Director: Calum Waddell

American Grindhouse

This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.

Category III: The Untold Story of Hong Kong Exploitation Cinema

An insightful look at the history of Hong Kong's exploitation cinema, from the early days of the Shaw Brothers and such shockers as "Killer Snakes" through to the advent of the Category III rating in 1988 and then the June 4th massacre in Beijing. The latter led to a panic in Hong Kong, before the Handover of the former UK colony to Mainland China, and a number of motion pictures proceeded to take freedom of speech (and sometimes political symbolism) to the extreme. This is the story of one of the most curious and invigorating periods in exploitation filmmaking.

Slice and Dice: The Slasher Film Forever

A celebration of slasher cinema - from PSYCHO to the present day, with a focus on highlighting many of the genre's forgotten cult classics, deconstructing how to survive a slice and dice movie and meditating upon why it is almost always a final girl and rarely a final guy... this is a documentary which is designed for both the biggest fan of "mad maniac" movies and the person who may only have seen HALLOWEEN and SCREAM. Either way, this is a documentary that proves the SLASHER FILM is truly FOREVER!

Scream Queens: Horror Heroines Exposed

Directed by UK-horror scene stalwart Calum Waddell and hosted by scream queen Debbie Rochon (Terror Firmer, Tromeo and Juliet) Scream Queens: Horror Heroines Exposed features, in a change of pace for horror documentaries, especially those focusing on females in the genre, an all-female line-up, discussing horror movies from their perspective – exploring the challenges of being an actress in a genre predominantly made by and for men, from how they came about to be defined as a “scream queen”, about the vagaries of the genre: nudity, violence, misogyny, etc., and about how they feel about the genre and the label