L'Orfeo (2002)

Puccini Manon Lescaut

The French tale of a beautiful young woman destroyed by her conflicting needs for love and luxury.

Dvorak: Rusalka

A legend of mermaids, mere mortals, and sylvan glades. Be transported to a mystical world of water sprites, witches, and wood nymphs. In exchange for love, Rusalka will relinquish not only her mermaid magic, but also her voice.

Beethoven: Fidelio

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, David Butt Philip plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime.

Tosca's Kiss

Memoirs of the Italian Opera by the singers and musicians of the Casa Verdi, Milan, the world’s first nursing home for retired opera singers, founded by composer Giuseppe Verdi in 1896. This documentary, which has achieved cult-like status among opera and music lovers, features former singers who reminisce about their careers and their past operatic roles.

The Metropolitan Opera: Anna Bolena

David McVicar's atmospheric and brooding production captures the drama of this riveting piece of British history, retold as only Donizetti could. International superstar Anna Netrebko is Queen Anne Boleyn, trapped in an unhappy marriage to King Henry VIII (Ildar Abdrazakov) whose roving eye has settled on another woman—Jane Seymour (Ekaterina Gubanova), Anna's friend, but now her unwitting rival. Add in Anna's early love, Percy (Stephen Costello), just returned to the court from exile, and the result is a haunting, explosive account of Queen Anna's tragic final days, before she goes to her execution in one of the most moving and dazzling final scenes in all of opera.

The Metropolitan Opera: Don Carlo

Family jealousy, threat of rebellion, political back-stabbing and the Inquisition weigh heavy on the court of King Phillip II. The tension finally ignites at the King's coronation, where a number of heretics are to be burnt at the stake.

Don Carlo

C Majors Tutto Verdi project comes to one of Verdis most popular operas: Don Carlo. Based on Schiller's play of the same name, Don Carlos was written for the Paris Opéra in 1865-66 in the tradition of a French grand opera. Repeatedly revised and performed in Italian as Don Carlo, the opera is seen here in the version that Verdi prepared for Modena in 1886. In many respects, this is Verdi's most ambitious and most forward-looking work.

Verdi: Don Carlo

Verdi wrote this five act opera with a French Libretto for the Paris opera. Premiere 1867. Then there are three versions of this opera, the French 1867 version, the revised Italian four Act Don Carlo 1884, plus the Modena version 1886. This version is the 1884 version with Act One reinstated, as well as the original beginning of Act 2. To complicate matters the French opera was simply translated into Italian, and then the changes were made. There is an even newer edition completed in 1980 by Ricordi, and others floating around as well.

That Girl from Paris

Nikki Martin, a beautiful French opera star, stows away on an ocean liner in hopes of escaping her jealous fiancee. Once aboard, she joins an American swing band and falls in love with its leader, who, after hearing her sing, eventually comes to reciprocate her feelings.

Il Trovatore

This recording of "Il Trovatore" was held in Parma in 2010. The production is minimalistic. The scenario reminds, vaguely, the lunar surface. In the background, in several scenes, there is a huge full moon, sometimes white, sometimes red - the effect is beautiful and suitable for the nocturnal atmosphere of this opera. Few objects in the scene, including a big horse and giant candles. The costume indicates, directly, who is who: soldiers, nuns, gypsies. Regarding the musical aspects: excellent participation of choir and orchestra. The conductor is the seasoned Yuri Temirkanov. He keeps the orchestra under control (though there is one or two moments of disagreement with the singers), with some pleasant surprises.

Britten: Death in Venice

At the English National Opera, Deborah Warner has been directing Benjamin Britten's final opera, Death in Venice, conducted by Edward Gardner.

Jonas Kaufmann: Cavalleria Rusticana / Pagliacci

As comparably short operas, Cavalleria Rusticana and Pagliacci are often billed together, but seldom is the lead tenor making his double role debut as Turiddu and Canio on the same evening. At the 2015 Salzburg Easter Festival, Jonas Kaufmann did just that to rapturous praise. Universally hailed as a coup for Kaufmann, the plaudits were also showered on Philipp Stölzl for his innovative staging which includes live video projections while referencing the era of black-and-white movies.

Rossini: Moïse et Pharaon

Live from La Scala Wednesday 10 December 2003

Die Walküre

The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)

Siegfried

Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.

When the Fern Blooms

Part folklore, part opera-ballet, this féerie presents local pagan traditions on the day of the summer solstice and historical events from Cossack times to the more recent 2014 Ukrainian Revolution of Dignity.

Wagner: Die Walküre

Die Walküre (The Valkyrie), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's Der Ring des Nibelungen, (English: The Ring of the Nibelung). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 14 August 1876.

Donizetti: La Fille du Régiment

In January 2007, superstar soprano Natalie Dessay, joined on stage by acclaimed tenor Juan Diego Florez dazzled British audiences in Laurent Pelly's new production of Donizetti's "LA FILLE DU REGIMENT". The perfectly staged & cast production became the operatic event of the year, receiving rave press reviews & rapturous audience ovations.

Rossini La Cenerentola

This is an excellent version of one of the greatest of all comic operas, featuring superb singing and orchestral playing. And it's not just the two headliners; listen, for example, to the entrance of the stepsisters at the beginning of Act One. Nevertheless, some viewers may find the staging problematic, with singers in clown-like costumes and sets featuring human-sized rodents. Those seeking a more conventional production might want to consider the Houston Grand Opera DVD, also on Decca, with Cecilia Bartoli and Raul Jimenez. Both sets are wonderful, but, for me, Joyce Didonato and Juan Diego Florez are slightly to be preferred. Highly recommended.

The Metropolitan Opera: Otello

In Verdi’s retelling of Shakespeare’s towering tragedy, Renée Fleming gives a captivating performance as the innocent Desdemona, a role long considered one of her calling cards. Johan Botha as the title hero delivers an imposing portrayal of a proud warrior brought down by jealousy, and Falk Struckmann is thrilling as the villainous Iago. James Morris sings Lodovico. Elijah Moshinsky’s production is conducted by Semyon Bychkov.

Opéra National de Paris: Verdi's La Traviata

In Benoît Jacquot’s production, Manet’s Olympia dominates the stage of the Opéra Bastille. In 1863, the painting caused a scandal: the prostitute awaits her client, her expression proud, her demeanour assured. Is this Violetta? Like Olympia, Verdi’s most celebrated heroine surrenders to the spectator just as she surrenders to love, going so far as to die on stage, a woman’s ultimate sacrifice for her lover. Or might it be the spectator who strips her bare and intrudes upon her privacy, in the image of this milieu of social voyeurism? Whatever the case, these two women regard us with defiance and subjugate those who cannot help but look at them.

Attila

Part of Tutto Verdi series - Attila (2010) Parma. 'Attila' is an opera in a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the 1809 play 'Attila, König der Hunnen' ('Attila, King of the Huns') by Zacharias Werner. The opera received its first performance at La Fenice in Venice on 17 March 1846.

Ernani

Part of Tutto Verdi series - Ernani (2005) Parma. 'Ernani' is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play 'Hernani' by Victor Hugo. Ernani was first performed on 9 March 1844 at the Teatro La Fenice in Venice.