Вариант «Зомби» (1985)

The Man with the Gun

The story of the Bolshevik revolution through the eyes of a peasant who, as a soldier, gets caught up in the proceedings under the tutelage of Lenin.

The Secret Six

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

My Love, My Umbrella

A young woman loses her umbrella in a café altering her perception of the world forever.

Non sono un'anatra

While flying south with a flock of ducks, Woody is shot at and hunted by a hunter and his dog.

We're in the Navy Now

"Stinky" Smith makes off with the prize money when his buddy, "Knockout" Hansen loses a fight with Percival "Sailor" Scruggs. Hansen pursues him him a U.S. Navt recruiting office, and, the next thing they know, both are in the Navy and aboard an overseas transport ship. Madelyn Phillips is on board and Scruggs is the the ship's Master-of-Arms. They overhear a mysterious conversation between Madelyn and the ship's radio officer. Later, Madelun induces the pair to take her off the ship and into a row boat. She disappears and they are picked up by a French ship, which sinks a German U-Boat. When the war ends they learn that Madelyn was an operative of the U.S. Secret Service.

Ripuliamo il Parco

I turisti hanno lasciato molti rifiuti. Il ranger Woodlore chiede agli orsi di pulire trasformando il compito in un gioco (e in un ballo), ma quando si mette sull'amaca, gli orsi si accorgono del suo stratagemma. Piano B: corruzione, niente cibo finché la pulizia non è completata. Ma tutti gli altri orsi mettono la loro spazzatura nella sezione di Humphrey, così lui ricorre a una serie di stratagemmi infruttuosi per disfarsene

Night

Shab is a story that revolves around multiple characters' search for happiness and love in a complex, unforgiving, and cold city.

A Comrade from the Village

It is a cine comedy following "The Lady from the town". Olga is getting ready to go to a meeting of the district women activists, where she will relate her own experience in the struggle against conservative concepts. During a warm atmosphere, Olga sings the first lullaby to her newborn nephew: "Once upon a time there was an Olga who posed as a lady.Time passed by and the lady has become one of us, a comrade from the country"

L'enfant de tous les possibles

They are single or gay, or they have let the biological clock of fertility slip by, but they have made the choice to become parents. To obtain the desired child, they take side roads. Today, they recount their difficult journey, with or without the help of medicine, their way of starting a family, of conceiving of filiation, but also their feeling of illegality and the weight of the gaze of others. At a time when the laws governing medically assisted procreation are debating in France, this documentary offers an unprecedented look at these questions.

Krishna Vrinda Vihari

Krishna falls for Vrinda and tells a white lie at home to ensure they’re married. But what happens when it leads to unnecessary misunderstandings?

(Iconic)

Makeup guru Rose faces hate mail from a rival artist, in addition to dealing with a violent stalker. After falling into a toxic love spiral with Lily, Rose slides down a dangerous rabbit hole of drugs, paranoia and jealousy until she hits an unimaginable rock bottom.

School Girls; Or, the African Mean Girls Play

As the reigning queen bee at Ghana’s most exclusive boarding school sets her sights on the Miss Universe pageant, a new student unexpectedly changes the game.

Nobody Leaves Alive

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

Welcome, Violeta!

Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.

He Does Not Want Peace

When a man witnesses a profound event, it threatens to destroy his family.

The Moss

A Hong Kong cop is struggling for his survival in the underground world, a place filled with criminals and low life people like moss in rotting hell.

Kaufman's Game

Kaufman's Game follows Stanley, an unemployed young man with a passion for boxing, who is keen to improve his strength and stamina. When a stranger approaches him outside the gym with the offer of a specially produced steroid, Stanley is drawn into the ever more violent operations of a powerful organisation, unwittingly entering into a series of tests designed to prove his mettle. This is a film about power, determination and being your own worst enemy. It celebrates the archetypes of classic Film Noir, and the dark, conspiratorial storytelling technique of Franz Kafka, but with a contemporary minimalist aesthetic.

It Takes a Man and a Woman

Un tempo Laida e Miggy erano innamorati. Ora sono obbligati a collaborare a livello professionale. E nessuno dei due, in realtà, ha dimenticato il passato.

Swamp Lion

A father in a Texas border town starts trafficking drugs to pay for his son's cancer treatment.

Hurt By Paradise

Woody Allen meets Frances Ha in this new British drama by first-time feature director, poet, actor and publisher Greta Bellamacina. Greta also stars as Celeste, a young mother trying to carve out a career as a poet in modern-day London. Meanwhile, friend and neighbour Stella (played by co-writer Sadie Brown), dreams of being an actor but spends much of her time babysitting Celeste’s son. Part ode to the city, this is a skilfully observed tale of friendship and family with a refreshingly understated sense of humour.