VII Domitilas (2020)

The Role of Chance

"The Role of Chance" ("La part du hasard") focuses exclusively on drawing and painting techniques used by the painter Henri Dimier. Shot over several weeks in the same artist's studio, the film shows works in their different phases, processes rarely explained or little known. It also addresses many practical issues (choice of paper, pigment grinding, reports drawings, put the tiles, cliches, etc) as well as broader questions of method and inspiration (use of space, the role of contours, power of suggestion perspectives, use of random processes). Patrick Bokanowski sought with this film to restore the spirit of this teaching, showing how to bend a note or sometimes revealing an essential mystery of creation.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A Slice of Lynch

David Lynch, Mädchen Amick, Kyle MacLachlan and John Wentworth reminisce about "Twin Peaks" while seated at a diner counter.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Studio 2

Film student Patrick Atallah has a problem on his hands: his graduation documentary was cancelled at the last moment, so he has just one day in a studio to make an entire, fully realised film. What’s the film going to be about now? He doesn’t know, but he’s hoping to find it along the way. To do this, he invites five of his closest friends to the studio to help him come up with some interesting ideas.

Speeding, of Course

70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.

The Horse Walker

The film tells a story of Kosynka, a pregnant mare, and her owner, a battered old man. Kosynka leads the “horse walker,” designed to train young horse to walk steadily and at a pace. Set to a soundtrack of Bach and Russian folk music, this film is another example of a parable-like narrative, which became more popular in Soviet documentary in the early 1970s.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Hugh Hayden: Skeletons in the Swamp

Artist and sculptor Hugh Hayden visits the swamps of Louisiana to source wood for a new monumental installation for ICA Miami and reflects on the material and cultural specificity of the work.

Faith & Fight

Short documentary that lends a platform to the players on the Rattlers football team directly to speak on issues at their university they believe are impacting their student athlete experience. This is the story of FAMU football’s faith in their ability to speak out for what is right, and their fight for the respect and support they deserve as elite student athletes at the #1 public HBCU in America.

Remembering Surrounded Islands

For the 35th anniversary of Surrounded Islands - a monumental temporary art installation by world renowned environmental artists Christo & Jeanne-Claude that wrapped eleven small islands in Biscayne Bay with 6.5 million square feet of bubble gum pink woven polypropylene plastic - Perez Art Museum Miami presented a documentary exhibition about the work entitled Christo and Jeanne-Claude: Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980–83 | A Documentary Exhibition. This was the first time the exhibition was on display in North America.

Half a Life

After a traumatic encounter, a young gay Egyptian joins the LGBT rights movement. When his safety is jeopardized, he must choose whether to stay in the country he loves or seek asylum elsewhere as a refugee. "Half a Life" is a timely story of activism and hope, set in the increasingly dangerous, oppressive, and unstable social climate of Egypt today.

Under an Arctic Sky

Six fearless surfers travel to the north coast of Iceland to ride waves unlike anything they've ever experienced, captured with high-tech cameras.

I Like It Like It Was

In 1991 three teen girls called Midi, Maxiand Efti became celebrities over night and the suburb Akalla was suddenly known all over Sweden. Fifteen years later two old friends try to make a film about the phenomenon. But Midi, Maxi and Efti no longer have contact, and they are not at all interested in talking about the past. A melancholically journey to the past by two friends who have a hard time letting go. "I like it like it is and I like it like it was but I'm not so sure any more any any more..." From the song "Bad Bad Boys" by Midi, Maxi & Efti.

Food

This is an animated documentary about FOOD! I interviewed vegetarian, vegan, pescetarian and meat eater about their opinions about food and life choices. Then I animate real food with stop-motion technique based on the interviews. By putting the conversations in different context, the food speak for themselves.

Lamp

Short documentary of David Lynch building a lamp.

Home Movies

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

A Jupatarama

Plot unavailable

Guide to a Midwest Hometown

Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".

Little Potato

Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.

Shotplayer

"Shotplayer" is an impressionistic journey into the mind of Wilfred Rose, one of New York City's most notorious pickpockets. As he returns to the subway for the first time in many years he reflects on a life of crime in a society that has left many of its citizens behind. "Shotplayer" asks, when is it ok to push back against that society? What does it mean to live as a criminal? What does it mean to live one’s life on an invisible plane? To live at all?

Broads

The social democrats of the sixties and seventies worked on their grand plan to build a highway network in Germany that every German citizen could reach within five minutes of their home. The little film hangs around between and on the streets of this network - where the country discos, pedestrian zones, shopping centers, hospitals and roads home are behind noise barriers.

Granny's Sexual Life

A trip into grandma's intimate life shows the status of Slovenian women in the first half of the 20th century.

How Do You Measure a Year?

For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday in the same spot, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and sometimes awkward stages in between. Each phase is captured fleetingly but makes an indelible mark. Her responses to her father’s questions are just a backdrop for a deeper story of parental love, acceptance, and ultimately, independence.