The Fence (2003)

Sahara Blues

Mounya doesn't like the desert, and she doesn't like Majid either, but she agreed to go with him for the weekend to southern Algeria. Rabah Bouberras directs an intimate film which tells the story of a woman taking stock of her past and present during a trip to the south of Algeria with her son and her second husband.

Mantovani, the King of Strings

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

Life of a Mutt

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

The Wild Soccer Bunch 2

An unsupervised junior soccer team loses its ace player to the leader of a rival gang. Since only an entire team can win, they must have her back to be able to win the game against the national team. The existence of The Wild Soccer Bunch is at stake ...

Mutiny on the Buses

Bus driver Stan Butler agrees to marry Suzy, much to the anguish of Mum, her son-in-law, Arthur, and daughter Olive. How, they wonder, will they ever manage without Stan's money coming in? Then Arthur is sacked, and Stan agrees to delay the wedding. Meanwhile, he hits on an idea: Arthur should learn to drive a bus. Somehow he does just that, and even gets a job. Stan then blackmails the Depot Manager into giving him the job of driver on the new money-making Special Tours Bus. A great idea ...if only the inspector hadn't taken Stan on his trial run to the Windsor Safari Park

The United Monster Talent Agency

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

The Land Before Time VI: The Secret of Saurus Rock

Legends claim that Saurus Rock keeps bad luck out of the Great Valley. Is it really true? Could the mysterious Longneck named Doc be the famous Lone Dinosaur, who can defeat a Sharptooth with his lasso-like tail To find out, Littlefoot and company must cross the great Valley and face a dangerous Sharptooth themselves!

You Don't Say a Word

The story of a classic rebetiko night in the port of Piraeus.

NJPW G1 Climax 33: Day 16

The sixteenth night of the tournament took place on August 8th, 2023 at Act City Hamamatsu in Naka-ku, Hamamatsu, Shizuoka, Japan.

AIBOU: X-DAY

Detective Kenichi Itami from the The National Police Agency and Akira Iwatsuki from the cyber investigation team investigate a complex murder case. The victim was under investigation by the cyber investigation team. As Detective Kenichi Itami and Akira Iwatsuki delve deeper into the case, pressure from around makes their investigation even more difficult. Secretly, a national financial doomsday scenario is carried out under the plan of "X Day".

The Arizona Raiders

After saving himself from hanging, Laramie Nelson saves Tracks Williams from the same fate. They then travel to Lindsay's ranch where they get jobs. There they run into Adams who they learn is planning to rustle Lindsay's horses.

Tomer & Elias

Coming of age film about Sven, a boy who feels trapped in his own family which only consists of duos. His brother Alex in return tries to keep Sven by his side through the same methods his parents use.

The Boxer's Adventure

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The Wild Dog Dingo

Things take an interesting turn for Tanya and her mother when her father arrives with his foster son Kolya and new wife. This film is about Kolya and Tanya's bright, pure and bitter first love.

Antonio's Girlfriend

It's a simple love story. Antonio likes Claudie. But Claudie is not so simple ... Claudie is a young woman who stumbles into reality. Little by little, we discover the life of her and those around her. Her friends, her family, her past ... And Antonio, who loves her and takes her by the hand and does not want to let go. He would certainly like to succeed in understanding her. And it's important to understand when you love. Claudie has her whole life in front of her, what is she afraid of?

House 69

A young man receives a parcel wrongly addressed to his apartment. This triggers a series of life threatening events for him and his friends.

Vive les femmes !

The love affairs of Bob, a womanizer and seducer and Mammouth, the unhappy loner.

Debauchery

Ryoko Watanabe is a bored housewife named Ami who throws herself into the “Madame Machiko Society Club” to spice up her marriage by making love to random men. This world of lust turns out to be kinkier than Ami thought it would be and may end up having a reverse effect on her precious marriage.

Two steps from "Paradise"

1944 year. Carpathians. Soviet intelligence officers were tasked with detecting and destroying a strategically important enemy object - a uranium ore warehouse, encoded by the nazis under the name "Paradise".

Company Buggers

Hiroshi, a small-time racketeer, makes a name for himself extorting vulnerable companies and their directors for financial gain.

Festival

17 years old Lina goes to the Arvika Festival with her boyfriend Calle despite that her mother forbade her. At the festival she meets the singer Marc and they start to like each other but things are getting difficult.

Attagasam

The movie begins with Ajith, a driving instructor leading a happy life with his mother Sujatha. She hides from him the truth that his father, Nizhalgal Ravi, was murdered by a dadha, Babu Anthony. The mother much against the boy’s wish packs off Ajith’s twin brother with a family who offer to adopt him, who had been witness to the murderer from a close quarter, to a distant town. He escapes from the family and goes to Tuticorin and grows to become a gangster there. When the younger Ajith visits Tuticorin, he comes across his elder brother. Seizing the opportunity, the elder brother kidnaps the younger one and decides to go as the driving instructor to Chennai. Initially, he plans to take revenge on his mother for packing him off from their house at a very young age. He hurts her at every step and even plans to sell off all their property.

In The Footsteps Of Frantz Fanon

Who was Frantz Fanon, the author of Wretched of the Earth and Black Skin, White Masks, this Pan-African thinker and psychiatrist engaged in anti-colonialist struggles? Born in Martinique, Frantz Fanon was not yet 20 years old when he landed, weapons in hand, on the beaches of Provence in August 1944 with thousands of soldiers from "Free France", most of whom had come from Africa, to free the country from Nazi occupation. He became a psychiatrist and ten years later joined the Algerians in their fight for independence. Died at the age of 36, he left behind a major work on the relationships of domination between the colonized and the colonizers, on the roots of racism and the emergence of a thought of a Third World in search of freedom. 60 years after his death, the film follows in the footsteps of Frantz Fanon, alongside those who knew him, to rediscover this exceptional man.

Algérie Couleurs

"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973

Lost Mountain

On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.

Déjà le sang de mai ensemençait novembre

The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.

M'hamed Issiakhem

"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.

Jean Sénac, The Blacksmith of the Sun

By ending the life of Jean Senac on August 30, 1973 in Algiers, his assassins believed they would silence him forever. They were wrong since his voice is a little louder every day. Witnesses to these craze: the publication of the complete works of this great poet, the countless conferences and radio broadcasts devoted to him and finally the production of films such as "Jean Sénac, the blacksmith of the sun". The moving and overwhelming testimonies of those who knew him, the unpublished film archives, the generous voice of the poet on the radio, the discovery of his travels in the territories of poetry and politics make this film a precious document on the life of Jean Senac.

Sénac, Jean. Algérien, Poète

Jean Sénac, born in Béni Saf in Algeria in 1926 and died in Algiers in 1973, is today considered one of the great French writers and poets and the only one of his reputation to have accompanied the Algerian revolution before November 1954. part of all the debates and got involved, very early and with immense enthusiasm, in a work of commitment which ended badly. His poetry, his sexual preferences and his political lyricism work against him: rejected as much by the Pieds Noirs as by the FLN activists then by the power in place in Algiers, Jean Sénac was assassinated in 1973 at his home in Algiers, in circumstances never clarified.

Many Beautiful Things

In an age when women were incapable of joining the artistic dialogue, Lilias Trotter managed to win the favour of celebrated critics.

The Panafrican Festival in Algiers

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

China Is Still Far

On November 1, 1954, near Ghassira, a small village lost in the Aurès, a couple of French teachers and an Algerian boss were the first civilian victims of a seven-year war which would lead to the independence of Algeria. More than fifty years later, Malek Bensmaïl returns to this Chaoui village, which has become “the cradle of the Algerian revolution”, to film, throughout the seasons, its inhabitants, its school and its children.

Guerre sans images - Algérie, je sais que tu sais

The Director Mohammed Soudani comes back to Algeria after 30 years with the photographer Michael von Graffenried to visit the Algerians he had photographed between 1991 and 2000 without them knowing it.

Pierre Clément, Cinéma et Révolution

Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.

Guns of Freedom

“Les Fusils De La Liberté” (1961) is a docu-fiction which recounts the difficulties overcome by an ALN ​​detachment whose perilous mission is to transport weapons and ammunition from Tunisia across the Algerian Sahara during the Algerian liberation war (1954-1962) against the French army of occupation.

Boudjemâa et la Maison Cinéma

He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.

Frantz Fanon, trajectoire d'un révolté

Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter, he enlisted, like millions of colonial soldiers, in the Free Army out of loyalty to France and the idea of freedom that it embodies for him. A writer, he participated in the bubbling life of Saint-Germain with Césaire, Senghor and Sartre, debating tirelessly on the destiny of colonized peoples. As a doctor, he revolutionized the practice of psychiatry, seeking in the relations of domination of colonial societies the foundations of the pathologies of his patients in Blida. Activist, he brings together through his action and his history of him, the anger of peoples crushed by centuries of colonial oppression. But beyond this exceptional journey which makes sensitive the permanence of French colonialism in the Lesser Antilles at the gates of the Algerian desert, he leaves an incomparable body of work which has made him today one of the most studied French authors across the Atlantic.

