Tchaikovsky: Eugene Onegin (2013)

Tristan & Isolde

An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.

Two Evil Eyes

A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.

The Medallion

A Hong Kong detective suffers a fatal accident involving a mysterious medallion and is transformed into an immortal warrior with superhuman powers.

Family Guy Presents: It's a Trap!

With the Griffins stuck again at home during a blackout, Peter tells the story of “Star Wars Episode VI: Return of the Jedi.”

A Matter of Loaf and Death

Wallace and Gromit open a bakery, accidentally getting tied up with a murder mystery in the process. But when Wallace falls in love, Gromit is left to solve the case by himself.

Nymphomaniac: Vol. II

The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.

Child's Play 2

Chucky is reconstructed by a toy factory to dispel the negative publicity surrounding the doll, and tracks young Andy Barclay to a foster home where the chase begins again.

Kung Fu Panda 2

Po and his friends fight to stop a peacock villain from conquering China with a deadly new weapon, but first the Dragon Warrior must come to terms with his past.

Big Momma's House 2

FBI agent Malcolm Turner goes back undercover as Big Momma, a slick-talking, slam-dunking Southern granny with attitude to spare! Now this granny must play nanny to three dysfunctional upper class kids in order to spy on their computer hacked dad.

The Spiderwick Chronicles

Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.

Orange County

Shaun Brumder is a local surfer kid from Orange County who dreams of going to Stanford to become a writer and to get away from his dysfunctional family household. Except Shaun runs into one complication after another, starting when his application is rejected after his dim-witted guidance counselor sends in the wrong form.

The Grudge 2

A young woman encounters a malevolent supernatural force while searching for her missing sister in Tokyo, a mean high school prank goes horribly wrong, and strange things begin happening in a Chicago apartment building.

Golden Door

The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.

Superman/Batman: Apocalypse

Batman discovers a mysterious teen-aged girl with superhuman powers and a connection to Superman. When the girl comes to the attention of Darkseid, the evil overlord of Apokolips, events take a decidedly dangerous turn.

Undisputed II: Last Man Standing

Heavyweight Champ George "Iceman" Chambers is sent to a Russian jail on trumped-up drug charges. In order to win his freedom he must fight against the jailhouse fighting champ Uri Boyka in a battle to the death. This time he is not fighting for a title, he is fighting for his life!

G.I. Joe: The Rise of Cobra

From the Egyptian desert to deep below the polar ice caps, the elite G.I. JOE team uses the latest in next-generation spy and military equipment to fight the corrupt arms dealer Destro and the growing threat of the mysterious Cobra organization to prevent them from plunging the world into chaos.

Street Fighter

Col. Guile and various other martial arts heroes fight against the tyranny of Dictator M. Bison and his cohorts.

Jarhead

Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.

Gintama

In an era where aliens have invaded and taken over feudal Tokyo, a young samurai finds work however he can.

Spider-Man 2

Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. A certain anger begins to brew in his best friend Harry Osborn as well...

Superstar

Orphan Mary Katherine Gallagher, an ugly duckling at St. Monica High School, has a dream: to be kissed soulfully. She decides she can realize this dream if she becomes a superstar, so her prayers, her fantasies and her conversations with her only friend focus on achieving super-stardom.

Hello, Dolly!

Dolly Levi is a strong-willed matchmaker who travels to Yonkers, New York in order to see the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. In doing so, she convinces his niece, his niece's intended, and Horace's two clerks to travel to New York City.

Jackass Number Two

Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.

District 13: Ultimatum

Damien and Leito return to District 13 on a mission to bring peace to the troubled sector that is controlled by five different gang bosses, before the city’s secret services take drastic measures to solve the problem.

Flushed Away

London high-society mouse, Roddy is flushed down the toilet by Sid, a common sewer rat. Hang on for a madcap adventure deep in the sewer bowels of Ratropolis, where Roddy meets the resourceful Rita, the rodent-hating Toad and his faithful thugs, Spike and Whitey.

