Director: Kinuyo Tanaka

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Birthday: 1909-11-28
Born in: Shimonoseki, Yamaguchi Prefecture, Japan
Biography: From Wikipedia, the free encyclopedia Kinuyo Tanaka (田中 絹代 Tanaka Kinuyo, 29 November 1909 – 21 March 1977) was a Japanese actress and director. Tanaka was born in Shimonoseki, Yamaguchi Prefecture, Japan. She became a leading actress at an early age, appearing in Yasujirō Ozu's I Graduated, But... in 1929. The following year she played the lead in Aiyoku no ki, and in 1931 she appeared in Japan's first talkie, The Neighbor's Wife and Mine, directed by Heinosuke Gosho. She had a close working relationship with director Kenji Mizoguchi, having parts in 15 of his films, including leading roles in The Life of Oharu (1952), Ugetsu (1953) and Sansho the Bailiff (1954). Their working relationship ended when Mizoguchi countered a recommendation from the Directors Guild of Japan for the Nikkatsu studio to hire her as a director. Despite this, the production of her second film as director went ahead, but Tanaka never forgave Mizoguchi, and the reasons for his behaviour are unclear. She also played Noboru Yasumoto's mother in Akira Kurosawa's Red Beard (1965). For her portrayal in Kei Kumai's Sandakan N° 8 she won the Best Actress Award at the 25th Berlin International Film Festival in 1975.[2] Her last screen appearance was in 1976 in Kei Kumai's Kita No Misaki. Tanaka was the second Japanese woman who worked as a film director, after Sakane Tazuko (1904‐1975). Her first directing job was on the film Love Letter in 1953, and she made five further films in that role. Description above from the Wikipedia article Kinuyo Tanaka, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Known for

Forever a Woman

Fumiko, mother of two children and wife of an unfaithful man, shares her family life with her budding vocation as a poet. The beginning of her successful literary career coincides with her divorce and her breast cancer diagnosis. In the last stage of her life, she meets a young journalist from Tokyo who wants to write a story on her life.
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7.3
Forever+a+Woman
Forever a Woman

1955

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Love Letter

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.
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6.7
Love+Letter
Love Letter

1953

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Girls of the Night

In the late 1950's prostitution was banned in Japan and if a woman was found exercising this profession they were sent to a reformatory. This is a story of one of these brave women Kuniko who is released from the reformatory and tries to build a new life.
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6.7
Girls+of+the+Night
Girls of the Night

1961

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Love Under the Crucifix

The basic story in Love under the Crucifix is about Ogin, daughter of a tea master, who are both Christians in feudal Japan. Ogin falls in love with a feudal prince, also a Christian who is already married, and that creates problems. Further, when the Shogun bans Christianity, the situation worsens.
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6.9
Love+Under+the+Crucifix
Love Under the Crucifix

1962

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The Moon Has Risen

Mokichi is the widowed father of three daughters, with whom he lives on the premises of a temple since the war. All three daughters become involved in some sort of complicated relationships.
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6.8
The+Moon+Has+Risen
The Moon Has Risen

1955

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The Wandering Princess

Pu Zhe , the younger brother of the Emperor of Manchukuo, Pu Wen, marries Ryuko the daughter of a long-established aristocratic family - all in the interest of the Japanese rulers , which legitimizes the relationship between Japan and its Chinese puppet state. To the surprise of all , a deep love between Pu Zhe and Ryuko develops. It is put to the test when Japan loses the war, Manchukuo is dissolved and the imperial court must flee. The lovers now have to separate: Pu Zhe tries to escape to Japan with his brother , while Ryuko flees with her daughter Eisei over the country. A film on the relationship between Pujie (1907-94) , brother of the " last emperor " Puyi and his second wife, Marquise Hiro Saga (1914-87).
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6.7
The+Wandering+Princess
The Wandering Princess

1960

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