The Barbary Corsairs

In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

Planet Malek

Ahmed Malek’s name might have been forgotten by his fellow Algerians but his timeless tunes certainly haven’t. Called the Ennio Morricone of Algiers, he composed music for more than 200 movies, amongst which the most famous films of the Algerian New Wave in the 70s and the 80s can be found. Paloma Colombe, a DJ, digger and documentary director, went to Algiers to meet his daughter, friends and former coworkers. Images of the city by night offer a perfect background to Ahmed Malek’s music. Globetrotter, pioneer of electronic music and of the concept of the home studio, he created a unique sound that truly goes beyond genres and countries.

La Bataille d'Alger, l'empreinte

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

L'Histoire Du Film "La Bataille D'Alger"

More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.

Frantz Fanon: His Life, His Struggle, His Work

It is the evocation of a life as brief as it is dense. An encounter with a dazzling thought, that of Frantz Fanon, a psychiatrist of West Indian origin, who will reflect on the alienation of black people. It is the evocation of a man of reflection who refuses to close his eyes, of the man of action who devoted himself body and soul to the liberation struggle of the Algerian people and who will become, through his political commitment, his fight, and his writings, one of the figures of the anti-colonialist struggle. Before being killed at the age of 36 by leukemia, on December 6, 1961. His body was buried by Chadli Bendjedid, who later became Algerian president, in Algeria, at the Chouhadas cemetery (cemetery of war martyrs ). With him, three of his works are buried: “Black Skin, White Masks”, “L’An V De La Révolution Algérien” and “The Wretched of the Earth”.

Voyage à Tombouctou

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The Zerda and the Songs of Forgetting

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Algeria in Flames

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

My Story Is Not Yet Written

Jacqueline Gozlan - who left Algeria with her parents in 1961 - nostalgically retraces the history of the Algiers Cinematheque, inseparable from that of the country's Independence, through film extracts and numerous testimonies; notably that of one of its creators, Jean-Michel Arnold, but also of filmmakers such as Merzak Allouache and critics such as Jean Douchet. A place of life for Algerians, the Cinémathèque was the hub of African cinemas. Created in 1965 by Ahmed Hocine, Mahieddine Moussaoui and Jean-Michel Arnold, the Cinémathèque benefited from the excitement of Independence. The Cinematheque becomes a meeting place for Algiers society, future filmmakers find their best school there. In 1969, the Algiers Pan-African Festival brought together all African filmmakers, and from 1970, Boudjemâa Kareche developed a collection of Arab and African films.

To Be Twenty in the Aures

A group of refractory and pacifist Bretons is sent to Algeria. These beings confronted with the horrors of war gradually become killing machines. One of them did not accept it and deserted, taking with him an FLN prisoner who was to be executed the next day. International Critics Prize at the 1972 Cannes Film Festival. Copy restored in 2012

Algérie du possible

By meeting his former comrades in combat, the film follows the journey of Yves Mathieu, anti-colonialist in Black Africa then lawyer for the FLN. When Algeria became independent, he drafted the Decrees of March on vacant property and self-management, promulgated in 1963 by Ahmed Ben Bella. Yves Mathieu's life is punctuated by his commitments in an Algeria that was then called "The Lighthouse of the Third World". The director, who is his daughter, returns to the conditions of his death in 1966.

Glimpses of Morocco and Algiers

This FitzPatrick Traveltalk short visits the cities of Casablanca, Rabat, and Marrakesh in Morocco, as well as the city of Algiers in Algeria.

Algérie Tours Détours

A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.

Interviews with Abdelkrim Baba Aïssa

In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.

Our Algeria

"Djazaïrouna", produced by the cinema service of the Provisional Government of the Algerian Republic (GPRA), is a montage film intended to inform the international community at the UN in 1959 on the objectives pursued by the Algerian resistance during the war of 'Algeria. Independence in Algeria (1954-1962). In 1959, Djamel-Eddine Chanderli and Mohammed Lakdar-Hamina produced Djazaïrouna (Our Algeria) from images taken by René Vautier and Doctor Pierre Chaulet. This film, completed a little later and will result in the film “The Voice of the People”. This documentary on the history of Algeria through a montage of current events, traces the political and military actions of the A.L.N, the demonstrations of December 1960, and the attack on a fortified French base on the border between Algeria and Tunisia.

Daniel Timsit, l’Algérien

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Berbères des cimes

At the heart of the Moroccan High Atlas mountains, water is a resource in short supply. The village of Tizi N'Oucheg has undergone a transformation thanks to Rachid Mandili, who is well-aware that the development of his village depends on access to clean water and on his strong leadership of this project. Mandili rallies all the villagers together and calls upon the knowledge of French and Moroccan scientists to tap water sources, to purify, and reuse waste water for irrigation. The documentary highlights the Berbers' community ties and ingenuity in their dream of independently managing their village water resources. It equally paints a portrait of a man whose initiative and resourcefulness has opened Tizi N'Oucheg up to modernity while still conserving its cultural heritage. Tizi's example presents some of the problems of water access in semi-arid regions and puts forward concrete solutions to these problems.

