Director: Valentino Orsini
Known for
Kleinhoff Hotel
Pascale, married to an architect, misses her flight to London and is forced to stay in Berlin, at the Kleinhoff Hotel where she stayed as a student. Karl, a would-be revolutionary lives in the adjoining room and Pascale spies him and his ex-girl-friend through a hole. Then she follows him to a questionable place where she is arrested by the police during a revolutionists raid. When she returns to the Kleinhoff Hotel, Pascale finds Karl crying, and enters his room to console him and they have a love affair.
Pascale, married to an architect, misses her flight to London and is forced to stay in Berlin, at the Kleinhoff Hotel where she stayed as a student. Karl, a would-be revolutionary lives in the adjoining room and Pascale spies him and his ex-girl-friend through a hole. Then she follows him to a questionable place where she is arrested by the police during a revolutionists raid. When she returns to the Kleinhoff Hotel, Pascale finds Karl crying, and enters his room to console him and they have a love affair.
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6.1
A Man for Burning
Political activist Salvatore returns to his native Sicily and stirs up trouble among the peasants, urging them to confront the Mafia and demand the right to plough their own fields. The peasants refuse to help him, and Salvatore is marked by the Mafia as a troublemaker.
Political activist Salvatore returns to his native Sicily and stirs up trouble among the peasants, urging them to confront the Mafia and demand the right to plough their own fields. The peasants refuse to help him, and Salvatore is marked by the Mafia as a troublemaker.
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5.2
Corbari
The real story of the partisan Silvio Corbari (Giuliano Gemma). Silvio forms a band of partisans in Northern Italy, completely independent from the Italian organized resistance (CLN). Ines (Tina Aumont), leaves her husband to join the band and becomes Silvio's lover. Silvio seems to suceed in creating a free-zone, his personal republic, independent from Nazi-occupied Italy, in a little village called Tregnano.
The real story of the partisan Silvio Corbari (Giuliano Gemma). Silvio forms a band of partisans in Northern Italy, completely independent from the Italian organized resistance (CLN). Ines (Tina Aumont), leaves her husband to join the band and becomes Silvio's lover. Silvio seems to suceed in creating a free-zone, his personal republic, independent from Nazi-occupied Italy, in a little village called Tregnano.
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5.2
My Dearest Son
A respectable lawyer finds out his son is a heroin addict. Heartbroken, he'll do anything to help his only child, even if it means sharing his hell.
A respectable lawyer finds out his son is a heroin addict. Heartbroken, he'll do anything to help his only child, even if it means sharing his hell.
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6.0
The Damned Of The Earth
Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.
Upon his death, a young African director, Abramo Malonga, bequeathed his first and last unfinished film to his former teacher, the Italian director Fausto Morelli. Morelli, who after seeing the work, is confronted with a confusing, complex and, in part, incomprehensible work. Helped by the young widow of Abramo Malonga and by the notes left by his deceased friend, and again by his personal memories, the Italian director attempts to reconstruct and complete the film. Fausto's work progresses with difficulty, not only because of the problems the film poses for him, but because of the problems that arise in his daily life. After a long crisis, after which he returns to Pisa with his former party companions and abandons himself to love and his own solitude, Fausto takes up the work of his African friend, closing it with a final invention, in which , with a bold metaphor, has refigured the human condition of our time.
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10.0
