In The Footsteps Of Frantz Fanon (2021)

Air Bud: Golden Receiver

Josh and Buddy move from basketball to football in this first of several sequels to the original Air Bud.

Two Evil Eyes

A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.

Good Boy!

An intergalactic dog pilot from Sirius (the dog star), visits Earth to verify the rumors that dogs have failed to take over the planet.

Scooby-Doo! Meets the Boo Brothers

After the death of Shaggy's Uncle Beaureguard, he, Scooby and Scrappy arrive at the late uncle's Southern plantation to collect the inheritance. But as soon as they arrive, they find it is haunted by the ghost of a Confederate soldier. With this spook on their tails while they solve riddles in search of the inheritance, they seek help from the Boo Brothers, a trio of ghost-exterminators to help catch this nasty ghoul.

The Prophecy II

The archangel Gabriel returns to try to destroy the human race he despises so much, with the help of a suicidal teen and the opposition of the angel Danyael.

Fantozzi to the Rescue

Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.

Wishmaster 4: The Prophecy Fulfilled

The unspeakable evil of the soul-devouring djinn rises again in this fourth electrifying installment of the unstoppable Wishmaster horror legacy! But now, as a host of new victims see their most nightmarish wishes come true, the world faces the ultimate demonic terror: an onslaught of multiple djinns hell-bent on destroying everything in their path!

Scooby-Doo! Pirates Ahoy!

It's horror on the high seas when Scooby-Doo and the gang take a creepy cruise into one of the world's most mysterious places, the Bermuda Triangle! If Scooby, Shaggy and the gang can't solve this mystery, they may have to walk the plank.

To Kill the Beast

Emilia arrives at her Aunt Inés' hostel located on the Argentina-Brazil border, looking for her missing brother. In this lush jungle a dangerous beast which takes the form of different animals seems to be roaming around.

For freedom and justice

A picture of the life of the Danish people from the late 1820s to the introduction of the free constitution in 1849. A fictional character, Rasmus Nielsen, travels around the country, first as a traveling teacher, later in other positions, and through his experiences we are introduced to the conditions of various population groups. The central figure in the portrayal of historical figures is the politician Orla Lehmann.

Turma da Mônica em Cine Gibi 7: Bagunça Animal

Trying to escape his bath, Monicão ends up hiding in the movie theater. Mônica can't find her pet in the dark, so she asks Franjinha to play some short films that might lure the dog out of hiding.

Alvin and the Chipmunks Meet Frankenstein

The Chipmunks work in an amusement park attraction. After Alvin drives a crazy tour group, they miss their next performance and are locked in the park after closing time. Little do they know that the real Dr. Frankenstein has been hired in a new attraction called, "Frankenstein's Castle"; figuring that the castle isn't scary enough, the mad scientist recreates the real Monster.

Tassels in the Air

The stooges are janitors in an office building. They stencil the wrong names on all the offices, causing a rich lady to mistakes Moe for famous decorator Omay. She hires the boys to redecorate her house, which they proceed to ruin. More trouble ensues when the real Omay shows up.

Doctor Who: Planet of the Dead

A meeting in a London bus with jewel thief Lady Christina takes a turn for the worse for the Doctor when the bus takes a detour to a desert-like planet, where the deadly Swarm awaits.

Baggy in & as KungFu Bonda: A Mostly English Stand Up Comedy Special

Baggy takes you on a hilarious journey about growing older, the changes it brings and coming to terms with it. His observations on adulting, parents, marriage, sex and grill gates will leave you in splits, while his anecdotal stories will keep you gripped through the show. Guaranteed to leave you laughing, content and hopefully a little more at peace with your own life's developments.

The Return

The Return is a 2016 documentary directed by Emmy Award winning director Erich Joiner chronicling Ford GT's return to 24 Hours of Le Mans after their 1966 1-2-3 victory.

Puss in Boots: The Three Diablos

Puss in Boots is on a mission to recover the Princess' stolen ruby from the notorious French thief, Whisperer. Reluctantly accompanied by three little kittens, Three Diablos, Puss must tame them before they endanger the mission.

Anacondas: Trail of Blood

A genetically created Anaconda, cut in half, regenerates itself into two new aggressive giant snakes, due to the Blood Orchid.

