To My Sister (2024)

LAND

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

I Am Here Now

An abstract horror artefact conceptualising trans doubt and dysphoria as a physically invasive force - a virus. https://www.youtube.com/watch?v=ewaVwmReGKM

The Third Rule

Plot unavailable

Luz ígnea

Plot unavailable

1/2 Man

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

Cormorant

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

Naturally... A Woman

Plot unavailable

Don Barry: A Quixotic Exploration

Amid Guanajuato's vibrant streets, an aging filmmaker becomes a modern Don Quixote, joined by a spirited young animator as his loyal Sanchia. Together, they navigate themes of mortality, unfulfilled dreams, and the fragile line between madness and clarity, uncovering the transformative power of light, art, and the landscapes that shape our souls.

"The future you live in" by George Alshevskij-Jones

"The future you live in" is a short social commentary film created during my studies in the University of Plymouth in 2024. This is my view at the current state of the world, at what it was and is today.

MERAHEFET

In the video art work "MERAHEFET" describes the world of a ghost, from her point of view floating over places that become a spring, a path that suggests a deep longing that is only revealed when the ghost stops for a moment to look out the window. This moment when she manages to take control of it, is flooded with flashes of mirrors that reveal to the viewer and the spirit what motivates her to continue her journey.

When Computers Cry (o búsqueda de un recuerdo en un Pentium III)

Plot unavailable

6EQUJ5

An abstract short film about an alien invasion.

Infinite Jest 2

A transmission of an algorithmic content stream called "The Feed" reveals the innermost desires and psychological underpinnings of a politically charged future- the year 2024.

The Suprising Visit Of The Turkish Ambassador

The turkish ambassador is said to visit a village in Hungary.

Benbas: The Animation

Daner's mission is to get someone to the border, but he'll need the help of everyone at Benbas to do it, will they succeed?

A Daisy of Copper

An experimental short on technology and organic life

Deformed Analog Personality

A humanoid film robot spews its stream of consciousness throughout its allocated screen time.

Abad Azal

A man is trapped in a flat and tries to get out.

And there was evening and there was morning. The first day

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.

New Life

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

Fossil

An old man's vision of a drowning world is clouded. He decides to take radical actions inflicting damage to his surroundings. Instigating a self-destructive chain of events, coming from the dark abyss of his subconsciousness.

The Tuba Thieves

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

Sea

Waves crashing against the rocks, a journey to the beaches of El Tabo (Chile).

(2) Seres em Transformação

Plot unavailable

The Birthday Party

Plot unavailable

Looking South

Experimental short film shot in the south of Chile.

Mothlight

Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.

Mom's House

Memories shot on expired Kodachrome 16mm film

Blue

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.