The Brice Man

A wannabe surfer parties on the French Riviera while awaiting the perfect wave.

Scooby-Doo! Frankencreepy

Velma discovers she's inherited her great-great-uncles' cursed castle in Transylvania, Pennsylvania. The team decide to go there on a spooky adventure.

Allan Quatermain and the Lost City of Gold

After his brother Robeson disappears without a trace while exploring Africa in search of a legendary 'white tribe', Allan Quatermain decides to follow in his footsteps to learn what became of him. Soon after arriving, he discovers the Lost City of Gold, controlled by the evil lord Agon, and mined by his legions of white slaves.

Free Willy 2: The Adventure Home

Jesse becomes reunited with Willy three years after the whale's jump to freedom as the teenager tries to rescue the killer whale and other orcas from an oil spill.

Dragon Ball Z: Wrath of the Dragon

The Z Warriors discover an unopenable music box and are told to open it with the Dragon Balls. The contents turn out to be a warrior named Tapion who had sealed himself inside along with a monster called Hildegarn. Goku must now perfect a new technique to defeat the evil monster.

Cyrano de Bergerac

Famed swordsman and poet Cyrano de Bergerac is in love with his cousin Roxane. He has never expressed his love for her as he his large nose undermines his self-confidence. Then he finds a way to express his love to her, indirectly.

Skylines

When a virus threatens to turn the now earth-dwelling friendly alien hybrids against humans, Captain Rose Corley must lead a team of elite mercenaries on a mission to the alien world in order to save what's left of humanity.

Rambo: First Blood Part II

John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.

Tracers

Wanted by the mafia, a New York City bike messenger escapes into the world of parkour after meeting a beautiful stranger.

Open Season

Boog, a domesticated 900lb. Grizzly bear finds himself stranded in the woods 3 days before Open Season. Forced to rely on Elliot, a fast-talking mule deer, the two form an unlikely friendship and must quickly rally other forest animals if they are to form a rag-tag army against the hunters.

Funny Face

A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.

Pirates of the Caribbean: The Curse of the Black Pearl

Jack Sparrow, a freewheeling 18th-century pirate, quarrels with a rival pirate bent on pillaging Port Royal. When the governor's daughter is kidnapped, Sparrow decides to help the girl's love save her.

EuroTrip

When Scott learns that his longtime cyber-buddy from Berlin is a gorgeous young woman, he and his friends embark on a trip across Europe.

Mozart: The Magic Flute

Since it's premiere in a tiny suburban theatre in Vienna, Die Zauberflote has delighted audiences young and old for over 200 years. Mozart's Singspiel seamlessly alternates seriousness and jollity, and combines philosophical ideas with a fairytale world of wondrous animals and magical musical instruments. Emanuel Schikaneder's original production was theatrically inventive, and this new interpretation from director Simon McBurney emulates that in fresh and current terms. Fusing music, technology and stagecraft, this exciting production gives Die Zauberflote a refreshing new treatment that is both thrilling and simple in it's approach. Following an overwhelming success on stage, McBurney's unique production received five-star reviews in the Dutch press: 'a feast for the eyes and the ears' (Het Parool) and 'Delicious!' (Trouw).

Werther

Alain Guingal conducts the Orchestre du Teatro Regio di Torino in this production of Massenet's opera based on the novel 'The Sorrows of Young Werther' by Goethe. Roberto Alagna stars as the titular character, a lovelorn poet whose heart is set on a beautiful young woman of his acquaintance. Unfortunately, the girl in question has already pledged herself to another. How will Werther deal with the thwarting of his romantic ambitions?

Così fan tutte

Nikolaus Harnoncourt conducts the Wiener Philharmoniker in this filmed studio performance of Mozart's opera recorded in 1988.

Lisa Limone and Maroc Orange: A Rapid Love Story

Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.

The Secret Lives of Dentists

An introspective dentist's suspicions about his wife's infidelity stresses his mental well being and family life to the breaking point.

