Children of the Casbah (1959)

The Forgotten Hill

At the outbreak of the Second World War, two friends, Mokrane and Menach, abruptly interrupt their studies and return to their remote native Kabylian village of Tagsa. While waiting to be drafted into the French Army they have time to woo. Mokrane falls for beautiful Aazi and soon marries her only to find out that she can bear no child. Menach, on his part, is stongly attracted to Davda, but the latter is already married to a rich merchant...Happiness does not seem to be in store for the two former students...

Machaho

In Kabylie, rude mountain region in the north of Algeria. Arezki finds the young Larbi exhausted, buried under the snow. He takes him in and nurses him until he's recovered. The host seduces Arezki's daughter. She is pregnant. This is an unsupportable shame to the father of the female sinner. Arezki claims vengeance. He leaves his house and takes the oath not to come back before having killed Larbi who betrayed him under his own roof.

Algiers

Pepe Le Moko is a notorious thief, who escaped from France. Since his escape, Moko has become a resident and leader of the immense Casbah of Algiers. French officials arrive insisting on Pepe's capture are met with unfazed local detectives, led by Inspector Slimane, who are biding their time. Meanwhile, Pepe meets the beautiful Gaby, which arouses the jealousy of Ines.

The Sorcerer's Apprentice

60 years ago, in the Algerian desert, an atomic bomb, equivalent to three or even four times Hiroshima, exploded. Named the “Blue Gerboise”, it was the first atomic bomb tested by France, and of hitherto unrivaled power. This 70 kiloton plutonium bomb was launched in the early morning, in the Reggane region, in southern Algeria, during the French colonial era. If this test allowed France to become the 4th nuclear power in the world, it had catastrophic repercussions. France had, at the time, certified that the radiation was well below the standard safety threshold. However, in 2013, declassified files revealed that the level of radioactivity had been much higher than announced, and had been recorded from West Africa to the south of Spain.

A Son of the Sahara

As a boy, Raoul is reared by an Arab tribe in Algerian Sahara. Years later, as a refined Europeanized gentleman, he falls in love with Barbara, an officer's daughter, who rejects him when she discovers his background. Affecting a raid, he captures her and then secretly buys her at a slave auction. When she is rescued by French troops, however, his ancestry is established and they find happiness together.

The Harem of Madame Osmane

In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.

Jamila, the Algerian

Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...

Dark Night, October 17, 1961

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

The Zerda or the Songs of Forgetting

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

The Battle of Algiers

Tracing the struggle of the Algerian Front de Liberation Nationale to gain freedom from French colonial rule as seen through the eyes of Ali from his start as a petty thief to his rise to prominence in the organisation and capture by the French in 1957. The film traces the rebels' struggle and the increasingly extreme measures taken by the French government to quell the revolt.

The King of Algiers

Omar, better known as Omar the Strawberry, is an old-fashioned bandit. Forced to flee to Algeria, he makes a living out of petty crime, accompanied by his famous sidekick Roger. After decades of ruling the French criminal underworld, they must come to terms with their new life together, which until now has been one of debauchery and violence.

The Law of My Country

Algeria. Benjamin, Kateb and Antoine are three teenagers from three religious backgrounds who never should have met. But they share the same passion for football and the same disregard for the disapproving looks which their unusual friendship draws.

Enough!

Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.

Douar De Femmes

At a dangerous time in Algeria, 'Douar de Femmes' is a story of ordinary women who manage to defend themselves in extraordinary situations. The film focuses on a small village that has been attacked more often by terrorists from the surrounding mountains. While the men work, the women learn how to handle machine guns and explore the area. “Fear has armed us,” says the young woman Sabrina. But despite that fear, people get married, children come and keep watch.

El Manara

Plot unavailable

The Outlaws

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

Dawn of the Damned

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

Pépé le Moko

Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.

Far from Men

A French teacher in a small Algerian village during the Algerian War forms an unexpected bond with a dissident who is ordered to be turned in to the authorities.

Earth

It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

Rang De Basanti

After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.

The Assault

December 1994. On Saturday 24th, four GIA terrorists hijack an Air France A300 Airbus, bound for Paris, with 227 passengers on board, at the Algiers airport.

Chronicle of the Year of Embers

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

DNA

A woman has a close bond with her beloved Algeriann grandfather, who protected her from a toxic home life as a child; his death triggers a deep identity crisis as tensions between her extended family members escalate, revealing new depths of resentment and bitterness.

Walking a Tightrope

A famous, ruthless writer takes a handsome young worker, with aspirations of becoming a tightrope artist, as his lover and protege, but suffers tragic consequences when he later discards him for another youth.

One Roof, One Family

Selim Mechoubine, a young man of 28, is the eldest of a large family. In the cramped accommodation he shares with his parents, brothers and sisters... he occupies the kitchen, the refuge of his dreams and his many fantasies. Selim, the court clerk where divorcing couples parade..., wants to get married. His mother finds him “the rare pearl”. But now, the bride's family demands that the couple have their own home... Selim's misadventure begins; he finds himself confronted with the problems of the housing crisis which forces him to begin a long quest, procedures, requests to find the sine qua non condition for his marriage.

Le Passager du Tassili

Omar, a young Franco-Algerian from La Garenne-Colombes, decided to spend his vacation in the country of his ancestors, Algeria. On his return, he boards the ferry “Le Tassili” and during the crossing, he meets people who share his doubles, in a good mood that does not hide their heartbreaks.

July Dust

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.

True Chronicles of the Blida Joinville Psychiatric Hospital in the Last Century, when Dr Frantz Fanon Was Head of the Fifth Ward between 1953 and 1956

1953, colonized Algeria. Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.

The Lives of Albert Camus

Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.

