Director: Margarethe von Trotta

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Birthday: 1942-02-21
Born in: Berlin, Germany
Biography: Margarethe von Trotta (German: [maʁɡaˈʁeːtə fɔn ˈtʁɔta]; born 21 February 1942; Berlin) is a German film director, screenwriter, and actress. She has been referred to as a "leading force" of the New German Cinema movement. Von Trotta's extensive body of work has won awards internationally. She was married to and collaborated with director Volker Schlöndorff. Although they made a successful team, von Trotta felt she was seen as secondary to Schlöndorff. Subsequently, she established a solo career for herself and became "Germany's foremost female film director, who has offered the most sustained and successful female variant of Autorenkino in postwar German film history". Certain aspects of von Trotta's work have been compared to Ingmar Bergman's features from the 1960s and 1970s. The predominant aim of her films is to create new representations of women. Her films are concerned with relationships between and among women (sisters, best friends, etc.), as well as with relationships between women and men, and include political settings. Nevertheless, she rejects the suggestion that she makes "women's films". She is a recipient of one Golden Lion at Venice Film Festival, 2 David di Donatello Awards, Gold Hugo Award at Chicago International Film Festival, Lifetime Achievement Award at European Film Award, Lifetime Achievement Award at German Film Awards, 2 Palme d'Or nominations at Cannes Film Festival, and numerous other awards and nominations.

Known for

Hannah Arendt

HANNAH ARENDT is a portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.
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6.9
Hannah+Arendt
Hannah Arendt

2012

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Rosa Luxemburg

Polish socialist and Marxist Rosa Luxemburg works tirelessly in the service of revolution in early 20th century Poland and Germany. While Luxemburg campaigns for her beliefs, she is repeatedly imprisoned as she forms the Spartacist League offering a new vision for Germany.
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6.6
Rosa+Luxemburg
Rosa Luxemburg

1986

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The Lost Honor of Katharina Blum

After a chance encounter with a wanted man, a woman is harassed by the police and press until she takes violent action.
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6.9
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The Lost Honor of Katharina Blum

1975

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Rosenstrasse

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
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6.2
Rosenstrasse
Rosenstrasse

2003

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Coup de Grâce

A countess loves her brother's Prussian-officer friend in the 1919 Baltic area.
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6.4
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Coup de Grâce

1976

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Sheer Madness

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.
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6.6
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Sheer Madness

1983

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Marianne and Juliane

Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.
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7.0
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Marianne and Juliane

1981

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