaks loose as Luc battles SETH and a deadly team of perfect soldiers in a struggle that pits man against machine and good against evil.

Go

Grocery store clerk Simon occasionally sells drugs from his cash register at work, so when soap opera actors Adam and Zack come looking for Ecstasy on a quiet Christmas Eve, they are surprised to find Ronna covering his shift. Desperate for money, Ronna decides to become an impromptu drug dealer, unaware that Adam and Zack are secretly working for obsessed narcotics officer Burke.

Maine-Ocean Express

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

Return of the Seven

Chico one of the remaining members of The Magnificent Seven now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out Chris, the leader of The Seven for help. Chris also meets Vin another member of The Seven. They find four other men and they go to help Chico.

No Deposit, No Return

Two rich children devise a way to escape their grandfather and visit their mother. Unfortunately for two hapless safe crackers, they become part of the plan.

Jarhead: Law of Return

Major Ronan Jackson, an accomplished fighter pilot for the Israel Defense Forces and son of a U.S. Senator, is shot down while flying through Syrian airspace. After miraculously surviving the crash, Jackson is taken captive by a group of Hezbollah militiamen. A squad of elite soldiers, led by Gunnery Sergeant Dave Torres, risk their own lives in the hopes of saving an ally they've never met.

Tresor

Nathalie and Jean-Pierre have been together for five years, to celebrate their anniversary, Jean-Pierre prepare a surprise present for his girlfriend: a cute four month english bullgod. Nathalie loves her present and calls the puppy "Tresor"; her relationship with the dog is close and strong since the begining but causes problems in the couple.

The Lion Guard: Return of the Roar

Set in the African savannah, the film follows Kion as he assembles the members of the 'Lion Guard'. Throughout the film, the diverse team of young animals will learn how to utilize each of their unique abilities to solve problems and accomplish tasks to maintain balance within the Circle of Life, while also introducing viewers to the vast array of animals that populate the prodigious African landscape.

Pierre Clément, Cinéma et Révolution

Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.

Boudjemâa et la Maison Cinéma

He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.

Planet Malek

Ahmed Malek’s name might have been forgotten by his fellow Algerians but his timeless tunes certainly haven’t. Called the Ennio Morricone of Algiers, he composed music for more than 200 movies, amongst which the most famous films of the Algerian New Wave in the 70s and the 80s can be found. Paloma Colombe, a DJ, digger and documentary director, went to Algiers to meet his daughter, friends and former coworkers. Images of the city by night offer a perfect background to Ahmed Malek’s music. Globetrotter, pioneer of electronic music and of the concept of the home studio, he created a unique sound that truly goes beyond genres and countries.

Jean-Marie Tjibaou ou le rêve d'indépendance

Through the commitment of Jean-Marie Tjibaou, this documentary traces the history of the march of the Kanak people in search of their independence. Between the raising of the Kanak flag in December 1984 and the funeral procession of the independence leader assassinated by one of his own on the island of Ouvéa in May 1989, there were years of struggles, dramas, palaver, hopes, of which Jean-Marie Tjibaou was one of the main actors. Will France be able to win the bet of a smooth decolonization of one of the last confetti of its empire? The authors meet the main protagonists of the "Tjibaou years", which were those of the Kanak people's dream of independence.

Frantz Fanon, trajectoire d'un révolté

Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter, he enlisted, like millions of colonial soldiers, in the Free Army out of loyalty to France and the idea of freedom that it embodies for him. A writer, he participated in the bubbling life of Saint-Germain with Césaire, Senghor and Sartre, debating tirelessly on the destiny of colonized peoples. As a doctor, he revolutionized the practice of psychiatry, seeking in the relations of domination of colonial societies the foundations of the pathologies of his patients in Blida. Activist, he brings together through his action and his history of him, the anger of peoples crushed by centuries of colonial oppression. But beyond this exceptional journey which makes sensitive the permanence of French colonialism in the Lesser Antilles at the gates of the Algerian desert, he leaves an incomparable body of work which has made him today one of the most studied French authors across the Atlantic.

Guns of Freedom

“Les Fusils De La Liberté” (1961) is a docu-fiction which recounts the difficulties overcome by an ALN ​​detachment whose perilous mission is to transport weapons and ammunition from Tunisia across the Algerian Sahara during the Algerian liberation war (1954-1962) against the French army of occupation.

Algérie Couleurs

"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973

In The Footsteps Of Frantz Fanon

Who was Frantz Fanon, the author of Wretched of the Earth and Black Skin, White Masks, this Pan-African thinker and psychiatrist engaged in anti-colonialist struggles? Born in Martinique, Frantz Fanon was not yet 20 years old when he landed, weapons in hand, on the beaches of Provence in August 1944 with thousands of soldiers from "Free France", most of whom had come from Africa, to free the country from Nazi occupation. He became a psychiatrist and ten years later joined the Algerians in their fight for independence. Died at the age of 36, he left behind a major work on the relationships of domination between the colonized and the colonizers, on the roots of racism and the emergence of a thought of a Third World in search of freedom. 60 years after his death, the film follows in the footsteps of Frantz Fanon, alongside those who knew him, to rediscover this exceptional man.