Gluck: Orfeo ed Euridice

Amour, the messenger of the gods, tells Orpheus that he may descend to the underworld and return with Eurydice. His singing has the power to appease the Furies and animate the blessed Shadows. Yet, his voice cannot reassure Eurydice who despairs of the feigned indifference of Orpheus, put to the test by Jupiter. Raphaël Pichon conducts the opera of operas and Aurélien Bory displays the giddiness of the mental and supernatural spaces traveled by Orpheus and beyond. Marianne Crebassa plays a new breeches role with Hélène Guilmette (Hélène in Le Timbre d’argent) and Lea Desandre (the title role in Alcione).

L'Orfeo, Favola in musica

First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’

The Metropolitan Opera: Otello

In Verdi’s retelling of Shakespeare’s towering tragedy, Renée Fleming gives a captivating performance as the innocent Desdemona, a role long considered one of her calling cards. Johan Botha as the title hero delivers an imposing portrayal of a proud warrior brought down by jealousy, and Falk Struckmann is thrilling as the villainous Iago. James Morris sings Lodovico. Elijah Moshinsky’s production is conducted by Semyon Bychkov.

Handel Giulio Cesare

"Bartoli remains at her peak. Not only is her coloratura flawless, and her voice as colorful and ravishingly beautiful as ever, but her ability to use her incomparable technique at the service of expression has also deepened with age. As a seductress, Bartoli was irresistible. Teasing out her incomparably agile coloratura runs, she softened high notes to tickle the senses with a mixture of sweetness and delight. When, in the second act, she mounted a missile and diagonally ascended into the heavens, it felt as though she were riding the ultimate pink Cadillac off to her honeymoon rendezvous. And in her final aria, "Da tempeste il legno infranto" when she danced around the stage and adorned herself with strings of lights while flashing the trademark Bartoli smile, it was all one could do to resist running onstage and give her a huge hug."

Krenek: Karl V

Ernst Krenek's theatrical piece Karl V. consisting completely of twelve-tone series should have premiered at the Vienna State Opera. The political situation in the Vienna of 1933 and the fact that Krenek was despised by the Nazis because of this Jazz opera Jonny spielt auf, prevented the première. It only took place five years later in Prague, however Krenek had already emigrated to the USA. Karl V was the last emperor to hold to the idea of a Christian empire in which the sun never set, although its downfall was always inevitable, for numerous reasons. For the second production of Karl V. in the Nationaltheater, Carlus Padrissa in particular seeks out political power systems that are highly topical, and so very precisely analyses the treatment in the theatrical piece. At the core of the intellectually and linguistically highly qualified libretto, written by the composer himself, Karl V. reflects on his life and makes his confession to a young monk below Titian's La Gloria.

John Adams: Nixon in China

Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics.

The Metropolitan Opera: Don Giovanni

Imbuing the familiar Don Juan myth with a captivating combination of comedy, seductiveness, danger, and damnation, Mozart created an enduring masterpiece that has been a cornerstone of the repertory since its 1787 premiere. An early entry in the Met’s series of PBS telecasts, this 1978 performance captures a young James Morris in a smooth portrayal of the title role, with the legendary Joan Sutherland showing off her unsurpassed technique as Donna Anna and Gabriel Bacquier as a masterful Leporello.

Opéra National de Paris: Verdi's La Traviata

In Benoît Jacquot’s production, Manet’s Olympia dominates the stage of the Opéra Bastille. In 1863, the painting caused a scandal: the prostitute awaits her client, her expression proud, her demeanour assured. Is this Violetta? Like Olympia, Verdi’s most celebrated heroine surrenders to the spectator just as she surrenders to love, going so far as to die on stage, a woman’s ultimate sacrifice for her lover. Or might it be the spectator who strips her bare and intrudes upon her privacy, in the image of this milieu of social voyeurism? Whatever the case, these two women regard us with defiance and subjugate those who cannot help but look at them.

