Director: Éric Caravaca

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Birthday: 1966-11-21
Born in: Rennes, Ille-et-Vilaine, France
Biography: Éric Caravaca (born 21 November 1966) is a French actor, film director and screenwriter. The son of an engineer, Caravaca (of Spanish origin) studied literature while taking acting lessons. After obtaining his degree, he left for Paris, where he joined l'École nationale supérieure d'arts et techniques du théâtre, and completed his formation at the Conservatoire national supérieur d'art dramatique. He then went to New York City in 1993, where he studied at the Actors Studio for a year. Upon his return to France, he began his career in theatre and gained attention in Samuel Beckett's Waiting for Godot. He made his film debut in 1996, in Un samedi sur la terre by Diane Bertrand. He played mostly small roles until C'est quoi la vie?, directed by François Dupeyron in 1999, which earned him the César Award for Most Promising Actor. He worked again with Dupeyron in La chambre des officiers in 2001, and appeared as Luc in Patrice Chéreau's film Son frère in 2003, opposite Bruno Todeschini. He directed his first film The Passenger in 2005, in which he also played a role (Thomas), opposite Julie Depardieu, which was presented at the Venice Film Festival. (Wikipedia)

Known for

Nine Days in Winter

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5.8
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Nine Days in Winter

2015

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The Passenger

When he learns of the death of his older brother Richard, Thomas sets out for Marseilles to identify the body. Having collected his brother’s possessions, he returns to their home town, hoping to recall their earlier life together. Here, Thomas insinuates himself into the company of Richard’s friends, whilst keeping his own identity a secret. As he does so, he begins to bring his brother back to life, although not all the memories are pleasant ones...
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5.6
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The Passenger

2005

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Plot 35

Plot 35 is a place that was never mentioned in my family; it is where my elder sister, who died aged three, is buried. The sister about whom I was told nothing, or nearly nothing, and of whom my parents had oddly never kept a single photograph. It was to make up for the missing images that I decided to make this film. Thinking that I would simply chronicle a forgotten life, in fact I opened up the hidden door to a past that I was unaware of, to the subconscious memory that lies inside each of us and who makes us what we are.
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7.3
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