Director: John Maybury

The Jacket

A military veteran goes on a journey into the future, where he can foresee his death and is left with questions that could save his life and those he loves.

The Edge of Love

When the Welsh poet Dylan Thomas and his flirtatious wife Caitlin sweep into war-torn London, the last thing they expect is to bump into Dylan's childhood sweetheart Vera. Despite her joy at seeing Dylan after so many years, Vera is swept off her feet by a dashing officer, William Killick, and finds herself torn between the open adoration of her new found beau and the wily charms of the exotic Welshman.

Love Is the Devil: Study for a Portrait of Francis Bacon

In the 1960s, British painter Francis Bacon surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, accepts. After the unique beginning to their love affair, the well-connected and volatile artist assimilates Dyer into his circle of eccentric friends, as Dyer's struggle with addiction strains their bond.

The Last of England

The artist's personal commentary on the decline of his country in a language closer to poetry than prose. A dark meditation on London under Thatcher.

The Queen Is Dead

Three song clips by The Smiths ('The Queen is Dead', 'There is a Light that Never Goes Out' and 'Panic'), all directed with an artistic and conceptual vision by the late Derek Jarman. The result is the junction of the powerful lyrics and melodies by Morrissey and Marr combined with Jarman's expressive images.

Remembrance of Things Fast: True Stories Visual Lies

Remembrance of Things Fast represents the culmination of Maybury's work in video, which has developed alongside the technology itself. Starring Tilda Swinton and Rupert Everett in lead roles, the tape confronts the conventions of world television and satellite broadcast, drawing on the fragmentary nature of the medium and the cliches of the three minute attention span. At the same time, it replaces bland mainstream images with darker, more satirical observations and studies. The environment is surreal, a virtual reality television land of landscapes and imaginary cities, enhanced by Marvin Black's dark, dense soundtrack. It is a cyberspace where the impossible is all too possible. Within this parallel world, a series of archetypes act, observe and comment, informed by a strong sexual sensibility. '..a mesmerising, sometimes hysterically funny, cinematic bricolage with a strong sexual and mostly gay sensibility'. - Cordelia Swann