Roubar um Plano (2024)

A Primavera Há de Chegar

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Sociedade do Caos

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A Morte do Brasil

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KM 100

Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.

The Crow of Death

"The Crow of Death" is a short film inspired by Edgar Allan Poe's "The Raven". The film show us a man disturbed by her lover's death and in the midst of his depression and alcoholic issues his mind begins to be no longer sane.

Suplício

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Slaps & Kisses: The Great Reunion

In the special episode of Tapas & Beijos, titled "The Great Reunion", Sueli and Fátima come together five years after the series ended. They navigate new challenges and humorous situations, showcasing their characteristic friendship and irreverent humor. The episode serves as a nostalgic farewell, celebrating the best moments of their chaotic lives while addressing relatable issues.

Vestido Branco com Listras Vermelhas

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No One Loves Anyone For More Than Two Years

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

Soluços em Português

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Incoherence

Recreation of the micro-story "AMORES LOUCOS", by JOSÉ REZENDE JR. (book "MINIMAL STORIES") . Two young people tired of life meet, due to the voices that guide them inside their minds.

Anitta: Live in Brasília

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Among Big Cats and Anteaters - With Lydia Möcklinghoff in Brazil's wildlife

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You Can't Take Anything from This World

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Dos Galhos Prateados

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Roberto Pires: Êle Fêz O Cinema Baiano Nascer

Before Cinema Novo revolutionized the Brazilian cinematic scenery, a young craftsman and Bahian filmmaker had already paved the way for the beginning of the journey for some of the biggest and most popular films of Brazilian history. The documentary tells fragments of the story of director Roberto Pires, through snippets of his life and a journey through his body of work, interspersing archival footage, scenes of his films and an interview with his son, also a filmmaker, Petrus Pires, followed by a poetic narration and an original soundtrack inspired by his film Abrigo Nuclear.

Anitta: Live at Coachella

Singer Anitta performed a historic show full of Brazilianness at the Coachella 2022 festival. With the colors of the Brazilian flag, the singer took the scene from the favelas of Rio de Janeiro to the United States and her performance was even compared to the iconic Beyoncé, in 2018.

SAUDADE

Four Brazilian friends meet to reflect on the importance of the friendship network they built from being immigrants in Argentina. Drawn by nostalgia, they travel a sensory path to their roots and, through food and dance, they explore the challenges and satisfactions of living in another country.

Black Out - A História Apagada no Palco da Arte

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Amebairro June Celebration

A short comedy documentary showing a party of university students in south brazil.

A Própria Carne

Three deserting soldiers during the Paraguayan War find an isolated house on the border, inhabited only by a mysterious farmer and a young woman. What seemed like a safe haven turns into a fate more horrible than the war they fled.

The Weeknd: Live at São Paulo

A never-seen-before show in this special one-night only concert event, live from São Paulo.

Um Dia Lindo

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4 de Novembro: Fluminense, Vitória e Glória Eterna

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Movimento Hip-Hop: Londrina, 2024

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Reflexos

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Remnant Frames: Tony and the Future Paralysis

The year is 20XX and the machines reign supreme. In a distopic future where humans are hunted and subjugated by living cameras, a cientist sends an agent to the past, in a desperate attempt to revert the apocalypse and save humanity from its cruel fate.

folklore: a fashion film.

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TEMPLIS

Jack is a young adult, who, looking for an elixir of life for his grandfather, falls into the dimension of Templis, where a map shows him the location of such an elixir. However, there are some setbacks on his way....

Amadeu

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Agora Eu Sou Negro

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Os Encontros

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LADES

It's christmas on the Software Development Laboratory! And this mockumentary tell us the excentric and comedic experience of taking part in this office's Secret Santa.

Mesmo Nesse Fim de Mar

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Rio Doce - 60 Dias Depois

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Apne Huye Paraye

Rekha is in love with Shankar since childhood. But Rekha's adopted sister, Lata, has an affair with Shankar and breaks their union with the help of her maid.

Opa

A young woman faces an unexpected pregnancy and must inform her father.

Shadow Brother Sunday

An unlucky musician returns back home on the day of his younger brother's movie premiere to steal and sell his computer to the paparazzi.

I'm Leaving

Eleonora is trapped in her marriage with Achilleas. Her brother, Vagelis, unwillingly offers her a possible way out.

Techno Brothers

The band "Techno Brothers" played by Watanabe, brother Watanabe Yuji and pal Kurosaki Takanori, go to find fame and fortune in Tôkyô. It’s more accurate, though, to call it their manager’s plan. Named Himuro, she channels the look and attitude of famed Vogue editor Anna Wintour, from her bobbed hair and ever-present sunglasses to her commanding air and iron will.

As It Was

Lera has been living in Berlin for almost a year after the start of the war in Ukraine. Lera does not feel well in Berlin and makes an impulsive decision to go to Kyiv, for the first time during the war. On the way to Kyiv, she learns that her family is not in Kyiv, and will come only the next day. Therefore, she meets her friend Kyryl, with whom she spends the day, as she used to before the war. In the morning, Lera meets her mother and sister, and finally feels at home. But she still doubts whether she will stay in Kyiv or go back to Berlin.

Fale Comigo Verão: O diário de um cineasta amador

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.