Director: Gilles Carle

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Birthday: 1928-07-31
Born in: Maniwaki, Quebec, Canada
Biography: Gilles Carle, OC GOQ (July 31, 1928 – November 28, 2009) was a French Canadian director, screenwriter and painter. Gilles Carle, who was a key figure in the development of a commercial Quebec cinema, worked as a graphic artist and writer before he joined the National Film Board of Canada in 1960. His innovative debut feature, La Vie heureuse de Léopold Z., tracked the adventures of a snowplough operator during a madcap Christmas Eve. But after the NFB rejected several of his projects, he began working independently. In 1971 Carle joined forces with Pierre Lamy to form Les Productions Carle-Lamy, which produced Claude Jutra’s epic Kamouraska, Denys Arcand’s early features and all his early films. The quirkily paced, proto-feminist La Vraie Nature de Bernadette – widely regarded as his best film – and Le Mort d’un bûcheron eventually led to the more mainstream but graceful Les Plouffe and the epic love story Maria Chapdelaine, both classics of Quebec cinema. In 1972 Carle won the Canadian Film Award for best Director for his The True Nature of Bernadette. In 1990, he was awarded the Government of Quebec's Prix Albert-Tessier. In 1997, Carle received a Governor General's Performing Arts Award for Lifetime Artistic Achievement, Canada's highest honour in the performing arts. In 1998, he was made an Officer of the Order of Canada. In 2007, he was made a Grand Officer of the Ordre National du Quebec. Description above from the Wikipedia article Gilles Carle, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known for

Maria Chapdelaine

A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.
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6.0
Maria+Chapdelaine
Maria Chapdelaine

1983

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Fantastica

In this French–Canadian oddity of music and drama, an actress in a traveling musical revue is involved with the show's director until she meets and falls for an aging ecological activist. He too is drawn to her, and together they try to stop a factory from being built over an old-growth forest.
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5.9
Fantastica
Fantastica

1980

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Red the Half Breed

A half-cast used cars salesman wants anything from the white society and is ready to do anything to get it. But when he is accused of murdering his half-sister who was killed with his rifle, he flees to an indian village. He doesn't feel any more at home there than in the white city. He decides to go back to find and punish the killer.
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4.6
Red+the+Half+Breed
Red the Half Breed

1970

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The Plouffe Family

The lives of the average Quebecois Plouffe family during the final years of the depression and through World War II.
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6.7
The+Plouffe+Family
The Plouffe Family

1981

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The True Nature of Bernadette

Bernadette has a yen to chuck it all and go back to nature, in this French-language Canadian film. That's just what she does after carefully leaving her wedding ring where her affluent husband, a lawyer, can see it. She has bought a farm, complete with a run-down farmhouse and a live-in cranky old man. Soon, because of the wonderful effects that her sympathy and her outsider's perspective have, her neighbors perceive great improvements in their lives. They attribute these changes to something miraculous (perhaps taking a cue from her name), and hordes of needy people descend on her farm.
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5.9
The+True+Nature+of+Bernadette
The True Nature of Bernadette

1972

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Normande

Normande St-Onge works as a clerk in a pharmacy and takes dance classes with the dream of being a cabaret dancer. Her mother, Berthe, has been confined to a mental institution by Normande's uncle, the wealthy lawyer Jean-Paul. But Normande, who does not believe her mother is insane, kidnaps her from the institution and brings her home. Also living with them is Normande's sister Pierette, who has asthma and a drug addiction, Normande's boyfriend Bouliane, who is unemployed and in no hurry to find a job, and a strange young magician named Carol she took in after he was kicked out of his home. All of these people depend on Normande in various ways and exploit her; Normande, desperate to be loved, is driven mad by the demands of her parasite family. When she receives an eviction notice stating that the building will be demolished and rebuilt into a restaurant, it all becomes too much for Normande and her mind retreats into fantasy to protect her from the harsh realities.
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6.1
Normande
Pudding chômeur

Deliberately Felliniesque, this surreal and uneven Canadian satire from iconoclastic French Canadian director Gilles Carle offers an episodic look into an anarchistic, metaphorical world filled with a bizarre assortment of weirdos, wackos and misanthropes. The story roughly centers on the adventures of Yo-Yo, a young woman who is first seen acting as a high priestess for a ceremony involving the miraculous healing powers of the little boy Alphonse.
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3.0
Pudding+ch%C3%B4meur
Pudding chômeur

1996

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