Fadila (1960)

Hassan Terro au Maquis

While trying by all means to stay out of the bloody turmoil caused by the Battle of Algiers, Hassan, an honest and naive family man, is wrongfully accused of terrorism by the French colonial army in "Hassan Terro." After escaping in "The Escape of Hassan Terro," Hassan is forced to join the resistance in "Hassan Terro in the Maquis."

A View of Love

Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...

Pépé le Moko

Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.

The Casbah of Algiers

The daily life and tribulations of colorful residents in the millennial popular district of the Casbah of Algiers.

Kahla wa Bayda

Rabie is a kid from Sétif in 1980, trying to collect money to buy a wheelchair for his paralyzid sister Sassia, so she can get out of the house.

L'Obstacle

Algerian youth of the 1960s, straddling traditional South Mediterranean and Western culture and the desire for emancipation of younger generations to find true love.

One Roof, One Family

Selim Mechoubine, a young man of 28, is the eldest of a large family. In the cramped accommodation he shares with his parents, brothers and sisters... he occupies the kitchen, the refuge of his dreams and his many fantasies. Selim, the court clerk where divorcing couples parade..., wants to get married. His mother finds him “the rare pearl”. But now, the bride's family demands that the couple have their own home... Selim's misadventure begins; he finds himself confronted with the problems of the housing crisis which forces him to begin a long quest, procedures, requests to find the sine qua non condition for his marriage.

El Ouelf Essaïb

An Algerian music composer and his friends live a thrilling story, full of twists and turns.

Walking a Tightrope

A famous, ruthless writer takes a handsome young worker, with aspirations of becoming a tightrope artist, as his lover and protege, but suffers tragic consequences when he later discards him for another youth.

Inspector Tahar's Holiday

Inspector Tahar and his apprentice are invited by Mama Traki, a popular Tunisian heroine, to spend their vacation in Tunis. Before leaving Algiers, they stop at a tourist complex where a murder has just been committed. The investigation full of surprises and twists and turns will take them to Tunis where they will find Ommi Traki and his family...

Thirst Of Men

During the colonial period in Algeria, Sergeant Bouvard helps Broussole and his two daughters, Alise and Julie, settle in Hassi Ben Okba. Demobilized, he plants vines with them. Seduced by Julie's charms, he nevertheless marries Alise because she owns the land. He protects Julie from all her lovers but cheats on Alise with Adèle, a settler's wife. Unable to bear it any longer, he runs away with Julie to Oran. The death of his father brings him back to Bou-Okba. He stays with Alise until the day when, selling his wine in Oran, he is taken over by his passion. It is Julie who will tell him to resume married life and start a family of settlers.

The Song of the Hoggar

Le Chant du Hoggar, a fictionalized documentary directed by Pierre Ichac, which takes as its theme the adventurous life of the Tuaregs of yesteryear, the setting being the lesser-known mountains and valleys of the Hoggar, and the actors being the Tuaregs themselves. This production, of considerable interest, was filmed last year by Pierre Ichac, a project manager for the General Government of Algeria. For six months, the young director, who traveled more than 7,000 kilometers by car and about 1,000 kilometers by Méhari through the Hoggar mountains, recorded 8,000 meters of film. The beautiful Fatimata reigns over all hearts in the wandering Tuareg tribe, with her herds, in the high valleys of the Hoggar. But she loves The Lion, the bravest of the young warriors of an enemy tribe. And it is Fatimata's name that The Lion lovingly carves on the rocks of the mountain.

Faithful

1956. Algeria is a French colony. Fernand and Helene are madly in love. Fernand is an activist, fighting for independence alongside the Algerians. Helene is fighting for Fernand’s life. History will irrevocably change the course of their destiny.

Heart of the Casbah

Maria-Pilar is the new wife of an Algerian gangster whom the police have just arrested. The son of a first marriage arrives in Algiers from which he has remained far away for a long time. His stepmother, charmed by the teenager, gradually experiences a devouring passion, against which Michel tries in vain to fight: he loves a young girl, Sylvie. Mad with jealousy, his stepmother singles him out for his father's vengeance by distorting the truth. Michel does not escape his father's fury, but when the woman's deception becomes known, Maria-Pilar is strangled to death.

Omar Gatlato

Omar, a young man, lives a simple life with his family and suffers from loneliness. His life changes when he tries to bond with a girl he barely knows.

Deux Femmes

An Algerian social satire that tells the story of Boujemaa, who marries a second wife in addition to his first wife, who is ill and with whom he has a son and a daughter. Living all under the same roof, the new wife imposes her authority in the house. The lives of the family members are then turned upside down.

