Director: Julian Rosefeldt

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Born in: Munich, Germany
Biography: Julian Rosefeldt is a German artist and filmmaker. Rosefeldt's work consists primarily of elaborate, visually opulent film and video installations, often shown as panoramic multi-channel projections. His installations range in style from documentary to theatrical narrative.

Known for

Euphoria

Artist and filmmaker Julian Rosefeldt creates elaborately staged films that investigate the power of language and the conventions of cinema as an allegory for societal and individual behaviors. With the multi-channel film installation Euphoria he continues this examination by exploring capitalism, colonialism, and the influential effects of unlimited economic growth in society.
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Euphoria
Manifesto

An edited version of Rosefeldt's installation work of the same name, Manifesto is An outstanding tribute to various (art) manifestos of the nineteenth and twentieth century, ranging from Communism to Dogme, in connection with thirteen different characters, including a homeless man, a factory worker and a corporate CEO, who are all played by Cate Blanchett. A striking humorous audio-visual experience.
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6.8
Manifesto
Manifesto

Rosefeldt’s thirteen-channel video work Manifesto questions the role of the artist in society today. Australian actor, Cate Blanchett, performs the manifestos as a series of striking monologues. The installation draws on the writings of Futurists, Dadaists, Fluxus artists, Situtationists and Dogma 95, and the musings of individual artists, architects, dancers and filmmakers. Passing the philosophies of Claes Oldenburg, Yvonne Rainer, Kazimir Malevich, André Breton, Elaine Sturtevant, Sol LeWitt, Jim Jarmusch, and other influencers through his lens, Rosefeldt has edited and reassembled a collage of artists’ manifestos.
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7.0
Manifesto
Penumbra

What does the past of a distant future look like? A distant future to which humankind will be driven by the forces of neoliberal capitalism, climate change, populism, and the pervasive intrusion of one’s private sphere through digital technology? Julian Rosefeldt’s film Penumbra is not a work of science fiction. Instead, it points to our current situation, albeit within a fictious framework that paves the way for a paradoxical enigma: who will we be when we are gone?
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Penumbra