Director: Arthur Hopkins

Paris Bound

Jim Hutton and Mary Archer are two liberals who are content to remain faithful to each other in spirit only. They are married with all the ritual of a church wedding, the bride believing that each should be allowed perfect freedom in personal contacts. Complications arise when these ideals are put into practice.

Swing High, Swing Low

In Panama, Maggie King meets soldier Skid Johnson on his last day in the army and reluctantly agrees to a date to celebrate. The two become involved in a nightclub brawl which causes Maggie to miss her ship back to the States. Now stranded, she's forced to move in with Skid and his pal Harry. She soon falls in love with Skid. Skid gets a job playing the trumpet at a local club and becomes a big success. Fame and fortune go to his head which eventually destroys his relationship with Maggie and his career.

When My Baby Smiles at Me

Bonny Kane and 'Skid' Johnson are vaudeville performers in the 1920s. The two of them suffer marital difficulties when Skid gets an offer to appear on Broadway while Bonny gets left behind on the road. Things get worse with Skid's increasing drinking problem and the fact that the press has reported him to be spending a lot of time with his pretty co-star.

Redemption

In Russia in the early 1900s, Fedya, a handsome, self-indulgent womanizer, falls in love with and marries Lisa, his friend Victor's fiancée. Fedya quickly tires of domestic life and resumes his profligate ways, drinking and gambling away his family's fortune. Lisa refuses to leave him despite his deplorable ways, so he takes drastic measures to ensure that she will no longer be harmed by his actions and reputation.

His Double Life

Priam Farrel is a celebrated artist but a social recluse. When his valet dies of a sudden illness, a mix-up leads to the body being identified as Farrel's. The timid artist then assumes the identity of his former servant, but finds himself faced with constant dilemmas as a result.