Director: Glauber Rocha

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Birthday: 1939-03-14
Born in: Vitória da Conquista, Bahia, Brazil
Biography: Glauber Rocha’s avant-garde films depict Brazil’s history and upheavals in its social and political scene in a stylized, often violent manner. He began his career as a journalist and film critic, and his first short film, Pátio (1959), caught the attention of critics and prompted his rise to fame. He studied Law. He also directed theatre pieces, wrote movie critics and took part in the creation and development of the Cinema Novo (New Cinema) movement in Rio de Janeiro, becoming its theoretical leader and first embassador in Europe. After Barravento (1962), Black God, White Devil (1964), Entranced Earth (1967) and Antonio das Mortes (1969), he won various international prizes. As he symbolized the feelings of the ideology of May 1968, he became very popular in Europe and America. Rocha was at odds politically with Brazil’s rulers, and his conflicts with Brazilian authorities led to his leaving the country in 1970. He filmed in Africa, Spain and Portugal, and returned to Brazil in the late 1970s, where he also hosted the popular politics TV show Abertura. His last film was the controversial The Age of the Earth (1980).

Known for

Black God, White Devil

Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.
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7.1
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Black God, White Devil

1964

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Entranced Earth

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
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7.2
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Entranced Earth

1967

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Antonio das Mortes

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.
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6.8
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Antonio das Mortes

1969

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Cutting Heads

In a castle, somewhere in the Thirld World, Diaz is delirious, dreaming of the power he had in Eldorado, while oppressing the indians, workers and peasants. He is well aware of the menace his old victims represent, while a miracle-making shepherd fascinates and frightens him. Diaz finds a countrywoman, symbol of purity, and prepares a ceremony in his castle resembling his own funeral.
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4.7
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Cutting Heads

1970

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