The Inner Harbor (1990)

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Nisei (Second-generation)

Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.

Hay Que Ser Paciente

Plot unavailable

In Dog Years

A portrait of 10 senior dogs and their owners who struggle with the thought of letting go.

Lost Worlds: Life in the Balance

Lost Worlds looks at untouched aspects of nature in parts of the world where humans rarely tread. From plants, to animals, to geology, this artfully photographed documentary presents facets of the biological world that you are not likely to see anywhere else.

¡Al fútbol!

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

Donosti 2730

A youngster writes a letter to his grandmother about his last trip to Donosti (Spain). This city inspires him to ponder about the language of cinema, time, cities, and sharing memories with our loved ones.

Urban Solutions

An european artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.

The End of Summer

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

To Go Away and Come Back

While a mother is in intensive care with little hope of survival, her son is on another continent without the possibility of seeing her. Combining subconscious memories of his mother in induced coma with images of his constant house moves all the while, the director composes an essay-letter on death, family and distance.

Sing Me a Lullaby

Captured over 14 years across two continents. Sing Me a Lullaby is a story about a daughter's search for her mother's birth parents and the complex tensions between love and sacrifice.

Scars

Alex Anna’s body is a canvas: her scars come to life to tell a new story of self-harming.

BL: Broken Fantasy

A documentary about the behind the scenes of BL or commonly known as "Yaoi series." Where does BL series come from? Why Yaoi fangirls are physically and financially dedicating themselves to BL?

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Loon

Is wilderness more valuable than money? It depends on who you ask. Loon is a through hiking naturalist who understands what’s truly valuable in life. At 80 years old with more than 2,000 acres of wilderness to his name, he must decide what to do with this precious asset.

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Calçada

Plot unavailable

Cierzo

At the border between Navarre and Aragon we find the moors known as the Bardenas Reales, characterized by the dust and the omnipresence of the northern wind. This is a portrait of a land, but also a journey through Pilar’s memories. It is a glance at the past but also the present, and about how everything has changed, for better or worse.

Voyage of Time: The IMAX Experience

A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.

Sewing Sisters

In the late 1960s and early 1970s, girls aged 12 to 16 began working at Pyeonghwa Market. Running sewing machines, they also study the Labor Standards Act under the tutelage of Jeon Taeil. On September 9, 1977, they were imprisoned fighting against the government that closed labor classes, shouting, “The next Jeon Taeil will be a woman!” Now the middle-aged girls recall the memories of the life of female workers, social contempt, and stigma. Watching the sunrise in the East Sea, they admire, ‘How fair it is because everybody can see it.’ Sewing Sisters rewrites the history of maledominated Korean labor struggles in the 1970s with news interviews of female workers belonging to the Cheonggye Clothes Union.

Conversation Behind the Scenes

A documentary that follows the story of Dario Pasquarella, deaf director and actor, and his company. Through his work, Dario seeks to bring together the deaf and hearing community, who are usually separated by a lack of communication. In his shows he uses both languages, LIS, sign language and spoken language, to tell stories in which the deaf and hearing can live in symbiosis.

The Artist in Me

A short documentary following 19-year-old Amanda Dunbar, who shares her thoughts on being an artist alongside a group of children in her art class. This documentary is included as a special feature on the 2002 Barbie as Rapunzel DVD.

Lost World

As Singapore dredges sand from beneath Cambodia's mangrove forests, an ecosystem, a communal way of life, and one woman's relationship to her beloved home are faced with the threat of erasure.

things that won't die

After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.

Caucasian Gates

Short documentary about the Georgian Military Road. Captures Ingush and Ossetian settlements of the early 20th century

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

The Poet of the Castle

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

The Master of Apipucos

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

Koyaanisqatsi

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.