Mouthpiece (1978)

Reila

Plot unavailable

L.I.P.S.

The bravest adventurer at The League of Interplanetary Process Servers attempts to deliver 30 subpoenas throughout the universe in only ten minutes.

Grid

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

C-Film

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Schijnstudent

Plot unavailable

The Human Centipede 2 (Full Sequence)

Inspired by the fictional Dr. Heiter, disturbed loner Martin dreams of creating a 12-person centipede and sets out to realize his sick fantasy.

Acoustic Apple

A short showing Robakowski peeling and eating an apple, which itself produces the sound.

The Hundred Voices of Harry Hoffman

The world's premiere voice actor and animator, known as "The Man with 99 Voices" has gone silent. In an attempt to break into the business, aspiring voice actor Claire Flores must coax the reclusive Harry Hoffman out of retirement. She quickly learns of his sinister secret, a horrifying hundredth voice dead set on getting Harry back into the limelight.

Nameless

Conflict between son and mother.

Lemon

Light begins to illuminate the small, nipple-like end of a lemon on the right edge of the frame and gradually spreads until the entire lemon is clearly visible. Then the light recedes across the frame.

Twin City Twist

A silent dance documenting a brief visit to Minneapolis in the fall of 2022. A reflection on the sleeping city's tumultuous recent history through a recollected interaction and a plea for continued disturbance. An entry in an ongoing video and film series, Twin City Twist was shot on Kodak Tri-X reversal super 8 film with kaleidoscopic lenses. The film was scanned and edited digitally.

The Flicker

A film consisting of alternating black and white frames.

Number Two

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

Endless

A meditation on the inevitable deterioration of certain traditional values that have been established (or destroyed) throughout civilization. This elegiac account uses symbolic representation from natural elements in order to convey the inevitability of remembering the social and cultural erosion, and places a layer of texture in front of the elliptical glimpses of imagery, separating the viewer from the past. The re-occurring image of flames remains untouched by the erosion aspects of reticulation, ultimately alluding to nature's powerful quality.

Serene Velocity

"Serene Velocity (1970) created a stunning percussive head-on motion by systemically shifting the focal length of a stationary zoom lens as it stared down the center of an empty institutional hallway – thus playing off the contradiction generated by the frames’ heightened flatness and the compositions’ severely overdetermined perspective. Without ever moving the camera, Gehr turned the fluorescent geometry of this literal Shock Corridor (in the then – new State University of N.Y at Binghamton) into a sort of piston-powered mandala. If Giotto had made action films it would be this." – J. Hoberman