Director: Lawrence Jordan

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Birthday: 1934-01-01
Born in: Denver, Colorado, USA
Biography: Known principally as a maverick spirit in the world of avant-garde American cinema, Lawrence Jordan played an important role in the late 1950s and early 1960s San Francisco art scene. Jordan has made over seventy experimental films, including a number of fanciful, filmic animations made from collaged cut outs of Victorian engravings. The animations extend dreamlike imagery of collaged landscape into a cinematic realm of transformation and free form symbolism. Jordan seeks to delve into the deep structures and Jungian connotations of the mythological images his films reference. His alchemical approach to imagery creates what he has called the “theater of the mind, which you construct. That is the Underworld... the realm of the imagination. You have to have a place to work with images.” Jordan founded the film department of the San Francisco Art institute in 1969 and taught there for over thirty years. He made his own box assemblages in Cornell ’s lyrically evocative style since the mid-1960s. Many feature ingenious mechanical and kinetic effects. He continues to make films and box collages at his home and studio in Petaluma where he has lived since 1978.

Known for

Night Light

This is a classing Jordan animation, primarily in B/W, with touches of color. Actually, the engraved art work was film on color negative, so that subtle variations in tone are recorded. The mood--enhanced by John Davis' original music--is dream-like. It is both lyric and crackling, producing a kind of anticipatory tension. The scenes, in the usual Jordan manner, follow the surreal principle of placing objects and people where the ought not to be, and making movements that in the waking world are impossible. Each scene is a kind of drama from another world.
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Night+Light
Night Light

2016

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