Director: Guy Debord

foto regista
Birthday: 1931-12-28
Born in: Paris, France
Biography: Guy Ernest Debord (December 28, 1931 - November 30, 1994) was a French Marxist theorist, writer, filmmaker, member of the Letterist International, founder of a Letterist faction, and founding member of the Situationist International (SI). He was also briefly a member of Socialisme ou Barbarie.

Known for

Koyaanisqatsi

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Search similar movies
7.9
Koyaanisqatsi
Koyaanisqatsi

1983

Search similar movies
The Society of the Spectacle

Guy Debord's analysis of a consumer society.
Search similar movies
6.7
The+Society+of+the+Spectacle
The Society of the Spectacle

1974

Search similar movies
Critique of Separation

Debord’s eighteen-minute Critique of Separation directs its experimental attentions to “the documentary.” Debord draws from a catalogue of newsreel footage and book covers, rephotographed photographs, views of Paris and its neighborhoods, and a catalogue of disabused, seemingly offhand footage of him and his friends in the porous zone comprising the cafe and the street.
Search similar movies
6.8
Critique+of+Separation
Critique of Separation

1961

Search similar movies
We Spin Around the Night Consumed by the Fire

A Latin palindrome is the title of Guy Debord's last film, in which he, as narrator, explains that he will make neither concessions to the tastes of his viewers nor to the dominant ideas of his day. After extensively insulting the audience that goes to the cinema to forget its heteronomous life, the film becomes autobiographical, using images from the world of spectacle: advertising brochures, clips from feature films (Les enfants du paradis), comics, aerial footage of Paris, tracking shots through Venice, photographs of friends – all commented on by Debord, with an at times melancholy undertone: "This Paris no longer exists." His assessment is that one of the great pleasures of his life has been the sensation of the passage of time, and as a witness to the disintegration of social order, he has loved his epoch.
Search similar movies
6.6
We+Spin+Around+the+Night+Consumed+by+the+Fire
We Spin Around the Night Consumed by the Fire

1978

Search similar movies
Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"

Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"
Search similar movies
7.2
Refutation+of+All+the+Judgements%2C+Pro+or+Con%2C+Thus+Far+Rendered+on+the+Film+%27The+Society+of+the+Spectacle%27
Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"

1975

Search similar movies
On the Passage of a Few People through a Relatively Short Period of Time

This short film can be considered as notes on the origins of the situationist movement; notes which thus naturally include a reflection on their own language.
Search similar movies
7.6
On+the+Passage+of+a+Few+People+through+a+Relatively+Short+Period+of+Time
On the Passage of a Few People through a Relatively Short Period of Time

1959

Search similar movies