Les Maisons De La Mer (2017)

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Nov 01, 2017
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Only Ghosts in the Waves

Enrico Naso is an undertaker in Lampedusa. Constantly confronted with the death that lurks everywhere on this remote rock in the middle of the Mediterranean Sea, Enrico has chosen life, immersing us in what it means to be human.
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Lost Mountain

On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.
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Algeria in Flames

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
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Tucaneira: Wooden Hands

“Tucaneira: Wooden Hands” is a captivating mini-documentary that takes us on a fascinating journey through the world of a skilled artisan who works with wood at an eco-solidarity fair held in a university environment. In this brief and inspiring portrait, we explore the life and craft of Manoel, a master craftsman whose hands transform tree trunks into true works of art. Through beautiful images, testimonials and captivating photographs, the documentary reveals Manoel's passion for his art. He shares his inspirations and motivations, highlighting how his work is deeply rooted in sustainability and respect for nature. “Tucaneira: Wooden Hands” is a mini-documentary that not only celebrates the talent and dedication of an exceptional artisan, but also reminds us of the importance of supporting initiatives and fairs that promote eco-solidarity, art and sustainability in a vibrant and inspiring university .
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Algeria, Special Weapons Sections

This documentary by director Claire Billet and historian Christophe Lafaye details the massive and systematic use of chemical weapons during the Algerian War. Algerian fighters and civilians, sheltering in caves, were gassed by "special weapons sections" of the French army. The gas identified on military documents is CN2D, whose widespread use forced insurgents to flee "treated" sites, at the risk of dying there. The method is reminiscent of the "enfumades" used by the French expeditionary force during the conquest of Algeria in the 19th century. Between 8,000 and 10,000 such operations are believed to have taken place on Algerian soil between 1956 and 1962. This historical aspect is little known due to the difficulty of accessing archives, many of which are still classified, raising questions about memory, historical truth, and justice.
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A People on the March

In 1962, René Vautier, together with some Algerian friends, organised the audio-visual formation centre Ben Aknoun to encourage a "dialogue in images" between the two factions. Together with his students he made a film that shows the history of the Algerian War and of the ALN (National Liberation Army), and life during the reconstruction.
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