La Bohème (1977)

The Opera House

In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.

Giving Birth to a Butterfly

After having her identity stolen, a woman, and her son's pregnant girlfriend, bond together on a surreal journey as they attempt to track down the perpetrators.

Tiempo de silencio y destrucción

January 1964, the author of the novel Tiempo de silencio, Luis Martín-Santos, dies in a tragic car crash. On the 60th anniversary of the accident and the 100th year since his birth, we follow his children on a voyage to reconstruct the writer, the psychiatrist, the man behind the work that turned him into a literary promise. A journey through the figure of Martín-Santos, his peculiar view of post-war Spain and his work hidden for years based on partly unpublished texts.

Final Round

After a recruiter sees him winning a bar fight, Tyler Verdiccio is kidnapped and thrown into an abandoned industrial complex which has been converted into the arena. Along with his lover, Jordan, and another kidnapped man, Verdiccio is hunted by mercenaries in a televised death duel which is the main event for a multi-million dollar gambling racket.

Ingen kære kommune

Plot unavailable

UFC 290: Volkanovski vs. Rodriguez

UFC 290: Volkanovski vs. Rodríguez was a mixed martial arts event produced by the Ultimate Fighting Championship that took place on July 8, 2023, at the T-Mobile Arena facility in Paradise, Nevada, part of the Las Vegas Metropolitan Area, United States. A UFC Featherweight Championship unification bout between current champion Alexander Volkanovski and interim champion (also The Ultimate Fighter: Latin America featherweight winner) Yair Rodríguez headlined the event. UFC 290 PPV Main Event On ESPN+: 145 lbs.: Featherweight champion Alexander Volkanovski vs. Yair Rodriguez UFC 290 PPV Co-Main Event On ESPN+: 125 lbs.: Flyweight champion Brandon Moreno vs. Alexandre Pantoja UFC 290 PPV Main Card On ESPN+ (10 p.m. ET): 185 lbs.: Robert Whittaker vs. Dricus Du Plessis 155 lbs.: Dan Hooker vs. Jalin Turner 185 lbs.: Bo Nickal vs. Valentine Woodburn (Tresean Gore injured)

April Fool

A depressed 28 year-old reconnects with his estranged family and comes to terms with the loss of his father.

Fight Club: Members Only

Four friends head off to Bombay and get involved in the mother and father of all gang wars.

Abadan 1160

the final days of Iran International Naft Radio during the siege of Khorramshahr and imminent siege of Abadan in Iran-Iraq war and the resistance people showed to make sure Iraq won't capture Abadan.

Funny Money

Fulbert is a sidewalk artist who is duped into working for a counterfeiter. He accompanies a woman posing as a grieving widow on a trip to Spain in a hearse. Unaware she is the mistress of a notorious gangster, Fulbert is chased by thugs.

D'ale carnavalului

Nae Girimea, a barber from a late 19th-century Bucharest neighborhood, finds a new mistress, Didina. This event sparks the insane jealousy of his 'soulmate' mistress, Mita Baston, as well as that of the violent Pampon, Didina's official lover. Caught in this whirlwind of pursuit and punishment of the daring barber, all taking place during a carnival, is also Crăcănel, Mita’s official benefactor.

Le charpentier maladroit

Plot unavailable

The Octopus' Bone

The story is based on the traditional, Japanese myth of Urashima Taro; in which a fisherman is transported from the seashore into a fantastic underwater world on the back of a giant turtle.

The Little Hedgehog

A little hedgehog finds a magnificent apple in the woods. He rolls it behind a rock where he can enjoy it at his leisure. But there are some uninvited guests at the feast.

Chiso Ashtray

A taxi driver moves to Kathmandu with aspirations of making it in the big city. He falls in with the wrong company, and soon becomes embroiled in drugs and disputes with a local rival gang.

Ramona

On a seemingly normal evening, a young girl has the misfortune of encountering the wrong people. For her, this turns into a nightmare in which she is not even sure if she will survive the night...

Amadeus

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

The Metropolitan Opera - Puccini: Manon Lescaut

Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.

Claude Debussy - Pelléas et Mélisande

Drama lyrique in five acts, after the play by Maruice Maeterlink

Poulenc's The Human Voice / Bartók's Bluebeard's Castle

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

Berg: Wozzeck

Based on real events and drawing on Georg Büchner's revolutionary play, Alban Berg's Wozzeck turns a grimly tragic narrative of violence and murder into one of the most powerful and original operas of the 20th century. Berg's uncompromising portrayal of brutality and madness generated much controversy, but the significance of Wozzeck was soon recognised; its compelling lyrical expansiveness, large-scale dramatic gestures and remarkable musical structures producing music of overwhelming emotional intensity. The Financial Times declared this to be 'a beautiful, moving, engrossing production… this is a consummate Wozzeck, blending clarity, lyricism, compassion and crushing force.'

Alban Berg - Wozzeck

The soldier Wozzeck (Christian Gerhaher) flits through a world that he is unable to decipher. The doctor torments him with absurd medical experiments; the captain humiliates and ridicules him. And Wozzeck’s lover, Marie (Gun-Brit Barkmin), with whom he has a child, cuckolds him with the drum major. Wozzeck becomes a murderer, stabbing Marie to death. Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism.