Britten: Death in Venice

At the English National Opera, Deborah Warner has been directing Benjamin Britten's final opera, Death in Venice, conducted by Edward Gardner.

The Metropolitan Opera: Puccini's La Rondine

This elegant romance is the least-known work of the mature Giacomo Puccini . The story concerns a kept woman who defies convention to chase a dream of romantic love with an earnest, if naïve, young man. This Met Opera production features the dynamic soprano Angela Gheorghiu and Frenchborn tenor Roberto Alagna performing the roles of Magda and Ruggero, it blooms into its rightful place in the glorious Puccini canon. La Rondine (The Swallow) was commissioned by Vienna s Carltheater in 1913. Due to the impending outbreak of World War I, premiered in 1917, at the Opéra de Monte-Carlo with Gilda Dalla Rizza and Tito Schipa. Set in a Parisian salon, it is the story of Magda, the glamorous mistress of wealthy banker Rambaldo. Her yearning for romantic love compels her into the arms of the ardent and adoring young Ruggero.

When the Fern Blooms

Part folklore, part opera-ballet, this féerie presents local pagan traditions on the day of the summer solstice and historical events from Cossack times to the more recent 2014 Ukrainian Revolution of Dignity.

Bizet: Carmen

Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.

Donizetti: La Fille du Régiment

In January 2007, superstar soprano Natalie Dessay, joined on stage by acclaimed tenor Juan Diego Florez dazzled British audiences in Laurent Pelly's new production of Donizetti's "LA FILLE DU REGIMENT". The perfectly staged & cast production became the operatic event of the year, receiving rave press reviews & rapturous audience ovations.

Rossini La Cenerentola

This is an excellent version of one of the greatest of all comic operas, featuring superb singing and orchestral playing. And it's not just the two headliners; listen, for example, to the entrance of the stepsisters at the beginning of Act One. Nevertheless, some viewers may find the staging problematic, with singers in clown-like costumes and sets featuring human-sized rodents. Those seeking a more conventional production might want to consider the Houston Grand Opera DVD, also on Decca, with Cecilia Bartoli and Raul Jimenez. Both sets are wonderful, but, for me, Joyce Didonato and Juan Diego Florez are slightly to be preferred. Highly recommended.

Rossini: La Donna del Lago

An all-star cast assembled for the Met’s first-ever performances of Rossini’s romantic retelling of Sir Walter Scott’s epic poem The Lady of the Lake. Joyce DiDonato is Elena, the title heroine, who is being pursued by not one, but two tenors—setting off sensational vocal fireworks. Juan Diego Flórez is King James V of Scotland, disguised as the humble Uberto, and John Osborn sings his political enemy, and rival in love, Rodrigo Di Dhu. Complicating matters is the fact that Elena herself loves Malcolm, a trouser role sung by mezzo-soprano Daniela Barcellona, and that she is the daughter of Duglas (Oren Gradus), another of the king’s political adversaries. Paul Curran’s atmospheric production is conducted by Michele Mariotti.

In War and Peace - Harmony Through Music

Recorded live in June 2017 at the magnificent Liceu Theatre in Barcelona, this DVD is the companion to Joyce DiDonato’s award-winning album In War and Peace: Harmony through Music. Seeking answers to the existential question “In the midst of chaos, how do you find peace?”, it makes a compelling piece of music theatre as DiDonato journeys through arias by Handel, Purcell, Monteverdi, Leo and Jommelli with Il Pomo d’Oro and conductor Maxim Emelyanychev. On stage, In War and Peace: Harmony through Music makes a compelling piece of music theatre. In Barcelona, as on the European and North American tours she made in late 2016, DiDonato was joined by the baroque orchestra Il Pomo d’Oro and its principal conductor Maxim Emelyanychev. May and June 2018 bring further performances in Portugal, France, Germany, Turkey and Hungary.

