No seré la vida de mi recuerdo (2020)

Paparazzi

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Make the World Greta Again

Upon realising her generation won’t have a future unless the world’s politicians act now on climate change, 15-year-old Greta Thunberg skipped school in August 2018 to protest outside the Swedish parliament. What started as a one person strike soon gained global momentum. We follow Greta and the organisers of the school strikes for climate as they are cementing a worldwide movement ahead of their first global protest that took place on March 15th, 2019. It was the biggest climate strike in history with up to 1.6 million students in more than 125 countries.

cuando (no) soy yo

Plot unavailable

Flesh

Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.

Douma Underground

"With the barrel bombs falling on Ghouta, civilians sought shelter in the basements of their homes. I was one of them, holding on to my camera, I tried to film what I couldn’t express in words."

The Tickle King

Featuring new, previously unseen footage documenting the bizarre and unsettling things that happened to filmmakers David Farrier and Dylan Reeve as Tickled premiered at film festivals and theaters in 2016. Lawsuits, private investigators, disrupted screenings and surprise appearances are just part of what they encounter along the way. Amidst new threats, the duo begins to answer questions that remained once the credits rolled on Tickled, including whether the disturbing behavior they uncovered will ever come to an end.

Monuments Are Here

In this short film starring Grady “Shady the Great” Thomas, Solange seeks to illustrate Black domesticity and collections, and the evanescent emotion that immortalises the physical objects we own, captured in the tape of its own medium.

A 3 Minute Hug

As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

An Indian Story

Still photographs and narration give an overview of the history of the American Indian.

The Island

Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.

Argemira

Plot unavailable

Se Siembran Flores

In the midst of the social unrest caused by the COVID-19 pandemic, in Calpan, Puebla, there is a small corner where hope is harvested daily: the people's asylum.

Lapsus

The relationship between the city and a car, through a dialogue where a common reality and "making a city" are disputed and revealed.

Chris and Bernie

The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.

Mr. Fox

Sr. Raposo is a staged documentary about the daily life of Acácio, who found out he was HIV+ in 1995.

Aftermath

Documentary about the aftermath of the earthquake that shook Juchitán, on the Mexican Pacific coast. It tells the story of Dxani -muxe seamstress- and Jacinto -mason- and how their lives were radically changed by the strongest earthquake that hit this community; and the poor response of the corrupt authorities.

Taking Stock

Using his failed attempts at creating profitable stock footage, a filmmaker reflects on the absurd, mundane and funny side of being trapped inside your own head as an out of work, self-employed freelancer.

C-Film

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

EMPATHY (a digital love letter)

EMPATHY (a digital love letter) is a short essay documentary, a heartbreaking comedy about a break-up, an attempt to concretize emotion and evoke empathy from a writer’s approach. After getting her heart crushed in a relationship, a woman writes a letter to the man she loves for a simple reason—to evoke his empathy towards her. Knowing the premise of human emotions, the woman starts her letter with her own life stories, follows with a blunt confession of affection, and ends with a cursing when she can’t handle the emotions anymore.

Polycephaly in D

Informed by an underlying sense of anxiety and anguish, Michael Robinson’s Polycephaly in D nestles fragments of narrative within a collage of sound, image, and text that oscillates between the elegant and the discordant.

The Nature of Millennials

Millennials are set to inherit the Earth, but can they even? Join David Suzuki as he takes a deep dive on the lives of Millennials.

A.

Having lost her memory, A. could barely recall glimpses of her childhood in Argentina. After her death, her son visits the empty house for the last time. A sensory journey through a house without objects but filled with memory.

Stanley Kubrick: One-Point Perspective

Kogonada's visual essay about the formalistice choices of master filmmaker Stanley Kubrick

Neon Genesis Evangelion: Genesis 0:0’ - The Light from the Darkness

A promotional video for the film “Death and Rebirth.” Released on January 25, 1997, it contains an overview of the series’ plot, cast interviews, a music video for “Soul’s Refrain,” and several trailers for the film.

My age, yours, and the age of the world

After the earthquake, my grandmother is facing the loss of her apartment.

Mallorca

A journey through different places in 1930s Mallorca, the coast, the countryside, the city, in the company of the evocative music of Isaac Albéniz (1860-1909), to whom homage is paid.

Werner Herzog Eats His Shoe

Directors Werner Herzog and Errol Morris make a bet which results in Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven.