Thijs van Domburg: Live in Toomler (2010)

Najib Amhali: I Amhali

Registration of the theater show 'I Amhali' by Najib Amhali. Najib itself is central to this spectacular show full of music. He knows better than anyone that happiness is in the small things. He is happily married and just the father of a second son. But do these great milestones in his life also make him more mature? Not according to his wife, because she is sometimes stuck with three children! The band PlusSupportAct provides the musical accompaniment during this performance.

Pieter Derks: Van Nature

Registration of the fourth theatre program by the Dutch comedian Pieter Derks.

Rundfunk: Wachstumsschmerzen

An absurdist theatre piece by Dutch comedy duo Rundfunk. A collection of original sketches and songs.

Jochem Myjer: Adem In, Adem Uit

In the show, Jochem talks about his love for nature. Jochem: 'If you're going to talk about something four hundred times, you have to choose something you really want to talk about. Jokes are fun, but I want to talk about things that interest me. My three big hobbies are fishing, theater, and birds. The book De Gorgels is also about nature. I've already incorporated my passion for biology into it, and now I want to show that on stage as well.

Yentl en de Boer in Concert

Live registration of a concert by the Dutch musical comedy duo Yentl (Schieman) en (Christine) de Boer. They sing songs about Hogwarts, the men they knew, claiming a seat in the public transport and many other things. With musical accompaniment by the musicians Laurens Joensen, Jan Teertstra, Viktor van Woudenberg and Charlie Zastrau.

Hans Teeuwen: Met een Breierdeck

The second show of Dutch comedian Hans Teeuwen: sex, violence and foul language in a string of songs, abrupt transitions and evocative characterizations.

Hans Teeuwen: Trui

In his third theatre program the Dutch comedian Hans Teeuwen plays with empty wine bottles, little girls and himself. Poetic, absurd, false and genuine.

Emilio Guzman: Alle Mensen Verzamelen

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Alex Agnew: Ka-Boom!

Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!

Theo Maassen: Tegen beter weten in

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Lebbis: Het Grijze Gebied

In his eighth show the Dutch comedian Hans Sibbel aka Lebbis looks for the interest that people have in their clarity and truth, and then kicks dents in it. Show recorded in the open air in the summer of 2013.

Wim Helsen: Heden Soup!

Wim Helsen Heden Soup! HOMELESS, KINGS, SAINTS AND COLD WATER FISHING: They all eat soup. Also mistresses love soup. They eat them with spoons, some dip bread in it or slurp on the edge of their soup bowl. One can of doing anything. Tomatoes, leeks, pumpkins, chicken. But loving thoughts, secret messages and mushrooms are allowed. And say nothing of balls. In mysterious faraway places there that make soup from nettles. Dogs bark for soup. One gets it warm from the inside (in his body).

Najib Amhali: Zorg dat je erbij komt

The tour for "Zorg dat je erbij komt" was completely sold out. For three shows at the Meervaart, more than 150,000 people wanted tickets in just one weekend!

Theo Maassen: Zonder Pardon

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Michael Van Peel: Van Peel overleeft 2017

2017. The displeasure is cheerfully spreading. America is led by an angry guinea pig on an orange leather seat. Terror infests the old continent. But Belgians aren't fased anymore by this. Fear has become as banal as traffic jams, state reforms and grabbing politicians. Who cares? Time for a party!

Najib Amhali: Most Wanted

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Lenette van Dongen: Tegenwind

Registration of the tenth theatre program of the Dutch comedian. After thirty turbulent years of bustle, Lenette leaves home and hearth in the big city to find her peace in a village close to the sea. Back to Nature. But is nature really that promised bringer of peace?

Lebbis: De Paardenpoetser

Registration of the ninth solo show by the Dutch comedian Hans Sibbel.

Henry van Loon: Sluimer

TV registration of the third theatre program by the Dutch comedian Henry van Loon. The show is about insomnia.

Ton Kas: Jabroer

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Micha Wertheim: Voor Alle Duidelijkheid

Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.

Micha Wertheim: Somewhere Else

The bigger the audiences for Dutch comedian Micha Wertheim’s shows became, the less he had to do to make them laugh. In one early show, he suggested that the audience would be better off without him. So in 2016, he acted upon this suggestion with an experiment that made theater history: he wasn't physically present onstage but somewhere else. The audience wasn't aware of this in advance, though they did get a hint in the form of a pre-recorded "live" radio interview from a remote studio. "I see my audience as my children," Wertheim says in this interview. "You have to educate them, and that’s what I’ve been doing for the past 15 years. At first you have to constantly be there watching them, but there comes a time when you have to trust them to get on with it without you." With some help from a robot, a printer, a stereo and a set of headphones, the members of his audience were able to make their own performance.