Scooby-Doo! and WWE: Curse of the Speed Demon

When Scooby and Mystery Inc. visit an off-road racing competition, it's not long before strange events start to occur. A mysterious phantom racer, known only as Inferno, is causing chaos and is determined to sabotage the race. It's up to Scooby-Doo, Shaggy and their new driving partner, The Undertaker, to save the race and solve the mystery.

The Return of Swamp Thing

The Swamp Thing returns to battle the evil Dr. Arcane, who has a new science lab full of creatures transformed by genetic mutation, and chooses Heather Locklear as his new object of affection.

Fantozzi The Return

Ugo Fantozzi has been ejected from Heaven and is sent back to Earth for a short period of time until the staff in Heaven can get Fantozzi a place there. Fantozzi goes through a variety of unfortunate experiences, such as rescuing his retro punk granddaughter Uga, and having to pay a vast telephone bill due to frequent chat line conversations. He ends up getting arrested instead of his ex-boss, who was originally charged with corruption. Just as he is about to enjoy the World Cup Final with Italy, he is called back into Heaven. Can he find peace once again?

Fear of the Light

After an unthinkable tragedy, a man's reality is shattered by a seemingly haunted flaslight.

Fantozzi 2000 - The Cloning

Ugo Fantozzi was resurrected from the company where he worked because of a crisis, how it will end?Tenth and final chapter of the film series of Fantozzi character.

Th'dread Rattlin'

University students investigate a noise phenomenon in haunted woods known as 'th'rattlin'.

I Married a Witch

A 17th-century witch returns to wreak havoc in the life of a descendant of the Puritan witch hunter who burned her, but runs afoul of her father when she discovers that her mischief might have found her true love.

Rewind 3: The Final Chapter

An unfortunate highschooler finds an ancient book that summons Allentown's deadliest maniacs back from the dead.

Honey, We Shrunk Ourselves

The joke's on absent-minded scientist Wayne Szalinski when his troublesome invention shrinks him, his brother and their wives so effectively that their children think they've completely disappeared. Of course, this gives the kids free rein to do anything they want, unaware that their parents are watching every move.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo

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Goal II: Living the Dream

Tempted away from Newcastle United to join Real Madrid, rising star Santiago Munez finds this latest change of fortune the greatest challenge yet - personally as well as professionally. He is reunited with Gavin Harris, though they must compete to be on the team, and estranged from fiancee Roz, whose nursing career keeps her back home.

Famous Five 2

For their bicycle tour to Catmoor, the friends Julian, Dick and Anne, their cousin Georgina, called George, and her dog Timmy have long looked forward to. But the camping holiday in the countryside ends with the kidnapping of Dick, confuse the two underprivileged hoodlums with the same age millionaire's son Hardy. With sophistication and courage, the five friends take on his trail that leads from a mysterious traveling circus to the castle "Owls Nest" where the kidnappers force Dick to coax the clue to a giant emerald.

A Propos D'Un Crime

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

Five Directors On The Battle of Algiers

This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .

Portugal: Carnations Against Dictatorship

In Portugal, during the night of April 24-25, 1974, a peaceful uprising put an end to the last government of the Estado Novo, the authoritarian regime established in 1933 by dictator António de Oliveira Salazar (1889-1970), paving the way for full democracy: a chronicle of the Carnation Revolution.

Sociology Is a Martial Art

"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.

Abd El-Kader

Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.

Jamila, the Algerian

Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...

Gerboise Bleue

"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of "Gerboise Bleue", forbidden access for 47 years by the Algerian authorities

An Unhealed Wound - The Harkis in the Algerian War

It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".

They Joined the Front

In this film, four key witnesses, who live in Algeria today, as full-fledged Agerians, show us what this colonization was really like, so "beneficial" that they themselves perceived it as the oppression of one people by another. Three of them, who today would be called "pieds noirs," in other words, those Europeans to whom France, the occupying power, gave the best land, taken from the indigenous populations, work, and exclusive rights, not shared by the entire population, lived rather well compared to the majority of the "natives." The fourth was far from all that and lived in Argentina. Annie Steiner, Felix Colozzi, Pierre Chaulet, and Roberto Muniz explain to us what led them to show solidarity with the struggle of the weak, the humiliated, and to risk their freedom and their lives by committing to liberate Algeria.