René Vautier, le maquisard à la caméra

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Amal

A sublime documentary on childhood and bereavement that’s one of several shorts the filmmaker completed while working in Algeria for Georges Derocles’s company Les Studios Africa, for whom he would shortly make his breakthrough feature The Olive Trees of Justice.

Algériennes, Trente ans après

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Algérie 1988-2000 : Autopsie d'une tragédie

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Fata Morgana

Shot under extreme conditions and inspired by Mayan creation theory, the film contemplates the illusion of reality and the possibility of capturing for the camera something which is not there. It is about the mirages of nature—and the nature of mirage.

Rester là-bas

Algiers. From the port to the souks, passing through the Jardin d'Essai, Dominique Cabrera transports us to the land where she was born, on the other side of the Mediterranean "where the sea is saltier". If most of the pieds-noirs left Algeria in the summer of 1962, some -a minority- remained. By going to meet them, the director makes her own inner journey.

Cheb Hasni, Je vis encore !

Director Djamel Kelfaoui pays tribute to the great singer Cheb Hasni, king of sentimental raï, who became cult in Algeria and beyond its borders, and who was murdered in the street in September 1994 in Oran, at the age of 26. Unique and last interview filmed a few months before the assassination of the singer considered the king of “raï love” or “sentimental song”. Cheb Hasni had recorded more than 150 cassettes during his career. His memory remains very alive in the Maghreb and Arab world and its diaspora throughout the world. A transgenerational icon, he will be posthumously decorated with the National Merit medal at the rank of Achir.

CHoosing at Twenty

Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.

Algeria, Memoirs of Raï

In the 1980s, Algeria experienced a tumultuous social context which reached its peak during the riots of October 88. This wave of protest, with youth as its figurehead, echoed the texts of raï singers. Thirst for freedom, misery of life and the aspirations of youth are among the main themes of their works which will inspire an entire generation. More than music, raï celebrates the Arabic language and becomes a vector of Algerian culture, thus providing the cultural weapons of emerging Algerian nationalism With Cheb Khaled, Cheb Mami and Chaba Fadela as leaders of the movement, raï is also a way of telling and reflecting the essence of Algeria in these difficult times. While the threat weighs on artists in Algeria, their exile allows raï to be exported internationally and thus, to bring the colors of Algeria to life throughout the world.

L'Homme de L'Atlas

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Algeria, Year Zero

Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: "For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema."

Dawn of the Damned

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Li Fet Met (Le passé est mort)

The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.

L'Arc-en-ciel éclaté

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History of Pottery and Ceramics in Algeria

In Algeria, pottery is different from one region to another, the result of the various influences it has undergone throughout history. If the manufacturing steps are substantially the same, the result is far from identical. In Kabylia, for example, the pottery, decorated with patterns, is red in color. In the south of Adrar, there are objects with rather original shapes and black in color. The pottery of the Nementcha Mountains is fashioned in clay with pink tones and decorated with brown designs. Originally, objects were made in families and exchanged between neighbours...

L'ordre Français : 17 Octobre 1961

“In Algeria, we are restoring order, what we mean by French order,” declared Michel Debré, Prime Minister, under the presidency of Charles De Gaulle, in April 1956. It was, of course, order colonial in defiance of the republican order, in Algeria as in Paris where, on October 17, 1961, Algerians flocking from suburban slums were massacred by the police of prefect Maurice Papon, while they were peacefully marching for the independence of their country. On October 17, 2001, a commemorative plaque was placed in Paris on the Saint-Michel bridge: "In memory of the many Algerians killed during the bloody repression of the peaceful demonstration of October 17, 1961." A surge of racial hatred, less than 20 years after the roundup of the Jews in July 1942. An Algerian, victim of this roundup, told us, holding back his tears, "I still have nightmares."

Let Them All Go

February 22, 2019 marks the start of a historic movement in Algeria, initially against the candidacy of President Bouteflika for a fifth term, then for the departure of all former dignitaries of the regime and the establishment of a Second Republic. Algerian-Canadian filmmaker Sara Nacer returns to Algeria to capture this “Hirak” (movement in Arabic) through her camera. Through her journey, she invites us to discover the young generation who are leading the "Smile Revolution" and building Algeria 2.0, with a strong political, cultural and social awareness.

Cheikh El Hasnaoui, from the White House to the Blue Ocean

Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.

Aleph

Structured as a labyrinth-like game and inspired by Jorge Luis Borges, Aleph is a travelogue of experience, a dreamer's journey through the lives, experiences, stories and musings of protagonists spanning ten countries and five continents.