Glyndebourne: Hamlet

Brett Dean's multi-award-winning opera received its world premiere at Glyndebourne Festival 2017. The world premiere recording of Brett Deans new opera based on Shakespeares best-known tragedy: To be, or not to be. This is Hamlets dilemma, and the essence of Shakespeares most famous and arguably greatest work, given new life in operatic form in this original Glyndebourne commission. Thoughts of murder and revenge drive Hamlet when he learns that it was his uncle Claudius who killed his father, the King of Denmark, then seized his fathers crown and wife. But Hamlets vengeance vies with the question: is suicide a morally valid deed in an unbearably painful world?

Phantom of the Opera

Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.

Love Me Forever

A man who loves an aspiring opera singer is prepared to sacrifice everything to help her with her career, even though he knows she doesn't love him.

Rudi Stephan: Die ersten Menschen

The 2021 production by the Dutch National Opera of the work by German composer Rudi Stephan (1887–1915) "Die ersten Menschen" ("The First Humans"), completed in 1914 to a libretto by Otto Borngräber interpreting the Biblical story of the Garden of Eden through symbolism and the then nascent science of psychoanalysis. This production was part of the Holland Festival of Amsterdam.

Donizetti - La Favorite

Donizetti's French masterpiece was in the hands of Italian conductor Antonello Allemandi. This maestro, a bel canto specialist, captured the fire and intensity of the passions from the get-go, making the overture a superbly eloquent transition to a musical world based on beautiful lines and colors that elaborate distress and make it compellingly elegant. Allemandi demonstrated a full authority over the stage for the musically complex scenes, and in the arias and duets he demonstrated his confidence in the artistry of distraught singers by establishing ample tempos to support their soaring vocal lines while he concentrated on pulling every possible nuance from the pit players.

The Passion of Scrooge

Is this a film about Scrooge? About a composer’s life? An opera within an opera? The Passion of Scrooge blurs these lines between performance, documentary, and fiction, into a cinematic concert experience that’s seasoned with magical reality. Composer Jon Deak has adapted Charles Dickens’ timeless tale into a contemporary opera that melts the heart, but doesn’t avoid the darkness in Scrooge that’s still resonant with the material concerns of our time. Using neither period costumes, nor set pieces to reconstruct old England, the film invites you to experience A Christmas Carol with the imaginative possibilities of a radio play. And then, to meet those visions in your head, filmmaker H. Paul Moon‘s floating camera intimately captures musicians performing the score as characters themselves, in this ageless haunted redemption story about “us, every one.”

Falstaff

It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.

Moonstruck

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

The Metropolitan Opera: Anna Bolena

David McVicar's atmospheric and brooding production captures the drama of this riveting piece of British history, retold as only Donizetti could. International superstar Anna Netrebko is Queen Anne Boleyn, trapped in an unhappy marriage to King Henry VIII (Ildar Abdrazakov) whose roving eye has settled on another woman—Jane Seymour (Ekaterina Gubanova), Anna's friend, but now her unwitting rival. Add in Anna's early love, Percy (Stephen Costello), just returned to the court from exile, and the result is a haunting, explosive account of Queen Anna's tragic final days, before she goes to her execution in one of the most moving and dazzling final scenes in all of opera.

The Metropolitan Opera: Don Carlo

Family jealousy, threat of rebellion, political back-stabbing and the Inquisition weigh heavy on the court of King Phillip II. The tension finally ignites at the King's coronation, where a number of heretics are to be burnt at the stake.

Don Carlo

C Majors Tutto Verdi project comes to one of Verdis most popular operas: Don Carlo. Based on Schiller's play of the same name, Don Carlos was written for the Paris Opéra in 1865-66 in the tradition of a French grand opera. Repeatedly revised and performed in Italian as Don Carlo, the opera is seen here in the version that Verdi prepared for Modena in 1886. In many respects, this is Verdi's most ambitious and most forward-looking work.

