Director: Cyril Morin

Sira

After a brutal attack, a young nomad named Sira refuses to surrender to her fate without a fight and instead takes a stand against Islamist terror. A feminist counterpoint to current reporting from the Sahel region.

Samsara

A love story situated in the Himalayas. A Buddhist monk can't choose between life and the way of the Buddha.

The Bra

The Bra tells the story of the lonely and soon to be pensioned train driver Nurlan. On his last day of work his train hits a clothes line and snags a white bra with blue dots with it. Determined to find the owner, Nurlan leaves no stone unturned and embarks on a dazzling journey through the neighbourhoods of Baku, trying to convince as many women as possible to try on the lost bra.

Hacker's Game

A love story between two hackers, Soyan and Loise. Like many other hackers, Soyan works for a company he previously hacked.

Last Film Show

A 9-year-old boy in a remote village in India begins a lifelong love affair with cinema when he bribes his way into a rundown movie palace and spends a summer watching movies from the projection booth.

Valley of Flowers

A Himalayan legend of a love struggling against the inevitability of death, an astonishing tale spanning from the early 19th century mountain existence, to hectic, bustling modern day Tokyo.

Angry Indian Goddesses

A photographer invites her closest friends to vacation at her family's home in Goa in celebration of her upcoming marriage.

Nuit noire, 17 octobre 1961

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.