Director: Donald Crisp

The Birth of a Nation

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

The Navigator

The wealthy and impulsive Rollo Treadway decides to propose to his beautiful socialite neighbor, Betsy O'Brien. Although Betsy turns Rollo down, he still opts to go on the cruise that he intended as their honeymoon. When circumstances find both Rollo and Betsy on the wrong ship, they end up having adventures on the high seas.

Africa Screams

When bookseller Buzz cons Diana into thinking that his friend Stanley knows all there is to know about Africa, they are abducted and ordered to lead Diana and her henchmen to an African tribe in search of a fortune in jewels.

Don Q Son of Zorro

Don Cesar De Vega crosses swords with a vicious member of the Queen's Guard, and steals the affection of a young heiress. When the officer frames the young upstart for murder, Don Cesar fakes his own death and retreats to the crumbling ruins of the family castle he plots his vengeance.

Rimrock Jones

Rimrock Jones is the toughest and most likeable prospector in a thriving Arizona copper camp. Having already been cheated out of several valuable copper strikes, Rimrock nonetheless forges ahead optimistically, hoping to strike it rich just once more. Unfortunately, he can't find anyone to finance his latest expedition -- except for a pretty public stenographer who uses her life savings to grubstake our hero. When Rimrock finally hits pay dirt, he tries to repay the girl for her generosity, only to find that she wants to be a full partner in his copper mine. While he mulls this over, Rimrock's rivals try to bamboozle him out of his mine with the help of a sexy "vamp".

The Cop

Pete Smith, a lift bridge operator in a harbor, feels lonely in his cabin, his only visitor being a policeman on patrol, Sgt. Coughlin. One night, after hearing shots, Smith gives shelter to a wounded man, whom he hides from Coughlin. Before leaving, the man, Marcas, promises to return the favor and the coat he borrows from him. Later, Smith enters the police, and his chief, Mather, suspects he is protecting Marcas, who is actually a gangster. Marcas sends a girl, Mary Monks, to deliver a luxurious coat with a fur collar to Smith. Pete and Mary get along well, and for his sake, she betrays Marcas, who is eventually shot to death by the cops, after having stopped his mob from killing Smith. Mary goes away alone into the night, and when Mather finds out that Pete is protecting her, he drops away the evidence of her presence on the spot.

Less Than Kin

Lewis Vickers accidentally kills a man and goes to Central America. Here he meets Robert Lee, who bears a remarkable resemblance to him. Lee is a worthless young chap whose father is anxious to have him return to the United States. On his death bed Lee turns his papers over to Vickers and begs him to assume his name. Arriving in New York, Vickers goes to the Lee home as Robert Lee, and discovers that the dead man has willed him a badly blotted past that includes a wife and two children and a large collection of debts. He also finds a beautiful adopted daughter in the Lee household and promptly falls in love with her. The only way he can stand any chance of winning the girl is by telling the truth about himself.

Stand and Deliver

Our heroine, Miss Velez (despite the fact that she seems to be just along for the ride) is much her usual over-eloquent self (how fortunate she has no sound track!), while Warner Oland makes such an impressive and villainously seedy bandit, he needs no sound track at all. We can just imagine his oily, purring accents all too well.

Ponjola

Ponjola is a 1923 American silent drama film based on the novel of the same name by Cynthia Stockley and directed by Donald Crisp. The film stars Anna Q. Nilsson in a role in which she masquerades as a man. A print of Ponjola still exists and is held by a private collector.