Director: Alejandro Ramírez
Known for
On the Edge
Three flatmates in Mexico City face uncertainties: Lucía who has a great job as an art director for TV commercials is abusing alcohol and cocaine. She risks losing her job, going to prison for assault, and she's woefully in love with a bullfighter who may be two-timing her. Carmen, an artist without income, can be manic - snorting lots of cocaine and hanging out with a gay man and a transvestite. What's her future? Hanna contemplates divorce from Abraham, a wealthy momma's boy, and she's disoriented by feelings of attraction to Sandra, a customer at her jewelry store. Can any of these poor little rich girls sort things out in a world of excess?
Three flatmates in Mexico City face uncertainties: Lucía who has a great job as an art director for TV commercials is abusing alcohol and cocaine. She risks losing her job, going to prison for assault, and she's woefully in love with a bullfighter who may be two-timing her. Carmen, an artist without income, can be manic - snorting lots of cocaine and hanging out with a gay man and a transvestite. What's her future? Hanna contemplates divorce from Abraham, a wealthy momma's boy, and she's disoriented by feelings of attraction to Sandra, a customer at her jewelry store. Can any of these poor little rich girls sort things out in a world of excess?
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4.4
Todos hemos pecado
No one could ever imagine that one day La Chingada Vieja would fall in love. Because she is always alone, because no one has ever turn to see her, because everyone is always closing the door at her nose, because when they feel her coming they cross themselves, but most of all because no one could ever fall in love with death. But El Hombre sin nombre, has appeared in her life for good. Only the confusion of an avenging town and the desire of four men to arrive to heaven could change the plans of these two beings. Of whom the purist feelings alive have resurrected them.
No one could ever imagine that one day La Chingada Vieja would fall in love. Because she is always alone, because no one has ever turn to see her, because everyone is always closing the door at her nose, because when they feel her coming they cross themselves, but most of all because no one could ever fall in love with death. But El Hombre sin nombre, has appeared in her life for good. Only the confusion of an avenging town and the desire of four men to arrive to heaven could change the plans of these two beings. Of whom the purist feelings alive have resurrected them.
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6.3
