Director: Dori Berinstein

Little Monsters

A young boy is scared of the monster under his bed. He asks his 6th grade brother to swap rooms for the night as a bet that the monster really exists. Soon the brother becomes friends with the monster and discovers a whole new world of fun and games under his bed where pulling pranks on kids and other monsters is the main attraction.

The Prom

After the PTA of a conservative high school in Indiana bans same-sex couples from attending the annual prom, a gang of flamboyant Broadway stars try to boost their image by showing up to support two lesbian students.

Parents

Michael is a young boy living in a typical 1950s suburbanite home... except for his bizarre and horrific nightmares, and continued unease around his parents. Young Michael begins to suspect his parents are cooking more than just hamburgers on the grill outside, but has trouble explaining his fears to his new-found friend Sheila, or the school's social worker.

Hider in the House

A deranged man hides in the attic of a new house and becomes obsessed with the unsuspecting family that moves in.

Enid Is Sleeping

Enid only looks like she's sleeping. In fact, she's dead. Shortly after Enid caught her husband Harry in bed with her sister June, a row ensued, whereupon June accidently killed Enid. June's problem now is to hide the truth from the authorities, including her police-officer husband Floyd. Then she decides to reveal Enid's demise, albeit rearranging the damning evidence to make the whole thing look like the accident it really was.

ShowBusiness: The Road to Broadway

ShowBusiness: The Road to Broadway is an American documentary film, directed by Dori Berinstein, a Broadway Producer, Writer and Filmmaker. Berinstein filmed each principal musical on Broadway for her project during the 2003-2004 season, for about 600 hours of initial film footage. She focused the film on four musicals, through the difficulties of pre-production, their openings, attendant publicity around the shows, and their reviews, through the 2004 Tony Award competition. The four musicals documented for the film were: Wicked, Taboo, Caroline or Change, Avenue Q.

Marvin Hamlisch: What He Did For Love

When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.