Director: Seth Holt

The Ladykillers

Five oddball criminals planning a bank robbery rent rooms on a cul-de-sac from an octogenarian widow under the pretext that they are classical musicians.

Blood from the Mummy's Tomb

Two Egyptologists, Professor Fuchs and Corbeck, are instrumental in unleashing unmitigated horror by bringing back to England the mummified body of Tara, the Egyptian Queen of Darkness. Fuchs’s daughter becomes involved in a series of macabre and terrifying incidents, powerless against the forces of darkness, directed by Corbeck, that are taking possession of her body and soul to fulfill the ancient prophesy that Queen Tara will be resurrected to continue her reign of unspeakable evil.

Kind Hearts and Coronets

When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.

The Lavender Hill Mob

A meek bank clerk who oversees the shipments of bullion joins with an eccentric neighbor to steal gold bars and smuggle them out of the country.

Taste of Fear

A wheelchair-bound young girl returns to her father's estate after ten years, and although she's told he's away, she keeps seeing his dead body on the estate.

The Nanny

Nanny, a London family's live-in maid, brings morbid 10-year-old Joey back from the psychiatric ward he's been in for two years, since the death of his younger sister. Joey refuses to eat any food Nanny's prepared or take a bath with her in the room. He also demands to sleep in a room with a lock. Joey's parents -- workaholic Bill and neurotic Virgie -- are sure Joey is disturbed, but he may have good reason to be terrified of Nanny.

Dead of Night

Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales.

Mandy

London, the early 1950s. Born deaf, Mandy is mute for most of her childhood. As she reaches school age her family itself is in danger of breaking up. Christine, Mandy's mother, has heard of a residential school for the oral education of the deaf.

The Battle of the Sexes

Angela Barrows is a man-eating business woman sent by her American employer to investigate their export opportunities in Edinburgh. En route she meets Robert MacPherson, a businessman who asks for her help to bring his company into the 20th Century. The staff, led by Mr Martin, has other ideas—and a battle between the old and new business methods soon breaks out.

Dance Hall

Episodic tale of four factory girls and their various romances at the local dance hall in Chiswick, London. Unusual at the time, the film tells its story from a feminine perspective. Today, it is mainly recognised for its post-war London atmosphere, with bomb sites, trolleybuses and rationing.

Saturday Night and Sunday Morning

A 22-year-old factory worker lets loose on the weekends: drinking, brawling, and dating two women, one of whom is older and married.

The Titfield Thunderbolt

When British Railways announce the closure of the Titfield to Mallingford branch line a group of local residents make a bid to run it themselves, backed by a monied member of the community who is attracted by the complete lack of licensing hours on trains. Unfortunately the local bus company starts to use methods that can hardly be seen as fair competition.