A View of Love

Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...

Yaouled

Directed by Rachid Benallal.

Youssef: The Legend of the Seventh Sleeper

Directed by Mohamed Chouikh.

The Words Women Spoke One Day

1962, at the end of the Algerian War, Algerian independence activists are released from Rennes prison. For one night, filmmaker Yann Le Masson films them. They tell him their vision for the future of Algeria and the place women must occupy in the new society to be built. Fifty years later, with the soundtrack missing, Raphaël Pillosio sets out to find these women. Two deaf people set about lip-reading the women filmed by Yann Le Masson, revealing snatches of sentences, words cut short by the camera's shifts. An investigative film in which the few activists still alive discover their old testimonies and tell us their silent story. The reconstruction of the lost soundtrack will remain in suspense; no happy ending will come to absorb the absence, to cancel the ferocious operation of time. An essay film about cinema that depicts their disappearance, and forever keeps them alive.

Of Gods and Men

A group of Trappist monks reside in the monastery of Tibhirine in Algeria, where they live in harmony with the largely muslim population. When a bloody conflict between Algeria's army and Muslim Jihadi insurgents disrupts the peace, they are forced to consider fleeing the monastery and deserting the villagers they have ministered to. In the face of deadly violence the monks wrestle with their faith and their convictions, eventually deciding to stay and help their neighbours keep the army and the insurgents at bay.

Kahla wa Bayda

Rabie is a kid from Sétif in 1980, trying to collect money to buy a wheelchair for his paralyzid sister Sassia, so she can get out of the house.

Gerboise Bleue

"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of "Gerboise Bleue", forbidden access for 47 years by the Algerian authorities

Fadhma N'Soumer

This film, is about the courage and the determination of a young woman in djurdjur"as mountain in Algeria, fighting for her ancestor land during the earlier years of french occupation.

The Boy Who Harnessed the Wind

Against all the odds, a thirteen year old boy in Malawi invents an unconventional way to save his family and village from famine.

Culloden

Culloden, Scottish Highlands, April 16th, 1746. It was one of the most mishandled and brutal battles ever fought in Great Britain. Its aftermath was tragic. The men responsible for such a disaster must be exposed. The men, women and children who suffered because of it must be remembered.

Isabelle Eberhardt

The true story of explorer, journalist and writer Isabelle Eberhardt, originally from Switzerland. She moved to Annaba in Algeria in 1897 with her mother, who preferred to live in the Algerian neighborhoods rather than the European neighborhoods that she hated, and converted to Islam. Her lifestyle shocked the French colonialists: she dressed like a man, frequented cafes and smoke shops. Fascinated by the desert, she traveled the Sahara under the identity of Si Mahmoud, she published articles and books on the world she discovered in southern Algeria, strongly criticizing the colonial authorities. Arriving in El Oued, the soldiers prevent him from continuing his journey. She disobeys and overhears officers shooting Arab prisoners. Arrested, she was accused of espionage and was expelled from Algeria. She married Slimane, a Muslim non-commissioned officer in 1901. Having become French through this marriage, she could now reside in Algeria.

Mektoub

Ahmed, an Algerian laborer and young father, leaves his country and arrives in France, hoping to find a job through Salah, a friend who has been living in the Paris suburbs for several years. He is disappointed when he arrives in Nanterre, where Salah lives in a shantytown. Without any support, Ahmed has to make the daily rounds of the employment offices, like so many other immigrants who, like him, have been lulled into complacency.

Rose Of The Desert

An oasis lost in the Saharan desert more than 700km from Algiers. A society still functioning on centuries-old rituals. The only connection to the city is a bus that passes once a day. Moussa, disabled from birth, lives there with his sister Zineb; They try, together, to reconstitute a family unit that the war has destroyed. The family is the dream of the idyllic times of childhood, of times when parents took all the responsibilities. Moussa is perfectly independent, although he has no arms, he nevertheless loves being cared for by his sister. Zineb, for her part, does not dare to face the new world that a marriage would constitute. Life passes punctuated by the same gestures. Zineb takes the bus to go to work at the date packaging factory. Moussa goes to see the schoolmaster, draws or dreams of Mériem, the woman he loves. A rose secretly grows in the sand, which Moussa waters every day.

Leila and the Others

The story of Algerian women trying to live in 1970s Algeria where the society is between conservative values and progressive modern Algeria.

The Inheritance

A harrowing picture of the heritage of colonialism, focusing on a man driven mad by torture but saved by his wife, who restores his sanity and leads the progressive forces to rebuild the village.

Yasmina

"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a "pacification" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.

The Citadel

El Kalaa, a village in southern Oran. Although already married, old Sidi planned to marry another. He sets his sights on the beautiful Aïssa, with whom Kaddour, his adopted son, is in love. The old man decides to play a trick on Kaddour to teach him never to covet a woman that an elder wants to marry...

The Man Who Was Looking at the Windows

A police office in Algiers sometime after independence. Mr Rachid, father, around fifty years old, former colonial official transferred to the cinema annex library. Mr. Rachid, disappointed and exasperated by his sad life, faced with an inspector who questions him, tries to explain: why did he kill his former department head after a long night of wandering?

Nahla

After the battle of Kfar Chouba in Lebanon in January 1975, Larbi Nasri, a young Algerian journalist, was caught in the whirlwind of events preceding the civil war. Linked to Maha, Hind, Raouf and Michel who surround Nahla, he witnesses the construction of the myth of Nahla, a singer adored by the Arab population. One day Nahla loses her voice on stage. The atmosphere of crisis that reigns around her is spreading like an infection. Larbi, fascinated, loses his footing and gets bogged down.

El Ghoula

Directed by Mustapha Kateb.