Director: German Lavrov

Triumph Over Violence

Romm's "Ordinary Fascism" pulls out all the stops in its selection of documentary material to draw the viewer not only into absolute horror about fascism and nazism in the 1920s–1940s Europe, but also to a firmest of convictions that nothing of the sort should be allowed to happen again anywhere in the world.

July Rain

Lena, a woman in her late twenties, loves her boyfriend, but in time comes to see that their relationship serves no useful function. What's more, she sees that her friends are for the most part empty-headed lackeys, causing her to wonder just what is the point of her life.

Nine Days of One Year

Two young scientists are exploring new fields of nuclear physics. Dmitry Gusev and Ilya Kulikov are good friends, but rivals in love. Dmitry marries Lyolya and they live happily together. Luck has it that he makes an important discovery. Unfortunately he exposes himself to radioactivity during the experiments. As a result he falls seriously ill. However Dmitry has a strong spirit. His will to live, the deep passion for his work and his strong love for mankind makes it possible for him to recover.

The Roundabout

Satirical comedy based on the notebooks and short stories by Anton Pavlovich Chekhov: "Romance with Double-Bass","On the Harmful Effects of Tobacco", "Misery", "Grateful", "Polinka", "The Cynic", "The Ninny".

Punisher

A sad story about a series of tragic events which happened in Greece during the seventies.

The Big Ore

A story of Victor, a young man who is working in a big mine as driver.

Call Me from Afar

Grusha's (Lidiya Fedoseyeva-Shukshina) husband has left her and she is now a single parent to her adolescent son Vitya (Vladimir Naumenko). Her brother Nikolay (Mikhail Ulyanov) is determined to hook her up with his friend Vladimir (the film's co-director Stanislav Lyubshin). For Grusha and Vladimir to have privacy to build up their relationship, Nikolay decides his nephew Vitya needs to stay out of the way, so he urges Vitya to come live with his family for a while. However, Grusha's not so sure about the arrangement. Based on a play by Vasiliy Shukshin.

And Still I Believe

Originally called World '68, later retitled The World of Today Romm’s film was conceived as an impassioned, large-scale essay on the origins of the 20th century and the subsequent reality the disappointed director felt slipping away from him. The film itself slipped away from him and was left unfinished at the time of his death. His younger colleagues, Marlen Khutsiev, Elem Klimov and German Lavrov, completed the film from the elements he left behind in addition to segments from Ordinary Fascism, closing the film with Romm’s ultimately optimistic outlook: "And still I believe that man is sensible..."