The Garden of Allah

The star-crossed desert romance of a cloistered woman and a renegade monk.

Procrastination

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Le Clandestin

Nine people with Abdullah Le Clandestin (Illegal Taxi), in one car, on the way to Algiers.

Algeria 1954, The Revolt Of A Colonized

This film presents the point of view of an Arab from Algeria who rebels against colonization. He analyzes the process of awareness, the transition to revolt, to armed insurrection. Algeria and the settlers are seen through this lens and not the way a Frenchman saw the country. He gives voice to the Arabs at a time when this word was not heard: sometimes it was not even produced, at least publicly. The testimonies are based on real propositions, most of them were made to the author during his stay in Algeria from 1948 to 1956, then in 1958 and 1959. The comments are borrowed from the texts of Arab theorists of the revolution Algerian. This film thus completely evacuates the point of view of those who are not insurgents; he does not give the opinion of the colonists. It is the direct expression of what was the revolt of a colonized person: it thus constitutes the very type of the historical document.

Les Mains Libres

In 1964, Algeria, just two years after the end of the war of independence, found itself catapulted into new contradictions, a still rural territory which responded to the modernity brought by the revolution. Filmed during the winter of 1964-1965 by the young director Ennio Lorenzini, it is the first international Algerian production which paints a rare portrait in color of a multifaceted nation, far from the simplistic vision created by the press and the French army. Produced by Casbah Film, Les Mains Libres (initially titled Tronc De Figuier) bears witness to the stigmata of colonization and the future of free Algeria throughout the Algerian territory and reveals the richness of its landscapes and the diversity of its traditions . The documentary, using the aesthetics of militant cinema of the time, is made up of four scenes: Sea and Desert, The Struggle, The Earth, Freedom.

A Son of the Sahara

As a boy, Raoul is reared by an Arab tribe in Algerian Sahara. Years later, as a refined Europeanized gentleman, he falls in love with Barbara, an officer's daughter, who rejects him when she discovers his background. Affecting a raid, he captures her and then secretly buys her at a slave auction. When she is rescued by French troops, however, his ancestry is established and they find happiness together.

Chronicle of the Years of Fire

A meticulous chronicle of the evolution of the Algerian national movement from 1939 until the outbreak of the revolution on November 1, 1954, the film unequivocally demonstrates that the "Algerian War" is not an accident of history, but a slow process of suffering and warlike revolts, uninterrupted, from the start of colonization in 1830, until this "Red All Saints' Day" of November 1, 1954. At its center, Ahmed gradually awakens to political awareness against colonization, under the gaze of his son, a symbol of the new Algeria, and that of Miloud, half-mad haranguer, half-prophet, incarnation of Popular memory of the revolt, the liberation of Algeria and its people.

The Empire of Dreams

A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…

A Propos D'Un Crime

In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”

Daughter of Keltoum

A 19 year-old Swiss woman travels to her birthplace—an isolated, barren Berber settlement in the mountainous desert landscape of Algeria—to find her biological mother, whom she has never met. The perilous journey immerses her in a world virtually untouched by contemporary society, one that still clings to tribal mores and strict religious codes of conduct.

Nomad Meeting, The Path Of Odette And Jean-Louis Bernezat

The Algerian Sahara is the most exceptional deserts. He densifies everything he hosts, men and nature, and invites you to pay attention to the world. Jean-Louis and Odette Bernezat were born at the foot of the Alps, but it was in the Sahara that they found their way, and devoted almost forty years to the discovery of this environment and have extraordinary knowledge to share. Director Maryse Bergonzat accompanies them, in a meha, in the Hoggar in Algeria, with their Tuareg friends. A privileged place to appreciate the desert, its landscapes, its inhabitants, its laws and its stories, in the company of exceptional guides.

Stones and Flies: Richard Long in the Sahara

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.

L'Histoire Du Film "La Bataille D'Alger"

More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.

The Algerian War!

In a single static shot a man is threatened with death at another's gunpoint.

Apatride

Henia will give anything to mend her broken past and find her mother, from whom she has been separated since the conflict between Morocco and Algeria during the Black Demonstration of 1975. After being given an opportunity to assist an elderly blind man, she accepts the offer and eventually finds herself agreeing to marry him. For Henia, this is a chance to get the necessary papers for her return to Algeria. For the old man, it’s a chance to start over. For his son, it is a disgrace.