The Barbary Corsairs

In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

Muñiz, The Argentinian In The Algerian Revolution

Roberto Muniz, nicknamed "Mahmoud the Argentinian," was a revolutionary fighter who joined the National Liberation Army in 1959 to support the Algerian cause in the war of independence against France. He joined a clandestine group that manufactured weapons and ammunition to be transported to Algeria to support the revolution that began in 1954. After the war, the Algerian government invited the mujahid to stay, an offer he accepted to begin a new life as an employee of Sonnelgaz and a member of the General Union of Algerian Workers (UGTA), accompanied by his wife Alfonsa, a textile union activist who came from Argentina to join this North African adventure.

Here and Elsewhere

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

Algeria in Flames

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

Be Water

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.

CHoosing at Twenty

Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.

Algeria, Special Weapons Sections

This documentary by director Claire Billet and historian Christophe Lafaye details the massive and systematic use of chemical weapons during the Algerian War. Algerian fighters and civilians, sheltering in caves, were gassed by "special weapons sections" of the French army. The gas identified on military documents is CN2D, whose widespread use forced insurgents to flee "treated" sites, at the risk of dying there. The method is reminiscent of the "enfumades" used by the French expeditionary force during the conquest of Algeria in the 19th century. Between 8,000 and 10,000 such operations are believed to have taken place on Algerian soil between 1956 and 1962. This historical aspect is little known due to the difficulty of accessing archives, many of which are still classified, raising questions about memory, historical truth, and justice.

Noua

In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.

Mariner of the Mountains

Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.

The Battle of Algiers

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

They Chose Algeria

Many of them participated in the struggle for Algerian independence. There are "those who believed in heaven", priests, Christians committed against torture, friends of the "natives", there are "those who did not believe in it", communist activists, students, progressive intellectuals, others remained in this country because they could not imagine living anywhere other than in this land of all passions. They are European and chose to stay in Algeria after independence, most of them opted for Algerian nationality. The film is another vision of the history of Algeria from the end of the fifties to the present day, told by these Europeans filmed at home, or in the context of their activities, illustrated by unpublished archive documents.

Dawn of the Damned

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Hearts and Minds

Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.

Voyage à Tombouctou

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Fata Morgana

Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.

Chronicle of the Years of Fire

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

Our Algeria

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

Let Them All Go

February 22, 2019 marks the start of a historic movement in Algeria, initially against the candidacy of President Bouteflika for a fifth term, then for the departure of all former dignitaries of the regime and the establishment of a Second Republic. Algerian-Canadian filmmaker Sara Nacer returns to Algeria to capture this “Hirak” (movement in Arabic) through her camera. Through her journey, she invites us to discover the young generation who are leading the "Smile Revolution" and building Algeria 2.0, with a strong political, cultural and social awareness.

Algérie, La vie quand même

A small Algerian town, off the beaten track of the war that is tearing the country apart. At the heart of the crisis that is destroying it, two young men, without work, without leisure activities, without hope, without anything... The film follows them in their daily wanderings between endless boredom and the expectation of the improbable. And shows their humour, their friendship, their will to live regardless.

The Warrior Queen of Jhansi

The Warrior Queen of Jhansi tells the true story of Lakshmibai, the historic Queen of Jhansi who fiercely led her army against the British East India Company in the mutiny of 1857. From Queen Elizabeth to Queen Victoria, two-and- a half-centuries of East India Company rule will be reversed by its attempt to crush India’s Warrior Queen. Lakshmibai is known as one of the most prominent figures within the independence movement of India. The passion to free her province from colonial rule led this young woman to become one of the greatest generals of the Indian army, and to go down in history for her bravery, strategic acumen, and as a force to reckon with by the East India Company and the British Raj. The Warrior Queen of Jhansi is the story of the woman who lived and fought for the freedom of her people.

Dead the Long Night

Composed of archive images narrated by the writer, anthropologist and linguist Mouloud Mammeri, the film offers a reflection on the anti-colonialist and anti-imperialist struggle movements of the 1970s around the world.

