Glyndebourne Live: Il barbiere di Siviglia (2016)

7 Deaths of Maria Callas

A meditation on the female body as a source of both power and pain that focuses on the tragic figure of renowned American-Greek opera singer Maria Callas (1923-77), whose stunning soprano voice captivated audiences around the world in the mid-20th century while her life was wracked by scandal and personal suffering.

Carmen

This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.

Fuoco sacro – Suche nach dem heiligen Feuer des Gesangs

What drives men and women to risk their own lives to save those of others? Fuoco Sacro tells the story of the Vigili del Fuoco, the Italian fire department, and does it through the voices of the people who, over half a century of history, have tackled with competence and a spirit of self-sacrifice the greatest calamities that Italy has tragically had to experience at firsthand.

Verdi: Attila

First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.

Notre Dame de Paris - Live Arena di Verona

Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.

Lisa Limone and Maroc Orange: A Rapid Love Story

Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.

Manon Lescaut

Manon Lescaut's production was updated and it worked. Highly professional production with two of the best performances I've ever witnessed in any opera. By the end of the third act I was crying and by the end of the fourth act I could not stop the tears. These two can not only sing up a storm they act one as well. This is the best Manon Lescaut I've ever seen and hope the upcoming one at the Met is as good. It truly was thrilling. Kaufmann and Opolais were unbelievably fantastic and the orchestra was superb. Pappano is the kind of maestro you want to sing for as he coaches as in the old days of maestros like Levine, etc. This is highly recommended as a keeper!

Gluck: Iphigenie en Aulide / Iphigenie en Tauride

Before the Trojan War, Agamemnon gathered the Greek armies at the port of Aulis. The goddess Diane sent unfavorable winds to prevent the Greeks from sailing. Her oracle set a condition for Agamemnon: to earn the right to sail forth and destroy an innocent country, he would have to sacrifice his own daughter. Agamemnon accepted these terms and killed his young daughter Iphigénie on the altar. In his play Iphigenia in Tauris Euripides imagines that Diane plucked Iphigénie from that altar and delivered her to a temple in distant Tauride, where Iphigénie began to serve the enemy Scythians as Diane’s high priestess—all the while Iphigénie’s family believing her dead.

Wagner: Parsifal

German composer Richard Wagner wrote Parsifal, which is a three-act opera that tells the story of the title character's quest to save the Knights of the Holy Grail by returning the Holy Spear, healing King Amfortas, and carrying out the sacred ceremony of uncovering the Holy Grail.

Giacomo Meyerbeer - Les Huguenots (Die Hugenotten)

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Rodelinda

With this DVD and Blu-ray of Rodelinda, one of Handel’s most emotionally complex operas, conductor Emmanuelle Haïm adds to her impressive Erato catalogue of the composer’s works. The imaginative production, by Jean Bellorini, was seen at the Opéra de Lille in Autumn 2018, and the cast features soprano Jeanine De Bique in the title role, countertenor Tim Mead as her husband Bertarido and another countertenor, Erato’s rising star Jakub Józef Orliński as Unulfo. Reviewing the production, Le Monde noted Emmanuelle Haïm’s “intimate connection with this music, which she knows how to unleash in all its violence, passion and heart-wrenching expressivity.”

Verdi: La Traviata

Alfredo, a young man from the provinces, falls in love with Violetta, the stylish toast of Paris. But she’s not the marrying kind – at least not until now. However, their dreams are threatened by both a merciless society that condemns Violetta’s racy past and an equally merciless disease. Russian soprano Venera Gimadieva portrays the iconic role of Violetta, alongside American tenor Michael Fabiano as Alfredo. The visual beauty of Tom Cairns’s opulent production aptly echoes the irresistible allure of this beloved opera.

Rossini: L'inganno felice - Teatro Fraschini di Pavia

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Rossini: L'inganno felice - Rossini in Wildbad

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Bizet: Carmen

Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.

Verdi: I Due Foscari

n his 'new life' as a baritone, Placido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role to La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi's darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with "Die Soldaten" and "Il trovatore". Domingo is joined by two of Italy's most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo's performance, calling his interpretation of the role "sublime".

The Metropolitan Opera: Siegfried

Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.

Massenet: Thaïs

When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.

Tristan und Isolde

The Bayreuth Festival Opera House mounted this production of Richard Wagner's 1865 opera Tristan und Isolde as part of the Bayreuther Festspiele. Staged by Heiner Müller, it stars Siegfried Jerusalem, Waltraud Meier, Poul Elming and Uta Priew, and features musical accompaniment by The Orchestra and Chorus of the Bayreuther Festspiele.

Parsifal

A mythical performance from la Monnaie - Bruxelles. Parsifal is a strange and enigmatic work. At the end of his life, did Wagner wish to celebrate asceticism, which he himself had never practised? Did he fall upon his knees before the Cross, as claimed by Nietzsche? And what does the secret society of knights based on pure blood signify, desperately waiting for the saviour to regenerate it? What is the true nature of the opposition between the worlds of Klingsor and the Grail? What can Parsifal tell us today? In his artistic will and testament, Wagner condenses his moral idea of the world and returns to the roots of love and religion - to the very heart of art according to him. With the participation of conductor Hartmut Haenchen who is passionated by the score, Italian stage director Romeo Castellucci proposes an original reading of this brilliant work and explores the essence of Wagnerian ‘Kunstreligion’ in a different light.

Tchaikovsky: The Queen of Spades - Gran Teatre del Liceu, Barcelona

Obsessive in gambling and in love, the soldier Hermann is the protagonist of Tchaikovsky’s Pique Dame, based on a story by Pushkin. He is smitten with the aristocratic Lisa and fixated on learning the winning secret of ‘the three cards’ from her grandmother, the Countess, played by iconic contralto Ewa Podles. This opulent production from Barcelona’s Liceu captures St Petersburg in the era of Catherine the Great, while the house’s Music Director Michael Boder conducts a large and impressive cast. Recorded at the Gran Teatre del Liceu, Barcelona, 30th June & 1st July 2010.

Siegfried

Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.

O Die Zee

O Die Zee is a modern Dutch retelling Homer's Odyssey in the form of a rock opera. It was performed in the summer of 2014 in the open air of Fort Rammekens, The Netherlands.