Hong Kong Hustle: The Chinese Cinema Odyssey Of Stephen Chow (2024)

Anti-XRL Campaign - Media Perspective

In late 2009, over twenty Hong Kong civic groups united as the "Anti-High-Speed Rail, Stop Funding" coalition, aiming to halt Legislative Council approval of the HKD 66.9 billion Express Rail Link amid deep social rifts. The "Post-80s Anti-High-Speed Rail Youth" group drew thousands of young people with their slogan “Defend Our Homeland, Protest with Joy,” leading to three funding suspensions that surprised the public. Media coverage was intense and innovative, featuring rare camera angles and lively online debate among journalists. This documentary explores how reporters shaped the movement, their emotional involvement, and the dynamic relationship between the media and activists during Hong Kong’s pivotal 2009–10 protests.

Hong Kong: Retrocession Generation

In 2017, twenty years after the British handed over Hong Kong to China in 1997, young people, more politicized than any previous generation and proud of their land, do not feel Chinese and actively fight against the oligarchs who want to subdue them to China's authoritarian power.

The Time of the Individual

Documentary "The Time of the Individual" records records the 7.7 demonstration at Tsim Sha Tsui. To say NO to the Extradition Bill (which is a mechanism for transferring fugitive to Mainland China), Hong Kong protester flooded the streets of Tsim Sha Tsui on July 7 2019. Youngsters use their “own ways” to delivery to mainland travelers the demand of democracy. This shows another peaceful side of the protest as not shown on traditional medias.

Iron Fists and Kung Fu Kicks

The fantastic story of how an ancient martial art, Chinese kung fu, conquered the world through the hundreds of films that were produced in Hong Kong over the decades, transformed Western action cinema and inspired the birth of cultural movements such as blaxploitation, hip hop music, parkour and Wakaliwood cinema.

Sunday Beauty Queen

Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.

Joshua: Teenager vs. Superpower

When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.

Raise The Umbrellas

Four years later, Hong Kong’s 2014 democratic Umbrella Movement has been nominated for a Nobel Peace Prize, yet political backlash against protesters has intensified. Repeatedly the target of censorship*, Raise the Umbrellas traces the lineage of the massive Hong Kong protest to the global Occupy movement, 1989 Tiananmen, and its democratic struggles since British colonial days. Highlights range from the Umbrella Movement’s eco-awareness and its burgeoning aspiration for independence, to its empowerment of women -- “umbrella mothers” -- and the rainbow-bridging activism of LGBTQ iconic artists. Incisive and intimate, driven by stirring on-site footage in a major Asian metropolis riven by protest, Umbrellas includes anti-Occupy views that lay bare the sheer political risk for post-colonial Hong Kong’s universal-suffragist striving to define its autonomy within China.

Pseudo Secular

They are frozen in place, stagnating without any direction. Around them, things change rapidly.

Be Water

In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.

Age of Valiant

At the forefront of most of Hong Kong's demonstrations, 'frontliners' (aka 'the valiant', yung mo in Cantonese) are the black-clad, masked, often armed youth willing to use violence against the HK government and its heavily-armed police force. Willis Ho's remarkably revealing doc approaches from the inside, giving them voices and offering understanding, not judgment.

Migrant Down the Rabbit Hole

The work documented the story of Yuli, a Hong Kong domestic worker from Indonesia. She is a novelist who won a literature award and also a journalist dedicated to writing. Between the social event that happened in June in Hong Kong, her thoughts and caring about the city are far more from what people used to imagine a narrative of a domestic worker. They are not only domestic workers but they also have other social roles, e.g. a citizen who lived in Hong Kong.

Revolution of Our Times

Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.

We Have Boots

The Umbrella Movement of 2014, also known as the Occupy Movement, paved the way for Hong Kong’s current upheavals, but unfolded in significantly different ways. This creative documentary focuses on the intellectual, political, and discursive underpinnings of the social and political actions of 2014, before fast-forwarding to 2019. A range of thoughtful and engaged intellectuals, students, scholars, activists, and artists including Benny Tai, Chan Kin-man, Ray Wong, and Agnes Chow (many of whom are facing imprisonment for their democratic activism) articulate a range of philosophies, viewpoints and emotions, set against Hong Kong’s spectacular urban background of skyscrapers, night lights, and street-occupying mass movements.

Days After n Coming

Hong Kong's high-speed rail link, the demolition of Choi Yuen Village, the impending budget and the influence of the global Occupy movement are at the centre of independent filmmaker Lo's timely measure of the city's pulse. Ostensibly the third entry in a trilogy that began with 21 years after. (2010) and to be continued (2010), which also captured public reaction to watershed moments in Hong Kong's political life since 2009. The documentary was built upon the material used in its previous installment (to be continued, 46 minutes). It disproves the notion of a passive Hong Kong in a chronicle of a generation poised for massive social change.

Rather Be Ashes Than Dust

Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.

Blue Island

Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.

Be Water

The documentary “Be Water” records the clash in West Kowloon on 20th October, 2019. Police issued objection notice to the march protest organised by Civil Human Rights Front. The march eventually turns into a clash. Protestors flowed like water, disperse and re-assemble while contending the police.

Do Not Split

The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestors that escalate into conflict when highly armed police appear on the scene.

