Director: Tizuka Yamasaki

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Birthday: 1949-05-12
Born in: Porto Alegre, Rio Grande do Sul, Brazil
Biography: Tizuka Yamasaki (born May 12, 1949) is a Brazilian film director. Daughter of Japanese immigrants, Yamasaki was one of the first women filmmakers in Brazil to achieve a successful and longstanding career. She and her peers learned filmmaking by working on the sets of well-established Cinema Novo directors such as Glauber Rocha and Nelson Pereira dos Santos. Yamasaki challenged the norms of Cinema Novo by increasing both the representation of women and the awareness of issues affecting women in Brazilian society. Her film style focuses on historical subjects and she uses the genre of melodrama to reconstruct Brazilian politics, history and culture. She established herself as one of the most important film directors of the 1980s. Her films discussed sexuality and traditional gender roles more openly within Brazilian cultural identity. Yamasaki initiated a “cinema of emotion” to comment on Brazil’s past and rework female figures’ experiences in Brazil’s history. During her career, especially during the final years of the Brazilian military dictatorship, Yamasaki has suffered censorship and funding issues with her films. In response to these challenges, she established her own production company in 1976, Centro de Produção e Comunicação (Production and Communication Center). Tizuka gained some critical acclaim with her 1980 film "Gaijin, Os Caminhos da Liberdade" (aka "Gaijin, a Brazilian Odyssey"), a story about Japanese immigration to Brazil. She has also achieved the audience's praise by directing movies starring children TV show hostess Xuxa, which have become extremely popular and a cornerstone in Brazilian pop culture. In 2003, she completed Gaijin 2 as a sequel to her debut film.

Known for

Xuxa and the Mystery of the Little Ugly Princess

Based on the book O Fantástico Mistério de Feiurinha, the story combines real world and fantasy, dream and determination, with a surprising end, even for a fairy tale. The movie shows the fight of the fairy tale characters, now adults, who come together to recover the fable of the Little Ugly Princess, a beautiful Princess with a strange name, which only makes sense for those who know her story. The problem is that children and adults have forgotten the story of the Little Ugly Princess, which is as wonderful as other major fables for children. Cinderella brings together other fairy tale characters to meet the writer who keeps, lost in a small notebook, the Little Ugly Princess story.
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4.9
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Xuxa and the Mystery of the Little Ugly Princess

2009

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Xuxa Popstar

Nick, a famous fashion model, decides to retire and goes back to her home country Brazil, after a briliant international career. She becomes the head executive of Popstar, the modeling agency where she started her career, and has to deal with intrigues, fashion faux pas and a budding online romance with Sunshine, a mysterious online friend.
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3.1
Xuxa+Popstar
Xuxa Popstar

2000

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Xuxa Requebra

Nena, a journalist and former student of the Two Hearts dance academy, tries to stop the school from being sold to a group of drug dealers. She trains a group to win the Requebra dance contest that would give them the necessary money to carry their plans.
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3.4
Xuxa+Requebra
Xuxa Requebra

1999

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Lua de Cristal

The fairy tale story of Maria da Graça, a small town girl with big time dreams of becoming a singer, who moves to Rio de Janeiro to pursue her ambitions.
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5.2
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Lua de Cristal

1990

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Bete Balanço

A small town girl, who's an aspiring singer, tries to make a living out of music in the big city of Rio de Janeiro.
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4.8
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Bete Balanço

1984

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The Age of the Earth

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.
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6.3
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The Age of the Earth

1980

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