Foreigner: Live (2008)

Marillion: All One Tonight - Live At The Royal Albert Hall

Captured at their sold-out engagement and first performance at the Royal Albert Hall. In two parts, All One Tonight firstly showcases the band’s acclaimed 2016 studio album F E A R in full. Accompanied by an awe-inspiring light show and films, Marillion perform their incisive and era-defining zeitgeist with unparalleled passion and power. The second half introduces In Praise Of Folly and guests, a string quartet with flute and French horn that throughout the rest of the show inject an extra depth and emotion to some of Marillion’s best-loved live material.

Gluck: Iphigenie en Aulide / Iphigenie en Tauride

Before the Trojan War, Agamemnon gathered the Greek armies at the port of Aulis. The goddess Diane sent unfavorable winds to prevent the Greeks from sailing. Her oracle set a condition for Agamemnon: to earn the right to sail forth and destroy an innocent country, he would have to sacrifice his own daughter. Agamemnon accepted these terms and killed his young daughter Iphigénie on the altar. In his play Iphigenia in Tauris Euripides imagines that Diane plucked Iphigénie from that altar and delivered her to a temple in distant Tauride, where Iphigénie began to serve the enemy Scythians as Diane’s high priestess—all the while Iphigénie’s family believing her dead.

¿Dónde estará mi niño?

Manolo is a famous singer who has a brief affair with Diana, a beautiful hitchhiker. Diana becomes pregnant and gives birth to a child, Lito, the Manolo ignores their existence. Seven years later, Diana wants her son Manolo meet and therefore decided to look for him. However, when he is suffering a great disappointment because Manolo does not remember her. One person who remembers the father Manolo, who follows that Lito is his grandson and both plan unite Manolo and Diana.

The Surgeon

Dr. Julian Mater is suspended and gets his license revoked for performing experiments on dying patients in cellular regeneration. A couple of years later, he returns to the hospital that condemned his work to begin practicing his grizzly experiments once more.

The Inspirer

A married "change guru" decides to leave his wife for his younger mistress, but an inconvenient death in the family puts his breakup plans on hold.

Vesuvius at Home

A fantastical cinematic journey from a woman's childhood re-enactment of a false Pompeii, through decades, decline and obsession, to the Sibyl's Cave wherein she discovers Vesuvius symbiosis with cinema, memory, and Giambattista Vico’s spiral of time.

Road Tripping

The authors of J.B. Hivemind's Road Trippy begin their road trip adventure. Or at least try to.

Pillow Party Massacre

After a bullying incident leads to tragedy, four former High school friends reconnect at a vacation home where a maniacal killer stalks the night.

Floor X

An accidental meeting in an elevator at a department store leads two older women to their limits and forces them to improvise by the time the elevator gets stuck.

Pot De Yaourt

Plot unavailable

Midnight Grand Orchestra 1st LIVE 『Overture』

Midnight Grand Orchestra 1st LIVE 『Overture』

Gadgetman

When an inventor's son learns that his father has been kidnapped, he searches for a clever contraption that can save his dad’s life.

The Misanthrope

Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.