Exhuming London After Midnight (2021)

Shark Land: Welcome to Cocos Island

“Entourage” star Adrian Grenier ventures to Cocos Island off the shore of Costa Rica to bring attention to the plight of endangered sharks who are being threatened by poachers and ocean pollution.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Citizen B

Documentary on Ciby 2000, the French film production company founded by Francis Bouygues in 1990.

Satan's Blood: recuerdos de «Escalofrío»

The story of the shooting of Satan's Blood (Escalofrío), a film directed by Carlos Puerto in 1978.

La Belle Époque de Michel Ocelot

Plot unavailable

La quemada

12 years later, a failed school short film is resignified to share the multiple experiences that exist in the creation of a film.

En Rang Par Deux

The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.

Dear Chantal

Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.

Headdress

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The 'Frankenstein' Files: How Hollywood Made a Monster

The history of Frankenstein's journey from novel to stage to screen to icon.

Visit to Death

Four experts in different areas such as religion, philosophy and thanatology, share their wisdom when it comes to death.

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

A.

Having lost her memory, A. could barely recall glimpses of her childhood in Argentina. After her death, her son visits the empty house for the last time. A sensory journey through a house without objects but filled with memory.

New Life

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

Little Potato

Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.

Cosmetic Criminals

A short mockumentary detailing the rise of intergenerational cosmetic theft through the eyes of an affected family.

Vowellet - An Essay by Sarah Vowell

This Pixar documentary short follows Sarah Vowell, who plays herself as the title character, on why she is a superhero in her own way. (This short piece is included on the 2-Disc DVD for "The Incredibles", which was released in 2005.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

The True Story of the Ballerina in Red

Fictional Documentary. A dancer in one of the paintings by Edgar Degas one day stepped out of the canvas, conquers the world and disappears during the carnival in Rio; mix of the academic universe, avant-gard art and the underworld sex scene. The movie was shot in Paris, NY and RJ.

Counter Shot: Departure of the Filmmakers

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

Ho Chi Minh Kim Chi

The sights and sounds of a kimchi factory in Vietnam.

El joven Berlanga

The early days of the future genius of Spanish cinema Luis García Berlanga, from his birth in Valencia in 1921 to his departure to Madrid in 1947 to become a filmmaker.

A Slice of Lynch

David Lynch, Mädchen Amick, Kyle MacLachlan and John Wentworth reminisce about "Twin Peaks" while seated at a diner counter.

Florián Rey: Of Light and Shadow

The life and professional career of the Spanish filmmaker Florián Rey (1894-1962), a brilliant artist who began his career in silent films and had great commercial success during the Second Republic (1931-1936): a journey to the early days of Spanish cinema.

Hello Stranger

At the crossroads of documentary and fiction, Hello Stranger relates the transition journey of a young trans woman named Cooper Josephine. With humor, the film revisits key moments of her life from her childhood in a small fishing village of the east coast of Canada to her tumultuous medical process. Through the re-enactment of her memories, Cooper Josephine attempts to make peace with the last masculine imprint on her body: that unfortunate deep voice that sticks to her skin.

Zombies in the Sugar Cane Field: The Documentary

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Learning Disabilities in Primary Care

People with learning disabilities often experience worse physical and mental health. This film is a starting point to address these inequalities.

No Voice

She now lives many miles away from her mother, who is waiting to hear from her. It is a bittersweet, restless, nostalgic moment, and she remembers those vanished years.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

I Was Only 14

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.