Director: Romain Goupil

Every Man for Himself

A look at the sexual and professional lives of three people — a television director, his ex-girlfriend, and a sex worker.

A Couch in New York

Dr. Henry Harriston is a successful psychoanalyst in New York City. When he is near a nervous breakdown, he arranges to change his flat with Beatrice Saulnier from France for a while. Both don't know each other and both find themselves deeply involved into the social settings of the other, because the decision to change their flats is made overnight. Could be the perfect amusement, but suddenly Henry finds himself beaten up by Beatrice' lover and Beatrice is considered to be Dr. Harriston's substitute by his clients...

The Meetings of Anna

On a trip across Western Europe to promote her newest release, filmmaker Anna encounters several individuals—familiar and otherwise—and attends to their discontents.

On the Road in France

Fifty years after the events of May 68, Dany Cohn-Bendit and Romain Goupil have decided to start a journey across France. In this "road movie" they explore the territories - at times bewildering - of the Republic. Observing, listening, debating, discovering the state of the country. Its crises and its hopes. Its ordinary heroes, its gravediggers, its innovators...ON THE ROAD IN FRANCE or the tour and detours in France of two old children of 68.

À mort la mort !

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

Hands in the Air

March 22, 2067. At dawn of life, Milana remembers her life, when she was a young Chechen immigrant in Paris, struggling for a better life along with her school friends.