A Morte do Brasil (2024)

Never Stop on the Highway

In Brazil's countryside, Amanda tries to get her first show while Thamires tries to make her first film, both at risk of the highway.

Close Your Eyes

It's a day of waiting for the young boy Chico and his grandmother Rosa, both for better news from the hospital and for the lunar eclipse.

Perifericu

Luz and Denise grow up in the midst of the adversities of being LGBT in the extreme south of the city of São Paulo. Between Vogue and poetry, from church to city access. The dreams and uncertainties of youth flood their existences.

Fotografias Desbotadas

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Naquele banco

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Sociedade do Caos

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Lágrimas Holandesas

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KM 100

Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.

Ainda te Espero

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I Wait for You

The man who isolates himself from the world to delve deeply into his thoughts. Searching less for answers and more for memories that can bring him closer to those he loves and reflect on all his personal interactions that were sometimes not taken advantage of.

Ofélia na Praia, versão estendida

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Simon

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No One Loves Anyone For More Than Two Years

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

Vestido Branco com Listras Vermelhas

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The Third Clef

In a family marked by grief, Clarice is the "Third Clef": the granddaughter trying to follow in the musical footsteps of her late grandmother, Lola. But her dream collides with the resistance of her mother, Verônica, who, consumed by deep depression, sees music as the root of the family's ruin. On the eve of a decisive contest, the tension between the daughter's desire for a future and the mother's pain from the past reaches a breaking point, forcing them to decide whether to live in silence or find a new harmony.

Miragem

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Matanga

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Enquanto Você Me Lembrar

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Roubar um Plano

One day, Renato and Adriano decide not to work. They walk through the streets of Capão, while a film crew steals some shots.

A Primavera Há de Chegar

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A Cura

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Ferida Aberta

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LOSS-SHOT

Felix, a 16-year-old boy, receives a diagnosis of an incurable disease and sees his life turned into uncharted territory. Unable to accept this new reality, he goes through the stages of grief denial, anger, bargaining, depression and finally, a delicate beginning of acceptance. Amidst the emotional chaos, Felix finds an unexpected refuge in filmmaking. Films begin to offer not only comfort, but a new way of seeing the world and himself. It is then that his passion is born: telling stories. Driven by the need to give meaning to his life, he decides to transform his journey into art and begins to write and direct a film about his own life.

Chuva

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As Memórias de Hugo

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Cafeteria

Paulo tirelessly seeks to avenge his father's death, confronting his limits as he gets closer to the truth.

O Sol Vai Voltar Amanhã

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O Que Fica de Quem Vai

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Ecos da Saudade

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Palabras Perdidas

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O morto-vivo

Photographs, documents, and keepsakes. The silence in Carlos's house exposes the arrival of an unwelcome visitor: death. The inevitable presence of the end invites him to reflect on the cycle of life as he revisits the memories of a restless life.

Pós-morte

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The Ridiculous

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

Mangúe-Bangúe

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

The First Temptation of Christ

Jesus, who's hitting the big 3-0, brings a surprise guest to meet the family. A Christmas special so wrong it must be from comedians Porta dos Fundos.

Dos Galhos Prateados

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Roberto Pires: Êle Fêz O Cinema Baiano Nascer

Before Cinema Novo revolutionized the Brazilian cinematic scenery, a young craftsman and Bahian filmmaker had already paved the way for the beginning of the journey for some of the biggest and most popular films of Brazilian history. The documentary tells fragments of the story of director Roberto Pires, through snippets of his life and a journey through his body of work, interspersing archival footage, scenes of his films and an interview with his son, also a filmmaker, Petrus Pires, followed by a poetic narration and an original soundtrack inspired by his film Abrigo Nuclear.

Cocoon

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025