Not One Less

The documentary “Not One Less” records the clash in Hong Kong Island on 31st August, 2019, and the assembly on Mid-Autumn festival night supporting protestors in custody. The protests initiated by the "Extradition Bill" has continued for more than 100 days. In this period, over 1000 citizens were arrested, a number of people committed suicide, and there are rumors that some protestors are missing. In the clash scene, protestors strive to protect their comrades from being isolated. After the clash, they still care about their comrades in custody. On the mid-autumn festival night, they sang loudly outside the Lai Chi Kok Reception Centre, to let their comrades know that they were not abandoned.

City of Imagination: Kowloon Walled City 20 Years Later

The Kowloon Walled City in Hong Kong was once the densest place on earth, a virtually lawless labyrinth of crime, grime, commerce and hope. A Wall Street Journal documentary tracks its colorful legacy and brings the place alive 20 years later.

Umbrellas Move

“Umbrellas Move” is a long feature documentary capturing scenes from Hong Kong’s city-wide protest, the occupy movement in 2014. This documentary witnessed a critical page of Hong Kong after transfer of sovereignty over Hong Kong from Britain to China. Around 1200 thousand people have involved in this longest occupation in the history of Hong Kong in 2014. 79 days of occupation, Hong Kong people are fighting for their rights to vote under a fair election in order to be against the political controls from China.

Made in Hong Kong

The film Made in Hong Kong allows glimpses on a Hong Kong shortly before the 1997 handover to China. But rather than focusing on the expected hysteria Luc Schaedler’s documentary debut works towards complexity by allowing six diverse residents to talk about their relationship to the colonial city. Their life stories beautifully mix with the images of the author. Made in Hong Kong is a very personal portrait of a city in transition and we learn about Hong Kong’s ambiguities and its political and social problems, as well as the uncertainties regarding the time after 1997.

Yellowing

The turmoil that has overtaken Hong Kong since its return to Chinese sovereignty in 1997 has spawned a new generation of young, passionately committed activist filmmakers; they want to tell Hong Kong's story with Hong Kong voices. And the best indie documentary to have emerged so far from the HKSAR is this year's Yellowing, by Chan Tze Woon, a 29-year-old with degrees in policy studies and film production. Hong Kong's fraught, tense relationship with its mainland Chinese overseers came to a head with the Umbrella Movement of 2014. A crowd of protesters stormed Civic Square on September 27. The next day police shocked most residents of the HKSAR by attacking the growing crowds with volleys of tear gas, whereupon a wide cross section of Hong Kongers occupied the streets in several areas and stayed for almost 6 weeks. Chan took his camera on the streets for 67 days during these events.

Comrades

Young people are protesting on the streets of Hong Kong in order to bring about change. Air soaked with tear gas, the dark uniforms and loud commands of the police officers in the colourful umbrella sea of the protesters. In the midst of the action, the film documents a brand new protest movement.

Almost A Revolution

The Occupy Central movement called for civil disobedience in the middle of Hong Kong’s financial district, in pursuit of democratic elections. The movement attracted many sympathetic students and citizens, and became known around the world as the “Umbrella Revolution” in 2014. This film closely follows the action on the ground: debates within the movement, street speeches, the unofficial referendum which was held as part of the campaign, and the student-led protests at the Central Government Office. It examines the tumultuous thoughts and feelings of seven activists who were there at the heart of the struggle.

Franco Mella

Franco Mella is a devoted figure whose life bridges Catholicism and Communism. He has journeyed through Asia, lived simply, and fought for social justice, notably within Hong Kong's protest history as depicted in "Ordinary Heroes" (1999). Mella's path weaves through religious and revolutionary movements, from church beginnings to Communist activism and the Handover, always driven by his missionary spirit and communist ideals. For four decades, he has steadfastly championed the oppressed, undeterred by shifting politics, expressing solidarity through music and protest, and remaining a symbol of wisdom and resilience for the people of Hong Kong.

West Estate

West Estate spotlights the severe housing problems in Hong Kong, taking the spirit of resistance outside of the protest. The damaged walls in the cage-like tenements reflect the many forms of social injustice as well as Hongkongers’ widespread sense of rootlessness. Connecting three stories from different households like puzzle pieces, the film depicts people’s despair over issues of family, sexuality, love, and freedom.

Fear(less) and Dear

Hongkongers have been experiencing extremely difficult times due to the political movement caused by anti-Extradition Bill since the summer of 2019 followed by the COVID-19 pandemic. This film explores Hongkongers’ fear in various dimensions, be it a concept or actual physical experience, personal or political, private or public, or the mixing of these pairs.

Last Night in Sham Shui Po

A single shot, taken during a confrontation between police and demonstrators in Hong Kong's Sham Shui Po neighbourhood, transforms a street confrontation into something transcendently beautiful. The voice of Louis Armstrong adds a level of almost unbearable irony.

If We Burn

Hundreds of thousands − perhaps even millions − of protestors have taken to the streets of Hong Kong since early June. Sparked initially by the government's plans for a controversial extradition bill, the movement has now transformed into a broader push for greater freedoms and democracy, with anger over police brutality fuelling a cycle of violence. The protests are Hong Kong's biggest challenge to Beijing since its return to China in 1997. If We Burn looks at the movement through the eyes of Hong Kongers whose fates, like their city's future, now hang in the balance.