Verdi - Ernani

Ernani is a gripping drama about love and revenge by Giuseppe Verdi. Written in his unique style it brims with poignant arias, rousing choruses and enthralling ensemble scenes. The rebel leader Ernani recognises his father's murderer in the Spanish King Carlo and seeks revenge on him. Both men love Elvira – as does old Silva whom she is to be married to ... Director Lotte de Beer and her set and costume designer Christof Hetzer devote themselves to the fictional plot which bears references to the 16th century. They demonstrate their rich scenic imagination in this production, conducted by Enrique Mazzola who “provides musically magic moments at the stand of the Wiener Symphoniker” (Schwäbische Zeitung). “Great singers, fiery music and an action-packed staging” (Allgäuer Zeitung). “A mixture of Tarantino’s ‘Kill Bill’ and Monty Python’s ‘The Knights of the Coconut’” (Deutschlandfunk).

Rigoletto

In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to his cynical and powerful master, an unscrupulous philanderer contrasted with his cruel and unforgiving fool. Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. As a result, the character of the court jester is transformed into a tragic figure who, in spite of his evident immorality and malice, allows us to sense the devotion he feels for his daughter and his horror at being destroyed by the same despotic world as that which he himself has helped to create.

Aida - Arena di Verona

The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.

The Abduction from the Seraglio

Without question, this is an incredibly bizarre production. The revised storyline makes little sense, and there is a surprising amount of violence and sexual innuendo. However, the singers are superb, both vocally and in regard to their stage presence and acting, the orchestra plays beautifully, the chorus is wonderful, and the set is as clever as it is strange. It's definitely not for purists, or for someone new to this particular opera. But for someone who's seen Die Entfuhrung before, and is familiar enough with the original story to not miss it, watching Belmonte, Constanze, Blonde, Pedrillo, and Osmin embark on an entirely new adventure -- and push the boundaries of good taste -- is rather enjoyable.

Puccini: La bohème

"La Bohème" is one of Giacomo Puccini's most popular and timeless works and the second-most performed opera at New York's Metropolitan Opera. This production, directed by the legendary Franco Zeffirelli, features José Carreras, Teresa Stratas, Renata Scotto and Richard Stilwell. The opera is replete with extraordinary visual beauty as it presents the tragic story of young bohemians struggling to make it in the world.

Die lustigen Weiber von Windsor

When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.

Salome

This filmed version of Strauss' shocker features Teresa Stratas as opera's most depraved teenager, and she's as perfect a Salome as one would ever hope to see or hear. Stratas inhabits the role, exploring the character's sensuousness as she vainly woos Jochanaan, her venomous hatred when she's rejected, the crazed look in her eyes when she demands his head--on a silver platter, no less. Such complete identification with a role, especially of a character so malignant helps make this 1974 Salome stand out among the many fine DVDs of the opera.

Le convenienze ed inconvenienze teatrali - Wexford Festival Opera

Le convenienze ed inconvenienze teatrali (Conventions and Inconveniences of the Stage) is a two-act opera that shines an exaggerated spotlight on the behind-the-scenes working of a theatre and the rehearsal process, showing what can go wrong when the egos of the performers get in the way of putting on a good show. A regional (and mediocre) operatic troupe is rehearsing a new work and faces numerous obstacles. The prima donna acts every bit the diva, refusing to rehearse. The Tenor finds himself in the wrong production and quite out of his depth. The Seconda Donna’s mother (played by a baritone) demands that her daughter be given a more prominent role, before deciding to take on several roles herself. Not be outshone, the Prima Donna’s husband takes to the stage too. When the show eventually collapses and the company tries to flee under cover of night, rather than pay back all the investors (whose money has already been spent), the Impresario has other plans…

Farinelli

The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.

Puccini - Madama Butterfly

Madama Butterfly is, with Bohème, the most loved and staged of Puccini’s works. This Blu-ray production was staged at the 2007 Puccini Festival in Italy’s Torre del Lago, Puccini’s home town. Starring as Cio Cio San is the Russian soprano Elmira Veda. This version is only available as Blu-ray.

Massenet - Thais

With the “Méditation”, Jules Massenet probably wrote one of the most famous melodies of our time. It originates from his comédie-lyrique Thaïs, which – unlike Massenet's operas Werther or Manon – never made it into the international opera repertoire. Presumably because the two main roles of Thaïs and Athanaël demand something almost superhuman from the singers. In the new production by Peter Konwitschny at the Theater an der Wien, the American soprano Nicole Chevalier is one of the most exciting singers currently on stage in the title role. At her side, the young Austrian bass-baritone Josef Wagner celebrates his house‍ debut. This is a fascinating and musically excellent performance of a timeless classic of the opera repertoire.

Strauss II: Die Fledermaus

Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.

The Magic Flute

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

The Metropolitan Opera: Eugene Onegin

Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.

Der Rosenkavalier

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask

Tosca

Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.