China Is Still Far

On November 1, 1954, near Ghassira, a small village lost in the Aurès, a couple of French teachers and an Algerian boss were the first civilian victims of a seven-year war which would lead to the independence of Algeria. More than fifty years later, Malek Bensmaïl returns to this Chaoui village, which has become “the cradle of the Algerian revolution”, to film, throughout the seasons, its inhabitants, its school and its children.

Pornotropic

When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.

La Bataille d'Alger, l'empreinte

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

Lost Mountain

On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.

The Panafrican Festival in Algiers

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

L'Histoire Du Film "La Bataille D'Alger"

More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.

Déjà le sang de mai ensemençait novembre

The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.

A Propos D'Un Crime

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

The Barbary Corsairs

In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

Many Beautiful Things

In an age when women were incapable of joining the artistic dialogue, Lilias Trotter managed to win the favour of celebrated critics.

Interviews with Abdelkrim Baba Aïssa

In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.

My Story Is Not Yet Written

Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history of the Algiers Cinematheque, inseparable from that of the country's Independence, through film extracts and numerous testimonies; notably that of one of its creators, Jean-Michel Arnold, but also of filmmakers such as Merzak Allouache and critics such as Jean Douchet. A place of life for Algerians, the Cinémathèque was the hub of African cinemas. Created in 1965 by Ahmed Hocine, Mahieddine Moussaoui and Jean-Michel Arnold, the Cinémathèque benefited from the excitement of Independence. The Cinematheque becomes a meeting place for Algiers society, future filmmakers find their best school there. In 1969, the Algiers Pan-African Festival brought together all African filmmakers, and from 1970, Boudjemâa Kareche developed a collection of Arab and African films.

Frantz Fanon: His Life, His Struggle, His Work

It is the evocation of a life as brief as it is dense. An encounter with a dazzling thought, that of Frantz Fanon, a psychiatrist of West Indian origin, who will reflect on the alienation of black people. It is the evocation of a man of reflection who refuses to close his eyes, of the man of action who devoted himself body and soul to the liberation struggle of the Algerian people and who will become, through his political commitment, his fight, and his writings, one of the figures of the anti-colonialist struggle. Before being killed at the age of 36 by leukemia, on December 6, 1961. His body was buried by Chadli Bendjedid, who later became Algerian president, in Algeria, at the Chouhadas cemetery (cemetery of war martyrs ). With him, three of his works are buried: “Black Skin, White Masks”, “L’An V De La Révolution Algérien” and “The Wretched of the Earth”.

M'hamed Issiakhem

"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.

Guerre sans images - Algérie, je sais que tu sais

The Director Mohammed Soudani comes back to Algeria after 30 years with the photographer Michael von Graffenried to visit the Algerians he had photographed between 1991 and 2000 without them knowing it.

Dawn of the Damned

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Our Algeria

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

Sénac, Jean. Algérien, Poète

Jean Sénac, born in Béni Saf in Algeria in 1926 and died in Algiers in 1973, is today considered one of the great French writers and poets and the only one of his reputation to have accompanied the Algerian revolution before November 1954. part of all the debates and got involved, very early and with immense enthusiasm, in a work of commitment which ended badly. His poetry, his sexual preferences and his political lyricism work against him: rejected as much by the Pieds Noirs as by the FLN activists then by the power in place in Algiers, Jean Sénac was assassinated in 1973 at his home in Algiers, in circumstances never clarified.

Glimpses of Morocco and Algiers

This FitzPatrick Traveltalk short visits the cities of Casablanca, Rabat, and Marrakesh in Morocco, as well as the city of Algiers in Algeria.

Algérie Tours Détours

A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.

Algérie du possible

By meeting his former comrades in combat, the film follows the journey of Yves Mathieu, anti-colonialist in Black Africa then lawyer for the FLN. When Algeria became independent, he drafted the Decrees of March on vacant property and self-management, promulgated in 1963 by Ahmed Ben Bella. Yves Mathieu's life is punctuated by his commitments in an Algeria that was then called "The Lighthouse of the Third World". The director, who is his daughter, returns to the conditions of his death in 1966.

The Zerda and the Songs of Forgetting

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Children of the Wind

Three short films about abandoned children, left to the omnipotence of silence, of the eye and of the hand but also of abysmal loneliness

The Memory of Justice

This exceptional, disturbing, and thought-provoking two-part documentary compares the atrocities committed by the Nazis as revealed during the Nuremberg trials to those committed by the French in Algeria and those done by the Americans in Vietnam. The four-hour epic questions the right of any country to pass self-righteous moral judgements upon the actions of another country. Preserved by the Academy Film Archive in partnership with The Film Foundation.

