Director: Elem Klimov

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Birthday: 1933-07-09
Born in: Stalingrad, Soviet Union
Biography: Elem Germanovich Klimov (Russian: Эле́м Ге́рманович Кли́мов; 9 July 1933 – 26 October 2003) was a Soviet Russian film director. He studied at VGIK, and was married to film director Larisa Shepitko. Klimov is best known in the West for his final film, 1985's Come and See (Иди и смотри), which follows a teenage boy in German-occupied Belarus during the German-Soviet War and is often considered one of the greatest war films ever made. He also directed dark comedies, children's movies, and historical pictures.

Known for

Come and See

The invasion of a village in Byelorussia by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.
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Come and See

1985

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Agony: The Life and Death of Rasputin

Russian monk Grigori Rasputin rises to power, which corrupts him along the way. His sexual perversions and madness ultimatly leads to his gruesome assasination.
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Agony: The Life and Death of Rasputin

1981

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Welcome, or No Trespassing

A satirical comedy about the excessive restrictions that children face during their vacation in a Young Pioneer camp.
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Welcome, or No Trespassing

1964

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Larisa

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
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Larisa
Adventures of a Dentist

This is story about a dentist with the talent of painlessly extracting teeth, and what happens to him as a result of being naturally good at his job.
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Adventures of a Dentist

1967

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Farewell

Matyora is a small village on a beautiful island with the same name. The existence of the village is threatened with flooding by the construction of a dam. This is the story of the inhabitants of Matyora and their farewell to their homeland.
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Farewell
And Still I Believe

Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..."
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And Still I Believe

1974

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