KOCHAB (2006)

Frank Zappa: The Torture Never Stops

Halloween, New York City, 1981 Live at The Palladium with Ray White, Steve Vai, Bobby Martin, Tommy Mars, Ed Mann, Scott Thunes, Chad Wackerman

Global Groove

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

Late Anthropocene

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

KUEBIPUTO

A punk scarecrow, endowed by life, annihilates its roots and revitalizes its territory.

MIMESIS

Act of resembling, act of expression and the presentation of the self.

Iamthemorning: Ocean Sounds

Shot at and named after a remote recording studio on a Norwegian island, the footage offers a behind-the-scenes insight into the recording techniques of two of modern progressive music's most talented composers. The content captures Iamthemorning's live set-up from the last three years, with the setlist consisting of songs from their first three studio albums and an unplugged recording of Blue Sea (the first track to be written for the duo's upcoming fourth album and exclusive to the Blu-ray). The studio was designed with panoramic windows that allow the stunning back-drop of Giske Island and the Norwegian Sea to be integrated into the performances (a location that is featured in glorious high-definition on this Blu-ray). Marjana commented, "It was the most inspiring place for us to work in, surrounded by the sea, mountains, wild flowers and gorgeous Norwegian sunsets. All of the natural splendour we don't see that often."

Between Notes

Trapped in the swirling thoughts of a late night shift, a restaurant worker receives a cryptic phone call, guiding her to a refuge from the noise.

Koyaanisqatsi

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Plague Mass

A conceptual live concert by Diamanda Galás, "Plague Mass" continues the themes of the suffering and misery of the infected found in her "Masque of the Red Death" trilogy.

Progressive Touch

Sex as dance and comedy: in Progressive Touch Portnoy studies and expands the relationship between sex, choreography and composing music. He introduces complex compositions from progressive rock and math metal during sex, thereby combating the ostensible simplification of rhythm in human movements and gestures. A group of actors perform the new moves in three slapstick-like scenes. Worth trying at home.

Time Piece

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

Good Morning, Mr. Orwell

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

Frank Zappa – Summer '82: When Zappa Came to Sicily

In the feature documentary, Summer 82 – When Zappa Came to Sicily, filmmaker and Zappa fan Salvo Cuccia tells the behind-the-scenes story of Frank Zappa's star-crossed concert in Palermo, Sicily, the wrap-up to a European tour that ended in public disturbances and police intervention. Cuccia had a ticket to the concert but never made it. Thirty years later, collaborating with Zappa's family, he re-creates the events through a combination of rare concert and backstage footage; photographs; anecdotes from family, band members, and concertgoers; and insights from Zappa biographer and friend Massimo Bassoli. The story is also a personal one, as Cuccia interweaves the story of Zappa's trip to Sicily with his own memories from that summer.

Dream of a Summer Night

Rock musical adaptation of William Shakespeare's "A Midsummer Night's Dream".

The Ballad of Genesis and Lady Jaye

An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and their wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.

A Very Lonely Solstice

Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ ‘A Very Lonely Solstice,’ a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.

Classic Albums: Frank Zappa - Apostrophe (') Over-Nite Sensation

This episode focuses on Zappa's early 70s albums, Overnight Sensation (1973) and Apostrophy (') (1974). Together they encapsulate Zappa's extraordinary musical diversity and were also the 2 most commercially successful albums that he released in his prolific career. Included are interviews, musical demonstrations, rare archive & home movie footage, plus live performances to tell the story behind the conception and recording of these groundbreaking albums. Extras include additional interviews and demonstrations not included in the broadcast version, 2 full performances from the Roxy in 1973 and Saturday Night Live in 1976, and new full live performance done specially for these Classic Albums.

Last Love

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

The Birth of Music

The film is an allegory in which the attempt is made to show the inner process of movement of the composer's soul at the time of the birth of music.

Frank Zappa: Does Humor Belong in Music?

Frank Zappa and his band in a digitally recorded live performance at "The Pier" in New York, NY on August 26, 1984.

Nocturne

A musical fantasia on religion and the nature of exploitation.

Lou Reed and John Cale: Songs for Drella

Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.

Frank Zappa: We Don't Mess Around

Tracklisting: 1. Pound for a Brown 2. Baby Snakes 3. Deathless Horsie 4. Dancin' Fool 5. Easy Meat 6. Honey Don't You Want A Man Like Me 7. Keep It Greasey 8. Why Does It Hurt When I Pee? 9. Sofa #2 10. Vinnie's Seal Call Fusion Music 11. Bobby Brown 12. Conehead 13. Dead Air/I'm On Duty 14. St. Alphonzo's Pancake Breakfast 15. Father Oblivion 16. Rollo 17. Bamboozled Outro

Winter Will Not Be

"There will be no winters" - a film consisting of 14 short novels, each with its own plot and a musical theme. In fact, this is a screen version of the same album of Russian avant-garde singer Leonid Fedorov.

Sonic Youth: Live at Soundstage

Quintessential alternative rockers, Sonic Youth, celebrate free-form experimentalism while reinforcing their performance-art driven tradition in this Soundstage performance, recorded on May 7, 2003 at WTTW Grainger Studio in Chicago. The band, which settles just outside the realm of definition, delivers a part rock, part free-form noise, part avant-garde punk performance which features a new song "Sympathy for the Strawberry."

Eat That Question: Frank Zappa in His Own Words

Utilizing potent TV interviews and many forgotten performances from his 30-year career, we are immersed into Frank Zappa’s world while experiencing two distinct facets of his complex character. At once Zappa was both a charismatic composer who reveled in the joy of performing and, in the next moment, a fiercely intelligent and brutally honest interviewee whose convictions only got stronger as his career ascended.

Metamorphosis

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

Frank Zappa: The Dub Room Special!

Produced by Frank Zappa in 1982, The Dub Room Special combines footage from a performance at the KCET studios in Los Angeles on August 27, 1974, a concert performed at The Palladium, NYC on October 31, 1981, some clay animation by Bruce Bickford, and several interviews. Previously only available through mail-order, it was made widely available on DVD on October 17, 2005.

Let Her Know

A lyrical story about love and death, realized as a message.

ACT

Several fragments of one day in Leningrad in the autumn of 1989, refracted in the imagination of the artist.

Bodyguard

Speaking upon the release of ‘Bodyguard’, Black Dahlia said: “Bodyguard is a theatrical exploration of gaining a new body but your soul remains. It is a sonnet to your past physical body in this realm and the new union that will inevitably be formed. A harsh and gentle celebration of your capabilities, your limits, and your destiny.” As well as being the Director for the music video, Black Dahlia was also Producer, Art Director, Choreographer, and Concept creator for the project. Donning various characters, Black Dahlia embodies performance art and its mediums such as contortion, mime, surrealism, Dada, the avant-garde, and body horror. ‘Bodyguard’ follows Black Dahlia in various theatrical forms and her journey to transformation through reanimation that looks reminiscent of a John Waters film. It also features cameos from Melbourne-based artists, Bura Bura as Dr Barget Hower, Manda Wolf as Dr Avanti and Cong Josie as Dr Cong.

B O A R

We travel with the head of a wild boar on a cosmic adventure through the homes of others to learn about family, ghosts, and what it means to be.