La Bataille d'Alger, l'empreinte

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

The Barbary Corsairs

In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

The Battle of Algiers

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

The Outlaws

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

Le Grand Désert

In 1950, the explorer Roger Frison-Roche made a crossing of more than a thousand kilometers on the back of a camel with the photographer Georges Tairraz II, in the heart of the Sahara, from Hoggar then Djanet in Algeria to Ghat in Libya. From their journey they brought back a large number of color films and documents. Among thousands of photos, they selected 47 images which reflect the various aspects of these immense spaces which occupy a third of Africa in the book "The Great Desert". “The Great Desert, 1000 kilometers on camelback” is the eponymous 85-minute documentary of this epic, released in 1950.

The Charcoal Maker

Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.

Far from Men

A French teacher in a small Algerian village during the Algerian War forms an unexpected bond with a dissident who is ordered to be turned in to the authorities.

Expédition Hoggar 79

TSR documentary on the 1979 expedition to Algeria in the Atakor massif (Hoggar desert), organized by Geneva mountaineer Michel Vaucher and Jean-Blaise Fellay. The climbers make a dozen ascents including the famous summit of Adaouda (which means "finger" in Tamasheq, the Tuareg dialect), by several routes. Then a new route on the peaks of the southern Tezoulegs. They discover the volcanic geological characteristics of the Atakor massif and meet the nomadic inhabitants of the region, the Tuaregs, who are increasingly settling in the town of Tamanrasset.

Anatomy of a First

In February 1966, Pierre Mazeaud and Lucien Berardini attempted a difficult first ascent to one of the summits of Garet El Djenoun, in the Hoggar massif, a mountain range located west of the Sahara, in the south of Algeria. The mountain has been preserved intact since Roger Frison-Roche's expedition in 1935. The documentary, superbly filmed by René Vernadet, won the Grand Prix at the Trento Film Festival in 1966.

Jamila, the Algerian

Djamila, a young Algerian woman living with her brother Hadi and her uncle Mustafa in the Casbah district of Algiers under the French occupation of Algeria, sees the full extent of injustice, tyranny and cruelty on his compatriots by French soldiers. Jamila's nationalist spirit will be strengthened when French forces invade her university to arrest her classmate Amina who commits suicide by ingesting poison. Shortly after the prominent Algerian guerrilla leader Youssef takes refuge with her, she realizes that her uncle Mustafa is part of this network of anti-colonial rebel fighters. Her uncle linked her to the National Liberation Front (FLN). A series of events illustrate Jamila's participation in resistance operations against the occupier before she was finally captured and tortured. Finally, despite the efforts of her French lawyer, Jamila is sentenced to death...

An Unhealed Wound - The Harkis in the Algerian War

It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".

Dark Night, October 17, 1961

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

Camus, l'icône de la révolte

Albert Camus, who died 60 years ago, continues to inspire defenders of freedom and human rights activists around the world today. The Nobel Prize winner for literature is one of the most widely read French-language writers in the world. He continues to embody the rebellious man who opposes all forms of oppression and tyranny while refusing to compromise his human values.

Mariner of the Mountains

Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.

Elli Fat Mat

27 years after 1962, Antoine returns to Algiers...

The Lives of Albert Camus

Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.

Gerboise Bleue

"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of "Gerboise Bleue", forbidden access for 47 years by the Algerian authorities

Five Directors On The Battle of Algiers

This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .

Wind from the South

Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies. Confronting her father and the opinion of the villagers who do not understand her, she decides to flee to Algiers. The shepherd Rabah discovering her wounded and lost in the mountains, has her treated by her mother. In contact with Nefissa, Rabat becomes aware of his exploited condition and discovers the possibilities offered to him by the cooperatives of the agrarian revolution. The two young people will go through the decisive stage together which will allow them to escape obscurantism and exploitation. Based on the novel "Le vent du sud" by Abdelhamid Benahouga

How Much I Love You

Beginning with a promotional reel encouraging farming investments in Algeria and ending with the secret 1950s nuclear tests that France conducted using Algerian prisoners, How Much I Love You appropriates archival footage produced by the French colonial powers in Algeria. Meddour’s approach is disarmingly simple and yet awe-inspiring—his caustic undoing of colonial discourse is underscored by a liberating release of humor.

The Desert Rocker

The Desert Rocker is an intimate, witty and profound portrait of the extraordinary Hasna El Becharia, a pioneer Gnawa artist. The first musician to break through the social barrier of this culture, she empowers and inspires women of all ages by reclaiming a musical tradition reserved for men for centuries . A singularly talented artist, she leads women to redefine their roles and challenge cultural norms , one musical performance at a time.