The Silence of the River

“Forgetting is complicit in recidivism,” says the commentary of this film dedicated to the demonstration of October 17, 1961 in Paris and the savage repression that followed. 11,538 Algerians will be arrested, which is reminiscent of the great Vel d’hiv roundup of July 16 and 17, 1942 where 12,884 Jews were arrested.
 The film brings together eyewitnesses including a priest, a peacekeeper, a couple of workers sympathetic to the Algerian cause, a lawyer, Paris municipal councilors including Claude Bourdet (then one of the leaders of the PSU and journalist to France Observateur), Gérard Monatte, the future police union leader, and the editor and writer François Maspero.

Woman Is Courage

Louisette finally ends her 40-year search for a French military doctor known to her only as Commander Richaud, in order to express her gratitude to him for saving her life, when she was captured in a field in September 1957 and tortured by French forces until Richaud rescued her.

Moudjahidate

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Chronicle of a Summer

Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.

Emilie Busquant, une passion algérienne

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Le Choix de mon père

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Amal

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

L'ordre Français : 17 Octobre 1961

“In Algeria, we are restoring order, what we mean by French order,” declared Michel Debré, Prime Minister, under the presidency of Charles De Gaulle, in April 1956. It was, of course, order colonial in defiance of the republican order, in Algeria as in Paris where, on October 17, 1961, Algerians flocking from suburban slums were massacred by the police of prefect Maurice Papon, while they were peacefully marching for the independence of their country. On October 17, 2001, a commemorative plaque was placed in Paris on the Saint-Michel bridge: "In memory of the many Algerians killed during the bloody repression of the peaceful demonstration of October 17, 1961." A surge of racial hatred, less than 20 years after the roundup of the Jews in July 1942. An Algerian, victim of this roundup, told us, holding back his tears, "I still have nightmares."

René Vautier, le maquisard à la caméra

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Algeria, Year Zero

Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: "For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema."

Daniel Timsit, l’Algérien

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Une Femme Taxi à Sidi Bel Abbès

When her husband died Soumicha, mother of three, had to earn a living. She became the only woman taxi driver in Sidi Bel-Abbès, Algeria. This film accompanies Soumicha around a city where religious and political violence rages, and records her experiences in a job normally reserved for men.

Hier, aujourd'hui et demain

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CHoosing at Twenty

Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.

Berbères des cimes

At the heart of the Moroccan High Atlas mountains, water is a resource in short supply. The village of Tizi N'Oucheg has undergone a transformation thanks to Rachid Mandili, who is well-aware that the development of his village depends on access to clean water and on his strong leadership of this project. Mandili rallies all the villagers together and calls upon the knowledge of French and Moroccan scientists to tap water sources, to purify, and reuse waste water for irrigation. The documentary highlights the Berbers' community ties and ingenuity in their dream of independently managing their village water resources. It equally paints a portrait of a man whose initiative and resourcefulness has opened Tizi N'Oucheg up to modernity while still conserving its cultural heritage. Tizi's example presents some of the problems of water access in semi-arid regions and puts forward concrete solutions to these problems.

Voyage à Tombouctou

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Restitution? Africa's Fight for Its Art

There is an interlinking history of violent European colonialism and the cultural legacy of ethnographic collections in institutions. This documentary traces the progression of colonial history from the Berlin Conference of 1884-85 to the systematic elimination of cultural traditions, religions and lifeways which would occur sporadically through genocides and warfare until the early 20th century throughout the African continent—surveying the inquiries and movements for historical justice, the relationships between European institutions and colonial violence and following enduring struggles against these organisations to regain what was taken.

Algérie 1988-2000 : Autopsie d'une tragédie

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How Much I Love You

Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.

Aleph

Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.

Gerboise Bleue

"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of "Gerboise Bleue", forbidden access for 47 years by the Algerian authorities

L'Homme de L'Atlas

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Li Fet Met (Le passé est mort)

The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.

Fernand Pouillon, Une architecture habitée

In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.

On The Trail Of Emir Abd El-Kader

Abdelkader ibn Muhieddine (Arabic: عبد القادر بن محي الدين (ʿAbd al-Qādir ibn Muḥyiddīn), also known as Emir Abdelkader, or Abdelkader El Djezairi (Abdelkader the Algerian), born September 6, 1808 in El Guettana, in the regency of Algiers, and died on May 26, 1883 in Damascus, then in the Ottoman Empire and in present-day Syria, is an Algerian emir, religious and military leader. Barely 20 years old, he federates the tribes and led a struggle against the conquest of Algeria by France in the middle of the 19th century.After his surrender, he was held captive in France before going into exile in Syria where he devoted himself to poetry and established great relations friendship with Paris, which showered him with honors after having intervened in favor of the persecuted Christians in Syria, he intervened by force to protect the Christian families who came to take refuge in large numbers in the Algerian district. of certain death.

Rester là-bas

Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.