Director: Jun Fukuda

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Birthday: 1923-02-17
Born in: Manshu, Korea
Biography: Jun Fukuda was a Japanese film director, screenwriter and producer. Fukuda joined Toho in 1946 and ventured into the realm of assistant director, being taken under the wing by directors like Hiroshi Inagaki. By 1959, Fukuda began a career as a full-fledged director, his early work slanted more toward mystery, but then expand into more comedic work by the mid-1960s, such as the spy spoof Iron Finger (1965). He also wrote the screenplay for the unproduced The Invisible Man vs. the Human Torch. Fukuda would eventually be tasked to direct a Godzilla movie, Ebirah, Horror of the Deep (1966). Fukuda would go on to direct various entries in Toho's popular Young Guy series and Konto 55, however he would be best known for his Godzilla work, becoming the "go to" director for special effects productions after Ishirō Honda. Fukuda famously harbored a harsh view of his work in the Godzilla series saying, "The monsters became the stars, and the human characters were put into the background." and "I give all of my Godzilla films a minus score." Despite the distain he felt towards his work, he was pleasantly surprised to find fans who enjoyed his film and who sent him well wishing cards near the end of his life.

Known for

Ebirah, Horror of the Deep

Searching for his brother, Ryota stows away on a boat belonging to a criminal alongside two other teenagers. The group shipwrecks on Letchi island and discover the Infant Island natives have been enslaved by a terrorist organization controlling a crustacean monster. Finding a sleeping Godzilla, they decide to awaken him to defeat the terrorists and liberate the natives.
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6.3
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Ebirah, Horror of the Deep

1966

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Godzilla vs. Mechagodzilla

An Okinawan prophecy that foretells the destruction of the Earth is seeming fulfilled when Godzilla emerges to return to his destructive roots. But not all is what it seems after Godzilla breaks his ally Anguirus's jaw. Matters are further complicated when a second Godzilla emerges, revealing the doppelgänger as a mechanical weapon.
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7.0
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Godzilla vs. Mechagodzilla

1974

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Rodan

Mining engineer Shigeru investigates the disappearance and death of his fellow coworkers when prehistoric nymphs are discovered emerging from the mines. After an attack on the local village, Shigeru heads deeper into the mines only to make a more horrifying discovery in the form a prehistoric flying creature. Soon a second monster appears as the two converge in Fukuoka.
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6.5
Rodan
Son of Godzilla

Reporter Goro Maki stumbles upon scientists conducting weather experiments on Sollgel Island in the South Seas. He discovers the island is inhabited by giant mantis and a woman named Saeko who's been cast away since the death of her father. The pair soon find a helpless infant monster that Godzilla must adopt and learn to raise as one of his own.
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6.4
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Son of Godzilla

1967

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Godzilla vs. Megalon

Inventor Goro Ibuki creates a humanoid robot named Jet Jaguar. It is soon seized by an undersea race of people called the Seatopians. Using Jet Jaguar as a guide, the Seatopians send Megalon as vengeance for the nuclear tests that have devastated their society.
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6.2
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Godzilla vs. Megalon

1973

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Godzilla vs. Gigan

Manga artist Gengo Odaka lands a job with the World Children's Land amusement park only to become suspicious of the organization when a garbled message is discovered on tapes. As Gengo and his team investigate, Godzilla and Anguirus quickly decipher the message and begin their own plan of action.
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6.3
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Godzilla vs. Gigan

1972

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Samurai I: Musashi Miyamoto

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.
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7.1
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Samurai I: Musashi Miyamoto

1954

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Samurai II: Duel at Ichijoji Temple

After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.
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7.2
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Samurai II: Duel at Ichijoji Temple

1955

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Samurai III: Duel at Ganryu Island

A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
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7.2
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Samurai III: Duel at Ganryu Island

1956

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