Director: Anne Weil
Known for
Forever Young
At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.
At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.
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6.6
Actresses
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
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5.1
The Summer House
A large and beautiful property on the French Riviera. A place that seems out of time and sheltered from the rest of the world. Anna goes there with her daughter for a few days of vacation. Amidst her family, friends and the house staff, Anna has to handle her fresh break-up with her partner and the writing of her next film.
A large and beautiful property on the French Riviera. A place that seems out of time and sheltered from the rest of the world. Anna goes there with her daughter for a few days of vacation. Amidst her family, friends and the house staff, Anna has to handle her fresh break-up with her partner and the writing of her next film.
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5.0
Friends from France
1979: Cousins Carole and Jérôme go on an organized trip to Odessa, behind the Iron Curtain. During the day, posing as tourists celebrating their engagement, they visit monuments and museums. In the evening they slip away from the group and meet “refuseniks”, Jews persecuted by the Soviet regime for wanting to leave the country. While Carole is motivated by political commitment and a taste for risk, Jérôme’s motivation is Carole.
1979: Cousins Carole and Jérôme go on an organized trip to Odessa, behind the Iron Curtain. During the day, posing as tourists celebrating their engagement, they visit monuments and museums. In the evening they slip away from the group and meet “refuseniks”, Jews persecuted by the Soviet regime for wanting to leave the country. While Carole is motivated by political commitment and a taste for risk, Jérôme’s motivation is Carole.
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5.8
Hôtel Terminus: The Life and Times of Klaus Barbie
Marcel Ophuls' riveting film details the heinous legacy of the Gestapo head dubbed "The Butcher of Lyon." Responsible for over 4,000 deaths in occupied France during World War II, Barbie would escape—with U.S. help—to South America in 1951, where he lived until a global manhunt led to his 1983 arrest and subsequent trial.
Marcel Ophuls' riveting film details the heinous legacy of the Gestapo head dubbed "The Butcher of Lyon." Responsible for over 4,000 deaths in occupied France during World War II, Barbie would escape—with U.S. help—to South America in 1951, where he lived until a global manhunt led to his 1983 arrest and subsequent trial.
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7.1
It's Easier for a Camel...
As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge.
As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge.
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4.6
Still Waters Run Deep
Despite his lifelong efforts, Jean is one of those unfortunate men who can never understand women. This arty, metaphorical French film presents three examples of Jean's difficulties over the course of his long life. Each of the three episodes takes place beside the same river. He is first seen as a small boy playing on the river banks with the teenage girl he secretly loves. She mischievously promises to tell him her darkest secret if only he will perform a certain task for her. The story then takes a more surreal turn as a now-grown Jean, once again beside the river, toys with a beautiful woman at a picnic. She wants a commitment from him, but wily Jean is unwilling to satisfy her. In the final segment, Jean has become an old man and is once again deeply in love.
Despite his lifelong efforts, Jean is one of those unfortunate men who can never understand women. This arty, metaphorical French film presents three examples of Jean's difficulties over the course of his long life. Each of the three episodes takes place beside the same river. He is first seen as a small boy playing on the river banks with the teenage girl he secretly loves. She mischievously promises to tell him her darkest secret if only he will perform a certain task for her. The story then takes a more surreal turn as a now-grown Jean, once again beside the river, toys with a beautiful woman at a picnic. She wants a commitment from him, but wily Jean is unwilling to satisfy her. In the final segment, Jean has become an old man and is once again deeply in love.
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