Director: Kenta Fukasaku

Battle Royale

In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.

Battle Royale II: Requiem

It's three years after the events of the original Battle Royale, and Shuya Nanahara is now an internationally-known terrorist determined to bring down the government. His terrorist group, Wild Seven, stages an attack that levels several buildings in Tokyo on Christmas Day, killing 8000 people. In order for the government to study the benefits of "teamwork", the new students work in pairs, with their collars electronically linked so that if one of them is killed, the other dies as well. They must kill Nanahara in three days - or die.

Yo-Yo Girl Cop

Recruited by a clandestine police organization, "K" must stop a plot by student radicals to create anarchy in Japan. Armed with a hi-tech steel yo-yo, and a new name (Asamiya Saki), she must infiltrate an elite high school to find the terrorists but finds an even more sinister plan is about to unfold.

X-Cross

Recovering from a failed love affair Shiyori heads to the country, in the company of best friend and bad girl Aiko. Having taken a long soak in the hot spring they retire to their respective cabins. They soon discover that the tranquil village is the home of a cult with a fetish for cutting off female legs. Trying to escape they are split up and keep in touch via their mobile phones. Multiple points of view and time frames keeps the viewer on their toes trying to discern the grisly fate of these "lost" girls.

The Geisha House

Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omocha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.

We Can't Change the World, But We Wanna Build a School in Cambodia

A young Japanese man named Kota Tanaka (Osamu Mukai) works to raise money and then build an elementary school in Cambodia.

Perfect Education: A Maid for You

The seventh film of “The Perfect Education” series tells the tale of a man and a girl who pursue love to the point of madness. With erotic dances and love scenes shot in 3D, the film dpicts a “pure love” story tied with sexual desires. “Welcome home, Master!” Kabashima is a regular at the maid cafe. He is head over heels in love with Ichigo, a maid who works there. On her birthday, he is waiting for her by the back door, she exits finally…several hours later, she awakes only to find herself surrounded by thin, plywood walls, her feel, hand, and mouth bound and gagged with packing tape. Amid the darkness, Kabashima quietly opens his mouth, “this is our house. Let’s live intimately together.”

Black Rat

Six classmates receive an email from Asuka, who they thought had committed suicide, asking them to meet her later that night. But when they are attacked by a girl in a rat mask, the students realize that someone is out for revenge!