Director: Marlen Khutsiyev

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Birthday: 1925-10-04
Born in: Tiflis, Georgian SSR, Transcaucasian SFSR, USSR
Biography: Marlen Martynovich Khutsiev (Russian: Марле́н Марты́нович Хуци́ев; 4 October 1925 – 19 March 2019) was a Georgian-born Soviet and Russian filmmaker best known for his cult films from the 1960s, which include I Am Twenty and July Rain. He was named a People's Artist of the USSR in 1986. Khutsiev studied film in the directing department at the Gerasimov Institute of Cinematography (VGIK), graduating in 1952. He worked as a director at the Odessa film studio from 1952 to 1958, and worked full-time as a director at Mosfilm from 1965 onward. Khutsiev's first feature film, Spring on Zarechnaya Street (1956), encapsulated the mood of the Khrushchev Thaw and went on to become one of the top box-office draws of the 1950s. Three years later, Khutsiev launched Vasily Shukshin "as a new kind of popular hero" by starring him in Two Fyodors. His two masterpieces of the 1960s, however, were panned by the authorities, forcing Khutsiev into something of an artistic silence. In 1978, Khutsiev began teaching film directing master classes at the VGIK.) His 1991 film Infinitas won the Alfred Bauer Prize at the 42nd Berlin International Film Festival.

Known for

Strong with Spirit

Story of a Russian intelligence officer Nikolai Kuznetsov (known as lieutenant Paul Wilhelm Zibert) who worked in the capital of occupied by fascist troops Ukraine. 960 days and nights were left until the end of the Second World War.
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6.7
Strong+with+Spirit
Strong with Spirit

1967

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I Am Twenty

Having returned from the army, 20-year-old Sergei settles down at the thermal power station and merges into ordinary life. Every day he meets and spends time with childhood friends — the young family man Slava and the merry fellow Nikolai, and once at first sight he falls in love with a stranger on the bus. A lyrical story about a generation of young people entering adulthood, a reappraisal of values, life principles, traditions in culture and art.
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7.2
I+Am+Twenty
I Am Twenty

1965

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Venice 70: Future Reloaded

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
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5.3
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Venice 70: Future Reloaded

2013

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July Rain

Lena, a woman in her late twenties, loves her boyfriend, but in time comes to see that their relationship serves no useful function. What's more, she sees that her friends are for the most part empty-headed lackeys, causing her to wonder just what is the point of her life.
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6.8
July+Rain
Spring on Zarechnaya Street

An idealistic, sophisticated young woman meets a rough-around-the-edges, blue collar man and rejects him, only to find out later that they are destined for true love together, despite the fact that he cannot now pass his certification test after she threw him out of her adult education class.
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7.3
Spring+on+Zarechnaya+Street
Spring on Zarechnaya Street

1956

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It Was In May

A few days after the unconditional surrender of German troops, a group of Soviet soldiers is billeted at a farmyard which the war somehow never seems to have reached. This apparently peaceful picture is eerily undermined when the Red Army soldiers are confronted with the full extent of Nazi terror.
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5.6
It+Was+In+May
It Was In May

1970

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The Two Fedors

At the end of the Second World War, Fedor is demobilized and returns home where he meets a homeless boy, small Fedor. They decide to live together. The adult works in the building trade and the boy goes to school and looks after the house. They get on very well until Natacha arrives in big Fedor's life. After marrying big Fedor, Natacha tries to win the child's love. But he remains hostile.
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5.2
The+Two+Fedors
The Two Fedors

1958

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Postscript

A young man is forced to spend a few days with his father in law.
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4.5
Postscript
Postscript

1983

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