Zinet, Algiers, Happiness

Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.

The Olive Trees of Justice

The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.

The Words Women Spoke One Day

1962, at the end of the Algerian War, Algerian independence activists are released from Rennes prison. For one night, filmmaker Yann Le Masson films them. They tell him their vision for the future of Algeria and the place women must occupy in the new society to be built. Fifty years later, with the soundtrack missing, Raphaël Pillosio sets out to find these women. Two deaf people set about lip-reading the women filmed by Yann Le Masson, revealing snatches of sentences, words cut short by the camera's shifts. An investigative film in which the few activists still alive discover their old testimonies and tell us their silent story. The reconstruction of the lost soundtrack will remain in suspense; no happy ending will come to absorb the absence, to cancel the ferocious operation of time. An essay film about cinema that depicts their disappearance, and forever keeps them alive.

The Unknown Hero

In the midst of the Algerian war for independence, a group of fighters is trapped in the mountains, surrounded by the colonial army. Cut off from their allies, they have only one hope: to transmit a vital message to save their unit. But crossing enemy lines is a suicide mission. Their only chance lies with an unexpected messenger: a courageous dog named Messaoud. Carrying the letter attached to his collar, he embarks on a perilous crossing, braving the hostile nature and the dangers of war. But when he is captured by the enemy, his courage and instinct become his only weapons. Prisoner, hunted, he must risk everything to escape and accomplish his mission before it is too late. Sacrifice, bravery and hope mingle in this breathtaking odyssey where the humblest of heroes can change the course of history. The Unknown Hero, a moving film which won first prize at the Arab World Festival in 2017.

Of Gods and Men

A group of Trappist monks reside in the monastery of Tibhirine in Algeria, where they live in harmony with the largely muslim population. When a bloody conflict between Algeria's army and Muslim Jihadi insurgents disrupts the peace, they are forced to consider fleeing the monastery and deserting the villagers they have ministered to. In the face of deadly violence the monks wrestle with their faith and their convictions, eventually deciding to stay and help their neighbours keep the army and the insurgents at bay.

Yasmina

"Yasmina" filmed in 1961 in the middle of the Algerian war tells the story of a little Algerian girl with her hen and her family whose father was killed in a bombing by the French colonial army of occupation. The family, after a long journey, heads towards the refugee camps on the Tunisian border. Produced by the Cinema Service of the Provisional Government of the Algerian Republic (GPRA) in the midst of the war of independence, these films were intended to re-inform the population and international public opinion on the abuses committed by the French colonial army: torture, arrests and arbitrary executions, napalm bombings, fires in douars, entire villages wiped off the map, etc. which the French media described as a "pacification" campaign. The latter censoring or reorienting any images that could harm the colonial narrative.

J'ai Huit Ans

Algerian children, survivors of the war and refugeeing in Tunisian camps, recount the tragic events they have experienced, from drawings they have made themselves.

Pierre Clément, Cinéma et Révolution

Pierre Clément, student and photographer of René Vauthier, first accompanied him to Tunisia to make a film on the country's independence in 1957. Destiny led him to Algeria and his presence in February 1958 at the Tunisian-Algerian border changed his life. . Forever. He took his camera and photographed the attacks on Sakia Sidi Youssef before committing himself body and soul to the Algerian cause. Shortly after, he directed the film “Algerian Refugees” before being arrested, tortured and imprisoned, while his third film, “The National Liberation Army in Almaki”, was not finished. Abdel Nour Zahzah, a director who commemorates Pierre Clément, the director who risked his life, the brother of the Algerian resistance, who disappeared in 2007.

Guns of Freedom

This docu-fiction recounts the difficulties overcome by an ALN ​​detachment whose perilous mission is to transport weapons and ammunition from Tunisia across the Algerian Sahara during the Algerian liberation war (1954-1962) against the French army of occupation.

The Mill of M. Fabre

The story of the post-independence nationalization of the mill of Monsieur Fabre, an old man attached to the land of Algeria where he was born. In this small town in eastern Algeria, there was nothing else to nationalize and they were actively preparing for the arrival of high dignitaries who would elevate the mill to the rank of an industrial flour mill even though it was threatened with ruin. The comedy gets worse when the football player from the local team withdraws for love, the officials' visit is canceled and Mr. Fabre returns.

The Refusal

In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.

Abd El-Kader

Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.

Algérie 1988-2000 : Autopsie d'une tragédie

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