Verdi: Don Carlo

Verdi wrote this five act opera with a French Libretto for the Paris opera. Premiere 1867. Then there are three versions of this opera, the French 1867 version, the revised Italian four Act Don Carlo 1884, plus the Modena version 1886. This version is the 1884 version with Act One reinstated, as well as the original beginning of Act 2. To complicate matters the French opera was simply translated into Italian, and then the changes were made. There is an even newer edition completed in 1980 by Ricordi, and others floating around as well.

Attila

Part of Tutto Verdi series - Attila (2010) Parma. 'Attila' is an opera in a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the 1809 play 'Attila, König der Hunnen' ('Attila, King of the Huns') by Zacharias Werner. The opera received its first performance at La Fenice in Venice on 17 March 1846.

Ernani

Part of Tutto Verdi series - Ernani (2005) Parma. 'Ernani' is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play 'Hernani' by Victor Hugo. Ernani was first performed on 9 March 1844 at the Teatro La Fenice in Venice.

Verdi: Falstaff

Part of Tutto Verdi series - Falstaff (2011) Parma. 'Falstaff' is an opera in three acts by the Italian composer Giuseppe Verdi (1813–1901). The libretto was adapted by Arrigo Boito from Shakespeare's 'The Merry Wives of Windsor' and scenes from 'Henry IV, parts 1 and 2'. The work premiered on 9 February 1893 at La Scala, Milan

Giovanna d'Arco

This work predates Thchaikowsly’s for almost 4 years, and it is base don the Schiller play I have previously criticized for its lack of historical accuracy. It is essentially focused on three major voices, soprano, tenor and baritone, with a basso to spice it up. New Yorker Evan Bowers may not be a matinee idol, but he sails into the role with a bright, focused lyrico spinto tenor voice. Renato Bruson was 72 years old in 2008, when he took this role (first sung by him in1989) and it shows, with quite a wobble on many passages; yet his voice commands the stage and rises majestically in the ensembles. And then, Bulgarian Svetla Vassileva, who is not burned at the stake, as in “Maid”, but dies heroically in battle.

I due Foscari

Part of Tutto Verdi series - I due Foscari (2009) Parma

I Lombardi alla prima crociata

I Lombardi alla prima crociata (The Lombards on the First Crusade) was Verdi’s fourth opera and received its first performance at La Scala, Milan, in February 1843. The grandiloquent subject matter is fleshed-out with broad-brushed musical and dramatic effects and lavish choral scenes created a correspondingly impressive impact. A great success in Milan, it spread to the rest of Europe within a matter of only a few years.

Il corsaro

The caption on the DVD sleeve reads “This Is how Verdi should be played!” and I could not agree more. The trio of principals: Ribeiro, Lungu, and Dalla Benetta , offer youthful exhuberance and intensity, good looks and glorious voices. The rest of the cast is equally good. Superb conductor, traditional production, great staging. Anf of course, Verdi’s exquisite music. It has renovated my faith in the totality of the Verdi canon, not only its most performed titles.

Verdi: Ernani

Rising Met star Angela Meade is Elvira, the young woman caught between three men: her lover, the nobleman-turned-outlaw Ernani (Marcello Giordani); her guardian, the rich, elderly de Silva, who wants her for himself (Ferruccio Furlanetto); and Don Carlo, the King of Spain, who also desires Elvira (Dmitri Hvorostovsky). Verdi’s early drama is full of sweeping melody and rousing rhythms, delivered masterfully by the Met Orchestra and Chorus conducted by Marco Armiliato.

Tristan und Isolde

Inspired by Wagner’s own tortured affair with the wife of his patron, this searing masterwork is based on Arthurian legend and tells of an illicit romance between a Breton nobleman and the Irish princess betrothed to his uncle and king. The composer’s larger-than-life sensibilities are on full display throughout the score: Along with intoxicating orchestral music that surges in tandem with the couple’s burgeoning passion and a chord left symbolically unresolved until the last moments of the opera, the opera also features one of the repertory’s most soaring and ecstatic final climaxes, as Isolde surrenders to a love so powerful that she transcends life itself.