Le Retour

In the early 1970s, Lakhdar, an Algerian peasant, is forced to leave his desert land and his family for France, but immigration weighs on him and he dreams of returning. This day arrives, he walks in Paris, events decide otherwise.

Kourou et l'épopée spatiale française

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A People on the March

In 1962, René Vautier, together with some Algerian friends, organised the audio-visual formation centre Ben Aknoun to encourage a "dialogue in images" between the two factions. Together with his students he made a film that shows the history of the Algerian War and of the ALN (National Liberation Army), and life during the reconstruction.

The Women

Documentary dialogue with young women in Algiers on their experience of independence shortly after their country's independence.

Isabelle Eberhardt

The true story of explorer, journalist and writer Isabelle Eberhardt, originally from Switzerland. She moved to Annaba in Algeria in 1897 with her mother, who preferred to live in the Algerian neighborhoods rather than the European neighborhoods that she hated, and converted to Islam. Her lifestyle shocked the French colonialists: she dressed like a man, frequented cafes and smoke shops. Fascinated by the desert, she traveled the Sahara under the identity of Si Mahmoud, she published articles and books on the world she discovered in southern Algeria, strongly criticizing the colonial authorities. Arriving in El Oued, the soldiers prevent him from continuing his journey. She disobeys and overhears officers shooting Arab prisoners. Arrested, she was accused of espionage and was expelled from Algeria. She married Slimane, a Muslim non-commissioned officer in 1901. Having become French through this marriage, she could now reside in Algeria.

The Fence

The Fence is a cry! In the aftermath of the civil war which bloodied Algeria, Tariq Teguia interviews the young people of Bab El Oued who express their anger. In the fixed shots in which they testify, Tariq Teguia alternates wanderings in a car which extend those of Ferrailles d’anticipations. And it is the violence of confinement that dominates, coupled with the desire for something impossible elsewhere.

Techniquement Si Simple

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Planet Malek

Ahmed Malek’s name might have been forgotten by his fellow Algerians but his timeless tunes certainly haven’t. Called the Ennio Morricone of Algiers, he composed music for more than 200 movies, amongst which the most famous films of the Algerian New Wave in the 70s and the 80s can be found. Paloma Colombe, a DJ, digger and documentary director, went to Algiers to meet his daughter, friends and former coworkers. Images of the city by night offer a perfect background to Ahmed Malek’s music. Globetrotter, pioneer of electronic music and of the concept of the home studio, he created a unique sound that truly goes beyond genres and countries.

Fanon

Frantz Fanon, a French psychiatrist from Martinique, has just been appointed head of department at the psychiatric hospital in Blida, Algeria. His methods contrast with those of the other doctors in a context of colonization. A biopic in the heart of the Algerian war where a fight is waged in the name of Humanity.

El Gusto

El Gusto is the story of an orchestra of Jewish and Muslim musicians torn apart by war 50 years ago, and recently reunited for an exceptional concert. These musicians share a passion they never lost: the soul of Algiers, Chaabi music.

Leader-Sheep

Marizette, Christiane, Pierre, Léon, José... are some of the actors, funny and moving, of an incredible struggle, that of the peasants of Larzac against the State, confrontation of the weak against the strong, which united them in a merciless fight to save their lands. A determined and joyful fight, but sometimes also trying and perilous. It all began in 1971, when the government, through its Defense Minister Michel Debré, declared that the Larzac military camp must expand. Radical, the anger spreads like wildfire, the peasants mobilize and sign an oath: they will never give up their land. In the daily face to face with the army and the police, they will deploy treasures of imagination to make their voices heard. Soon hundreds of Larzac committees will be born throughout France... Ten years of resistance, collective intelligence and solidarity, which will carry them to victory.

René Vautier, le rebelle

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The Last Queen

1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?

Rester là-bas

Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.

Guerre sans images - Algérie, je sais que tu sais

The Director Mohammed Soudani comes back to Algeria after 30 years with the photographer Michael von Graffenried to visit the Algerians he had photographed between 1991 and 2000 without them knowing it.

Oversand

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

Déjà le sang de mai ensemençait novembre

The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.